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Donnis Premieres ‘Gone’ Video Featuring Just Blaze And Estelle

Kidz in the Hall’s Double-O is also in the clip, which Donnis says is ‘not the traditional hip-hop video.’ By Jayson Rodriguez Donnis on the set of his video for “Gone” Photo: Jayson Rodriguez It’s not quite freshman hazing, but when upstart MC Donnis is joined at a party by the likes of Just Blaze , Estelle and Kidz in the Hall ‘s Double-O for his debut video for “Gone,” things get out of hand fast. The trio livened things up so much that a groggy Donnis wakes up in the clip (presumably the next morning) and tries to remember what happened the night before through a series of “Memento”-like flashbacks. “The video is basically a party gone backwards,” the rapper explained on the set of the BBGun-directed project . “People haven’t seen that in a long time. It has a lot of twists to it. It’s not the traditional hip-hop video. We tried to do things a traditional hip-hop video wouldn’t do. The club [scene] is a little bit in the vein of hip-hop, but the house party is very different from what you usually see.” In the opening scenes of the video, Donnis is seen picking up his tie from the previous night and reaching for his sunglasses, which are damaged. As he’s walking across the bedroom floor, flashes of last night’s proceedings appear onscreen: a female friend writing her phone number on his hand, the rapper bumping into a club-goer and Donnis’ face through a peephole as he’s knocking on an apartment door. As the music cues and he attempts to catch a cab back home, a clock pops up onscreen running backward, and Donnis begins reaching for the previous night’s memories. The bump caused his glasses to break. The girl’s apartment he just left was in the cab with him and another female the night before, who were, uh, just as friendly with each other as they were with him. The video is a montage of different club scenes that help to explain Donnis’ night before the end of the clip, when Just Blaze does his best Dame Dash impersonation by pouring champagne everywhere and then Estelle opens the door to welcome the rapper to her house party. The track “Gone,” released by A-Trak’s Fool’s Gold Records, was produced by Needlz and appears on Donnis’ mixtape, last year’s Diary of an ATL Brave, and also on his upcoming mixtape Fashionably Late. Donnis is featured in the April issue of XXL as a part of the Freshmen 10 class and is working on his Atlantic Records debut, Past Visions of the Future. What do you think about Donnis’ “Gone” video? Do you agree with him that it’s not a traditional hip-hop video? Let us know in the comments!

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Donnis Premieres ‘Gone’ Video Featuring Just Blaze And Estelle

E-40 Says Two New Independent Albums ‘Complement Each Other’

‘I had a whole bunch of songs,’ MC says of the decision to record two CDs, in Mixtape Daily. By Shaheem Reid E-40 Photo: SicWidIt Don’t Sleep: Necessary Notables Independent Albums : Revenue Retrievin’: Day Shift and Revenue Retrievin’: Night Shift Headliner : E-40 Key Cameos : “Can’t Stop the Boss” (featuring Too $hort, Snoop Dogg and Jazze Pha), “Power Up” (featuring San Quinn and Keak Da Sneak), “Whip It Up” (featuring Gucci Mane and YV), “Outta Control” (featuring Dem Hoodstarz and Mistah F.A.B.) Essential Info : About the only one in the game who can sign the independent-minded rap legend E-40 is his son, producer Droop-E. 40 kept the scrilla all in the fam by inking a deal with Droop’s Heavy on the Grind Entertainment, which is distributed through EMI. 40 also made two LPs while paying for the studio time of one. The Bay Area Ambassador was originally supposed to put out one album at the end of 2009 but decided it wasn’t financially sound to drop it during the fourth quarter. “At first I had a whole bunch of songs,” 40 explained. “I was just gonna do Revenue Retrievin’. Then I was like, ‘I’mma go ahead and do two of these.’ I didn’t want to come out in the fourth quarter, because it was just co-op pricing and positioning [in record stores]. All that stuff is double and triple as far as to buy into programs with retailers and have your stuff on the shelf. Because you competing with Christmas songs and all type of stuff during that time — it just doesn’t add up. It seems like when you do come out in the fourth quarter sometimes, once that fourth quarter is over, the album is over.” Since he had a delay in his album release, 40 kept recording and came up with an extra body of work. “I ain’t new to this two-CD thing,” he added. “I did a double CD, The Element of Surprise, in 1998. That album went gold. That double CD was all contained into one package. This one is different because it’s two separate CDs with two separate bar codes and they both complement each other: the Day Shift and the Night Shift. I took them [album cover photos] with the same poses, different locations. I did different poses with different outfits on. The Day Shift songs are things that would unfold during the daytime. Night Shift is what would unfold during the nighttime. So, that’s how I put that whole thing together. I did both all on one album budget. We got a whole lot of team players.” 40 is not stopping there; he said he’s looking to release another LP possibly by year’s end. Other Heat This Week