There’s always been a soft spot in my heart for grand, uncompromising, crazy-eyed acts of directorial ambition/folly — films like Southland Tales and The Fountain , Heaven’s Gate and One From The Heart — that are either disaster or genius depending on who you talk to but that could never be described as restrained. Margaret , playwright Kenneth Lonergan’s second turn as a director after 2000’s very good You Can Count on Me , joins these titles after spending years in post-production purgatory as Lonergan reportedly struggled over a final cut, following lawsuits and studio battles and delays upon delays. (Among those listed in the opening credits are two people who’ve passed away since production began, executive producer Anthony Minghella and producer Sydney Pollack.)
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REVIEW: Kenneth Lonergan’s Flawed But Glorious Margaret Somehow Hits the Mark