Sorry to disappoint the fanboys, but this is the first film in the Resident Evil series in which Milla Jovovich neither begins nor ends the movie stark naked. That said, her skintight ass-kicking ninja outfit doesn’t exactly leave much to the imagination, and her most sensual features — her feline eyes and liquid mouth — are as available and expressive as ever. For the fourth consecutive film in the franchise, she’s a whirling, swirling, zombie-killing baby doll, and remains the only reason to visit Paul W.S. Anderson’s dopily grim dystopia. It’s a fact that Anderson tacitly acknowledges in the film’s opening scene, populating the screen with dozens of careening Jovovich clones.
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REVIEW: With Resident Evil: Afterlife, There’s Not Much Thrilla Left in Milla
