Igor Stravinsky wrote that he left the Paris theater where the 1913 premiere of his revolutionary work, “The Rite of Spring,” was inciting a bourgeoisie riot before it had finished its Prelude; he saw where things were headed. Coco Chanel and Igor Stravinsky , a heady, austere, wholly unmoving account of their rumored affair, adopts the “Rite”‘s debut as its own prelude, and its bravura execution offers intimations — promising and less so — of what’s to come.
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REVIEW: Coco Chanel and Igor Stravinsky Caught in More Than a Bad Romance
