Tag Archives: jack & diane

Cloverfield’s Matt Reeves To Direct Sequel Dawn Of The Planet Of The Apes

Things have been a tad quiet on the Planet of the Apes front of late, but Deadline reports that the sequel to Rupert Wyatt’s hit reboot — saddled with the unwieldy title Dawn of the Planet of the Apes , which instantly makes me think zombies are going to join in with our primate frenemies on the assault on mankind — has landed a new director in Matt Reeves ( Cloverfield , Let Me In ). Wyatt did well with his franchise re-starting Rise of the Planet of the Apes (only his second film, following the festival hit The Escapist ) so it was a bit surprising when he left the Fox sequel last month. The film only earned one Oscar nod, for Best Visual Effects, but notably sparked debate over the performance-capture as art thanks to Andy Serkis’s work as ape Caesar. Reeves demonstrated an innovative sensibility with Cloverfield and earned critical support with his most recent effort Let Me In , the Americanized remake of the kid vampire flick Let The Right One In . (Cue groan-worthy Hollywood puns: Did Fox let the right director in? ) Given the effects work and close collaboration with WETA that the first Apes film involved, however, he’s got a big job ahead of him in order to meet the Apes sequel’s May 23, 2014 release date. [via Deadline ]

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Cloverfield’s Matt Reeves To Direct Sequel Dawn Of The Planet Of The Apes

No Country For Young Women? Scott Rudin, Sony Pictures, In Talks For Little House On The Prairie

These hardscrabble times deserve a movie about hardscrabble life.  So, it’s not surprising to see Deadline’ s Mike Fleming report that Sony Pictures and Scott Rudin are talking about making a feature film based on Laura Ingalls Wilder’s classic book series about 19th-century farm life in the West,   Little House On The Prairie. Judging from the players who appear to be coalescing around the project though, the Little House movie will be True Grit -tier — and, possibly, funnier — than the popular shucks-and-darn NBC TV series that ran from 1974-83. Rudin, who produced No Country for Old Men,    True Grit  and The Girl with the Dragon Tattoo , likes to serve up culture that explores the darker aspects of humanity.  Even the whimsical Moonrise Kingdom  had two very troubled teens at the center of its story. Director David Gordon Green is best known for directing two smart-ass comedies,   Pineapple Express and The Sitter ,  which really has me hoping that Seth Rogen will play Pa Ingalls as a homegrown hemp-smoking pioneer. And Abi Morgan wrote the screenplays for The Iron Lady and Shame, which were not exactly family-friendly movies.  I’d love to see what Morgan would do with one of my favorite weird lines from the TV series. When Nellie Oleson, the 19th-century equivalent of a mean girl complains that Laura Ingalls too often does not smell as girlie as she should and often stinks of sweat and/or fish,  Laura replies: “I sweat a lot and I fish a lot!”  [ Deadline] Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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No Country For Young Women? Scott Rudin, Sony Pictures, In Talks For Little House On The Prairie

John Mellencamp Comments On Bradley Rust Gray’s Jack & Diane − And He Sounds Annoyed

This is a little ditty about John Mellencamp’s vaguely annoyed reaction to Bradley Rust Gray’s Jack & Diane.  If you were born after the 1980s, you might not know that Gray’s “werewolf-lesbian-psycho-drama,” as it has been described, takes its title from Mellencamp’s giganto-1982 number-one hit and little else. (The National Endowment for the Arts chose the tune as one of the “Songs of the Century,” as in 20th, in 2001.) Mellencamp’s song is about a teenaged boy and girl living the so-slow-it-hurts Midwestern life of sucking down chili dogs outside the Tastee Freeze.  Gray’s movie is about, well, two lesbians, one of whom happens to be a werewolf. With the movie now on VOD, Mellencamp, whose nickname is “Little Bastard,”  apparently has been fielding a lot of questions about how his song ended up as the title of a movie — both use an ampersand — that has nothing to do with said tune, and on Monday afternoon issued an irritated sounding statement via his spokesman Bob Merlis. “You don’t hear my song in the film, and I played no part in suggesting or offering this title. It’s most apparent that the lead characters were named with the hope that the familiar title might resonate in some people’s minds,” Mellencamp said in the statement. “I guess that’s OK to do, strictly from a legal perspective, but riding on someone else’s coattails and having a moral compass is left up to each individual.” Merlis explained that Mellencamp “is not making a value judgment on the film. I don’t believe he’s even seen it,” he said. “He’s just wondering why this particular combination of names was chosen, with an ampersand joining them, for the title. It does hearken back to his song. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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John Mellencamp Comments On Bradley Rust Gray’s Jack & Diane − And He Sounds Annoyed