Tag Archives: taste-at-worst

20 Years After Oscar: Silence of The Lambs Holds Up, Jack Palance Not So Much

I have no idea how this concept eluded me for two years, but there it is: The 3rd annual 20/20 Awards were announced recently, honoring the best films of 1991 after two decades worth of distance and hindsight. Great idea — even though the event turned out just about as anticlimactically as this year’s real thing. That’s what happens when Oscar apparently gets it right. To wit, the Silence of the Lambs once again swept the major categories of Best Picture, Director, Actor, Actress and Screenplay (Adapted), claiming five “Felixes” on the night and leading the way among an unprecedented eight “Odd Couples” to win both Oscars and Felixes. (HA! Cute.) Alas, ’91 Supporting Actor Jack Palance and Supporting Actress Mercedes Ruehl were overthrown by John Goodman ( Barton Fink ) and Geena Davis ( Thelma & Louise ). Find the full list of winners below. Congrats to all! (* denotes an Oscar winner) BEST PICTURE THE SILENCE OF THE LAMBS* BEST DIRECTOR Jonathan Demme – THE SILENCE OF THE LAMBS* BEST ACTOR Anthony Hopkins – THE SILENCE OF THE LAMBS* BEST ACTRESS Jodie Foster – THE SILENCE OF THE LAMBS* BEST SUPPORTING ACTOR John Goodman – BARTON FINK BEST SUPPORTING ACTRESS Geena Davis – THELMA & LOUISE BEST ORIGINAL SCREENPLAY Callie Khouri – THELMA & LOUISE* BEST ADAPTED SCREENPLAY Ted Tally – THE SILENCE OF THE LAMBS* BEST FOREIGN FILM DELICATESSEN BEST DOCUMENTARY HEARTS OF DARKNESS: A FILMMAKER’S APOCALYPSE BEST SCORE Wilson Pickett – THE COMMITMENTS BEST SONG Until The End Of The World – UNTIL THE END OF THE WORLD BEST EDITING Conrad Buff, Mark Goldblatt, Richard A. Harris – TERMINATOR 2: JUDGEMENT DAY BEST CINEMATOGRAPHY Lun Yang – RAISE THE RED LANTERN BEST ART DIRECTION Dennis Gassner – BARTON FINK BEST COSTUME Valérj]ie Pozzo di Borgo – DELICATESSEN BEST MAKEUP THE ADDAMS FAMILY BEST VISUAL FX TERMINATOR 2: JUDGEMENT DAY* BEST SOUND DESIGN TERMINATOR 2: JUDGEMENT DAY*

Originally posted here:
20 Years After Oscar: Silence of The Lambs Holds Up, Jack Palance Not So Much

What to Expect When You’re Expecting Gets a Trailer for the Marginalized-Woman Era

I know we were kinda just talking about this, but at a point in time when women’s rights and representation are threatened at seemingly every turn by bureaucrats , ideologues , campaign financiers and bald-faced misogynists , how predictable should it have been that the new trailer for What to Expect When You’re Expecting — the best-selling, most influential maternity guide in the known universe — would marginalize the actual mothers and focus almost entirely on the guys? Don’t change, Hollywood! Actually, yes. Maybe change just a bit. In fairness to Lionsgate, the last time the marketing team went full chick-flick, we got a series of posters that had even the bodysnark-averse observers at Jezebel ” hypnotized by the Styrofoam lumps they shoved under the stars’ shirts.” So to Plan B, as in “Boy”: What’s the worst that can come of enlisting Chris Rock, Dennis Quaid, Thomas Lennon, Matthew Morrison, Rodrigo Santoro and others to play up the fatherhood side of the equation? On second thought, with the male half of the ensemble mugging and contorting opposite various expressions of hysteria and breaking off one-liners referring to the side of the stroller walk “where happiness goes to die,” let’s not answer that. Not to overthink the unthinkable, or unthought-out, or whatever. But with so much cynicism and garish guy-centricity in the air right now, this trailer seems just aloof at best and in appallingly, almost absurdly bad taste at worst. But you tell me? [via Yahoo! ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

Follow this link:
What to Expect When You’re Expecting Gets a Trailer for the Marginalized-Woman Era