X-Men: First Class wants to be five movies at once, and it occasionally succeeds at being a few of them: One minute it’s a stylish James Bond-style retro pleaser, the next a bitter-edged revenge melodrama, the next your boilerplate “embrace individuality” empowerment brief. It is also, of course, a movie based on a comic-book franchise — in this case, Marvel’s long-running, multi-tentacled X-Men saga — and for that reason alone, it comes with a million other expectations attached. I don’t know what director in his right mind would want to take on such a project, but I admire Matthew Vaughn for trying.
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REVIEW: McAvoy and Fassbender Are First-Rate in X-Men: First Class
