Tag Archives: distractions

Drake, Rihanna Get ‘Super Close’ In ‘Take Care’ Video

‘It’s not narrative at all, and it involves animals,’ director Yoann Lemoine tells MTV News of new clip. By Tomika L. Anderson Rihanna and Drake Photo: NBAE/Getty Images Capturing the chemistry between Drake and Rihanna on the set of their new video wasn’t very hard, the director of the clip, Yoann Lemoine, told MTV News. The video for “Take Care” was shot during the Super Bowl. “They seemed to be super close and that’s what I wanted for the video,” Lemoine, best known for directing Katy Perry’s “Teenage Dream,” Taylor Swift’s “Back to December” and Mystery Jet’s “Dreaming of Another World,” told us. “They fit together pretty well so it was just easy.” Lemoine said the three-day shoot — which took place in a studio as well as a park — had a “very minimal” and “mellow” vibe, even though the track itself is decidedly more upbeat. “Visually, it’s a very humble video … it’s not crazy,” the alternative indie musician who also goes by the stage name Woodkid said. “It’s actually the most indie video I’ve done my whole life. It’s probably the most famous artists, and they were so open to a project that was so minimal.” “There’s a lot of space in the video and I wanted the visuals to pay tribute to that,” he continued. “It pays tribute to nature. When I listened to the track, I was seeing a landscape … involving animals and massive landscapes. I won’t say too much, but it’s very surprising that there are very few elements in it. It’s very simple but there’s this big sense of emptiness in it. It’s not narrative at all, and it involves animals.” The French filmmaker does not know when the video will air, but he did say that the editing process is going in a “very good direction.” Lemoine — who tweeted a picture of himself with the rap-and-R&B duo last week — admitted that they all watched the Super Bowl on the set between takes, but that there weren’t very many other distractions. “There’s something very minimal and very delicate [about it] in a way,” he added. “And it was very symbolic too.” Related Artists Drake Rihanna

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Drake, Rihanna Get ‘Super Close’ In ‘Take Care’ Video

Pity the Prez: NYT Blog Hauls Out the ‘Distraction’ Meme Again (Update: Press Treated NoKo as a Distraction in April 2009)

I heard Rush mention this Caucus Blog item at the New York Times on his program today. It seems that the Times's Michael Shear is disappointed that Dear Leader is yet again caught up in a “distraction” (“Pat-Downs Ensnare White House in New Distraction”) It's headlined in the item's browser window as “Pat-Downs Ensnare White House in New Controversy.” Interesting edit, don't you think? If it's a “controversy,” the President owns it. If it's a “distraction,” well, it's an unfair intrusion. Clever. Shear wrapped it in a narrative whose theme was that “It all felt vaguely familiar.” Well, yeah. What's more than vaguely familiar has been the press's tendency to lament the distractions our supposedly otherwise focused like a laser beam chief executive must endure. On April 9, 2009 (at NewsBusters ; at BizzyBlog ), I noted that “The words 'Obama' and 'distraction' have both appeared in 2,425 articles in just the past 30 days; excluding duplicates, it's about 450.” In his blog entry, Shear listed many other awful distractions the president has encountered. What's interesting are how many of them escalated because of Obama or people working directly for him: read more

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Pity the Prez: NYT Blog Hauls Out the ‘Distraction’ Meme Again (Update: Press Treated NoKo as a Distraction in April 2009)

Josiah Leming Returns, Reinvigorated, With Come On Kid

‘I know I’ve still got a lot to prove, but I’m ready,’ the ‘American Idol’ castoff says of his debut, due September 14. By James Montgomery Josiah Leming on the cover of his album Come On Kid Photo: Warner Bros. Josiah Leming knows you’ve probably forgotten about him. After all, there was a time not that long ago when he had forgotten about himself too. “Absolutely, people have forgotten me, and rightfully so. I haven’t given them too much to think about,” he laughed. “I basically disappeared for a while. I had let the momentum drop. I hadn’t been writing. I was stubborn, and I was not prepared to fully dedicate myself to this. I had completely lost touch. And then, three little words popped into my head.” Those words were “Come On Kid,” a mantra he kept repeating to himself as he fought to rediscover the spark that had made him a standout on “American Idol” back in 2008 (despite not even making the top 24 ) and earned him an unheard-of contract with Warner Bros. Records soon after. Eventually, the phrase drove him to ditch his two-bedroom apartment in Los Angeles, disconnect from all the distractions — both external and internal — that had kept him from finishing his Warner full-length, and, as he puts it, “re-center himself.” And for all of those reasons, there was really nothing else Leming could call his debut, which will finally see the light of day September 14. It’s an album that showcases not only his skills as a singer/songwriter (which were pretty apparent early on ), but his newfound sense of maturity too. And that, really, was the key all along. “A lot of people that get off ‘Idol’ and jump into a contract don’t think there’s any more development to be done, since there’s a fanbase now. And I was definitely like that,” he said. “I was a little cocky, I wanted it all right away, and [Warner] realized they needed to develop me. They told me that I needed to keep writing, that I needed to be ready mentally, and that there was really no choice but to wait until I was ready. “But I kept writing songs that I liked, and the label liked them, too, but they just didn’t feel like there was a single for radio, so they didn’t want to put an album out,” he continued. “And I was getting more and more frustrated, because, really, I wasn’t ready to do the work. Like I’ve always done, I wanted to run. When I was young, I ran away from home. After ‘Idol’ didn’t work out, I ran from that. And I wanted to run from this. But, luckily, I didn’t.” Leming said he had an awakening last summer, after his mother died following a lengthy battle with cancer . He realized he had no other options, that making music was his dream, and he was about to blow a tremendous opportunity. Inspired, he parted ways with his previous management team, got back to writing and told the label that he was finally ready to work. “I just realized that I was meant to do this, there was no other plan,” he said. “So I sat down and figured out how I was going to make this work.” And the end result is, finally, Come On Kid. While its release should be triumph enough, the newly invigorated Leming is hitting the road hard to promote it, playing new songs and still aiming for the stars, despite the fact that most folks have forgotten his name. His new mission, he said, is to change that. “I like being the man down, and I know I’ve still got a lot to prove, but I’m ready,” he said. “The dream is still there, and I’ve still got the same lofty and unrealistic goals. Why wouldn’t I? I’m a 21-year-old kid.” Are you rooting for Josiah Leming to make it big? Let us know in the comments! Related Artists Josiah Leming

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Josiah Leming Returns, Reinvigorated, With Come On Kid