Posted in Celebrities, Gossip, Hollywood, Music
Tagged ashley-bell, Demon, hardly-believes, Hollywood, huge, Mtv, News, stars
We find out how the film managed to get a PG-13 rating, what special effects were used and more. By Eric Ditzian Ashley Bell in “The Last Exorcism” Photo: Lionsgate Aside from “The Crazies,” a little horror flick in which I happened to have a juicy cameo, “The Last Exorcism” might be the most memorable fright fest of the year. But that’s coming from a person who doesn’t really like horror, at least not when it comes to limb-shredding, blood-gushing terror. I want storytelling creativity in my horror, characters I truly want to see survive, some reason to keep watching other than the dull, dumb pleasure-pain of watching other people suffer. That’s why I’m a “Last Exorcism” fan. The film follows Cotton Marcus (Patrick Fabian), a disillusioned preacher and exorcist who hired a documentary crew to expose those who purport to exorcize demons from troubled souls. They head to rural Louisiana, where a young girl (Ashley Bell) is said to be possessed, though Cotton hardly believes any of it. You can, however, bet that things soon turn freaky … and that not everyone is going to live to see daylight. I had a lot of questions about how director Daniel Stamm and his filmmaking team — including producer Eli Roth — pulled everything off, and Stamm, a German newcomer to the Hollywood scene, was happy to oblige in a recent conversation. Here are four “Last Exorcism” secrets revealed. They Made No Cuts to Get a PG-13 Rating After taking in a screening last week, I was shocked to realize the film wasn’t rated R. It was just too scary to think otherwise. Yet it’s actually PG-13, owing to a lack of foul language and very few bloody moments. But did Stamm have to cut anything out to get that rating? Turns out, they didn’t have to make any changes. “We never shot for any particular rating,” Stamm explained. “I shot what I thought was scariest. To me, gore isn’t necessarily scary. It’s all about suspense and eeriness. It’s almost like shaking a bottle of Coke and the pressure builds up, but you keep the lid on it for as long as possible. Once you go into gore, you release that pressure and have to start all over again.” “There wouldn’t be any dirty language, because they’re on a farm of this very religious guy,” he added. ” ‘The Exorcist’ is a brilliant movie, but to me a demon is this timeless entity, and if a demon suddenly says ‘f—,’ that destroys the agelessness. I had no interest in having our demon use dirty language. When we were putting it together in the editing room, we thought this might very well be a PG-13 movie.” There Is Only One Digital Effect We live in an age of reliance — some might say over-reliance — on computer-generated special effects. But what’s often sacrificed with CGI is a gritty realness, which is why top-flight directors like Christopher Nolan use practical effects whenever possible, despite the often added expense. Though he was hardly working with a budget on the scale of “Inception,” Stamm used only one visual effect in “The Last Exorcism”: to ramp up an enormous fire. What’s more, he barely used any special effects: one bloody cut, one bloody cow, one bloody cat, and one thing that will remain secret, lest we spoil the movie’s twisty ending. For the special effects, Stamm recruited makeup effects guru Gregory Nicotero, who’s worked with nearly everyone in Hollywood, including Quentin Tarantino and Michael Bay. “[Nicotero] sent the cow from Los Angeles in a huge box,” laughed Stamm. “He had his guy on set with the blood pump, who was all prepared to go full-out gore. It’s so tempting when you have a genius like that who can make anything look spectacular, but you always need to remind yourself to use restraint because that’s not the story you want to tell. Also, you don’t want to get into ‘Exorcist’ territory. We didn’t want to use any gimmicks. Our whole movie is based on the idea of whether she’s possessed or crazy, so we couldn’t have her levitate or have her head spin.” She Did All Those Bends Herself You can’t walk into a subway station in New York City without seeing the “Last Exorcism” poster: a black-and-white photo of Bell bending over backwards as the purported demon contorts her body. When this happens in the movie, it’s a shocking and scary moment. Turns out that this scene contained not a single visual effect and that Stamm didn’t even know he’d be able to pull it off until days before they shot it. “She’s double-jointed,” he said. “I had no idea. I just cast her because she was brilliant. Two days before we shot the actual scene, which was planned completely differently, we were in the hotel lobby and I asked her if there was anything she wanted to try during the exorcism. She got up and said, ‘Why don’t I do this?’ and she bent over backwards in the hotel lobby. I ran back to my room and rewrote the scene and now it’s become the core of the movie.” “I made sure Patrick didn’t see that before the scene,” Stamm continued. “The first time he ever saw it was that first take. A lot of the stuff in the finished scene is from that first take because he just couldn’t believe what he was seeing.” They Studied Horror Movies to Avoid Imitation From “The Blair Witch Project” to Cloverfield,” the faux-documentary movie has been used a ton, as has the exorcism plotline: “The Exorcist,” “The Exorcism of Emily Rose.” Stamm and his team were so adamant that they not repeat anything that’d come before that they watched all of these films and excised any points that felt duplicative. “We made sure we weren’t doing anything in these other movies,” Stamm explained. “And I also gained new understanding of these movies. ‘Blair Witch,’ when I re-watched it, I realized for the first time what a smart film it is, how it’s so tense and smartly built.” They did, however, make one exception. The townspeople who talk about myth and superstition in “The Last Exorcism” were directly inspired by the townspeople recounting the legend of the Blair Witch. “We learned a lot from that,” Stamm said. Check out everything we’ve got on “The Last Exorcism.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .
Continued here:
‘The Last Exorcism’: Four Secrets Revealed
Posted in Celebrities, Gossip, Hollywood, Music
Tagged ashley-bell, blair-witch, Demon, exorcism, german, hardly-believes, Hollywood, huge, News, scene, stars
Critics praise the film’s story and actors, but not everyone is impressed. By Eric Ditzian Ashley Bell in “The Last Exorcism” Photo: Lionsgate Not all of us on the MTV Movies team are horror fans. Some have admitted in public that knife-wielding maniacs and rivers of blood freak us out. What a delight, then, to find “The Last Exorcism.” Though, honestly, there is nothing delightful about this low-budget flick, which delivers plenty of tense jolts and sweaty-palmed anticipation, forcing us scaredy-cats to hide our eyes. It’s just that “Last Exorcism” is such a delightful surprise. The film is a character-driven drama tethered to everyday reality by its faux-documentary style. The disillusioned preacher, the frightened small-town teen — these are people to whom we can relate, for whom we can come to care. We’ll take this sort of horror flick any day over the torture porn of something like “Hostel” or the paint-by-numbers scares of so many ongoing franchises. Not everyone agrees. The film has received largely positive reviews, but many dissenters remain. Still, “Last Exorcism” is expected to compete with the crime thriller “Takers” for the #1 spot at this weekend’s box office. Here is what the critics are saying about “Last Exorcism”: The Story “[The film is a] portrait of preacher Cotton Marcus (smoothly played by Patrick Fabian). Having performed fake exorcisms since he was a child, the clean-cut family man, undergoing an apparent crisis of conscience, is planning to cop to the 25-year charade by letting a documentary crew in on all the tricks of his trade. But soon after they show up at the rural Louisiana home of a strict fundamentalist farmer (Louis Herthum), it becomes readily apparent that his tormented, wide-eyed teen daughter (an impressive Ashley Bell) is going to require much more than just sideshow sleight of hand.” — Michael Rechtshaffen, The Hollywood Reporter The Performances “Both Fabian and Bell are outstanding. Yes, Marcus is kind of a creep, preying on the beliefs of others for his own gain. But Fabian makes him likable anyway, someone who’s willing to take us inside the game, even if it’s at his own expense. His character loves the camera, and it returns the feeling. Fabian makes him a show-off but not a boor. Bell is even better. How could a girl this sweet do the things for which she’s supposedly responsible? Is she really possessed? Is she disturbed? Sometimes a simple smile can more thoroughly creep you out than all the head-spinning and pea-soup puking in the world.” — Bill Goodykoontz, The Arizona Republic The Scares “The suspense is finely crafted. ‘The Last Exorcism’ doesn’t rely on cheap shock effects but locates scares in weird images — many of which cut deep because the camera is caught out of position, or isn’t in focus, or is far from the action. Director Daniel Stamm stimulates the imagination rather than shunt it aside: The horror genre is all about exercising restraint in the presence of the unrestrained.” — Kyle Smith, New York Post The Dissenters “The pieces are all there: Marcus’ desire to atone for decades of bamboozling, the utterly screwed-up Sweetzers, weighty questions about the costs of spiritual solace delivered cheaply or disingenuously. But despite mostly solid performances (particularly by Fabian, who quickly gets you rooting for the slick Marcus) and a satisfying, slow-building tension, things fly apart rather than come together. It’s like director Daniel Stamm and his crew realized they were treading awfully close to making a film with real depth and edge that horror audiences might hate, and they just couldn’t pull the trigger. This explains a final sequence that spectacularly squanders all the potentially stimulating material from the previous 86 minutes. There may once have been a good and a bad film fighting for the soul of ‘The Last Exorcism,’ but in its final moments, cinema’s dark forces triumph emphatically.” — Jesse Singal, The Boston Globe The Final Word “Possessed by suspense, talent, brains and a gothic sense of humor, ‘The Last Exorcism’ makes first-rate use of religious doubt and religious extremism to concoct a novel horror-thriller clever enough to seduce unbelievers while satisfying the bloodlust of its congregation/fanbase. While spasmodic handheld camerawork has become increasingly tiresome as a shock device-cum-convention, it’s deployed here with enormous restraint and skill by d.p. Zoltan Honti, and helmer Daniel Stamm knows when to trim the visual frills and stick to the demonic vs. the divine. Expect collection plates to fill up for the August 27 release, and to hear hosannas from Lionsgate.” — John Anderson, Variety Share your “Last Exorcism” reviews in the comments! Check out everything we’ve got on “The Last Exorcism.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .
See original here:
‘The Last Exorcism’: The Reviews Are In!
Posted in Celebrities, Gossip, Hollywood, Music
Tagged ashley-bell, camera, cotton-marcus, crime, daniel-stamm, Game, Hollywood, imagination, Movies, Mtv, patrick-fabian, praise-the-film, stars, unrestrained
Breaking Sports Video
Pac-12 NCAA Sports
Justin Bieber Fan Site Breaking News
