This is a little ditty about John Mellencamp’s vaguely annoyed reaction to Bradley Rust Gray’s Jack & Diane. If you were born after the 1980s, you might not know that Gray’s “werewolf-lesbian-psycho-drama,” as it has been described, takes its title from Mellencamp’s giganto-1982 number-one hit and little else. (The National Endowment for the Arts chose the tune as one of the “Songs of the Century,” as in 20th, in 2001.) Mellencamp’s song is about a teenaged boy and girl living the so-slow-it-hurts Midwestern life of sucking down chili dogs outside the Tastee Freeze. Gray’s movie is about, well, two lesbians, one of whom happens to be a werewolf. With the movie now on VOD, Mellencamp, whose nickname is “Little Bastard,” apparently has been fielding a lot of questions about how his song ended up as the title of a movie — both use an ampersand — that has nothing to do with said tune, and on Monday afternoon issued an irritated sounding statement via his spokesman Bob Merlis. “You don’t hear my song in the film, and I played no part in suggesting or offering this title. It’s most apparent that the lead characters were named with the hope that the familiar title might resonate in some people’s minds,” Mellencamp said in the statement. “I guess that’s OK to do, strictly from a legal perspective, but riding on someone else’s coattails and having a moral compass is left up to each individual.” Merlis explained that Mellencamp “is not making a value judgment on the film. I don’t believe he’s even seen it,” he said. “He’s just wondering why this particular combination of names was chosen, with an ampersand joining them, for the title. It does hearken back to his song. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.
John Mellencamp: It’s About You isn’t really about you, or me, or even about John Mellencamp, the Rock and Roll Hall of Famer who has built an enduring career with his eminently likable, real-person stage demeanor and his songs’ connection with the way regular people live. It’s About You is quite possibly mostly about the filmmaker, Kurt Markus, a commercial photographer who has shot portraits for publications including Vanity Fair, Rolling Stone and GQ , as well as ad campaigns for the likes of BMW and Armani. But that’s surprisingly OK: Mellencamp invited Markus and his son, Ian, to tag along, video camera in tow, to record his summer 2009 concert tour and to eavesdrop, visually and otherwise, on recording sessions for his 2010 album No Better Than This . Mellencamp even told Markus at the outset, somewhat cryptically, that the movie should be about Markus. And so It’s About You — whatever the heck it’s actually about – is in the end a kind of visual journal, a photographer’s way of seeing and responding to what’s around him. Those events and moments and glancing touches might include a group of musicians huddled around a single microphone in Memphis’s hallowed Sun Studios, or the flash of producer extraordinaire T. Bone Burnett’s cuff-links during another session, held in the same room where Robert Johnson cut a potent handful of songs in 1936. Markus accompanies the visuals with a voice-over narration that’s sometimes grating and other times startling in its perceptions. The result is a kind of homespun video scrapbook, bumpy seams and glue splotches and all; it’s flawed, but at least it feels handmade and human. Mellencamp could have faded away when he was still John Cougar Mellencamp, in the late 1980s, but somehow he’s managed to thrive as a modern rock’n’roll troubadour, standing tall and sturdy even alongside more massive luminaries like Bruce Springsteen and Bob Dylan. His low-key manner, as it’s revealed in It’s About You , is probably part of the key to his longevity: Even when he’s singing about boarded-up houses and busted American dreams, he never comes off as haranguing or overly morose – there’s always a glimmer of cautious optimism in his eyes. Markus captures that gleam both in the performance footage and in the more spontaneous recording sessions. Some of these sessions took place at the First African Baptist Church, in Savannah, Ga., which Markus tells us is the oldest black church in America. He also tells us about – though doesn’t show us – the bullet-size holes in the church’s floor, used to provide ventilation for the runaway slaves who were once harbored there. And we see Mellencamp and his then-wife, Elaine (the two have since split), donning white robes before they’re dunked in the church’s baptismal pool. There’s a kind of offhanded grace in the image. It’s not that Mellencamp and his wife aren’t taking the moment seriously; it just seems to be more of a piece with everyday living rather than some monumental event. This isn’t, strictly speaking, a concert film, and at one point Markus half-apologizes for not having a sound person along: He wanted to keep the whole thing as intimate as possible, and for that reason, he even refuses to set foot on Mellencamp’s tour bus. He states that he believes some moments, even on tour, should be kept private. But the real intimacy of It’s About You comes through in Markus’s footage of faded, semi-deserted Midwestern downtown streets, with their battered storefronts and rusty signage. Markus narrates some of this footage in a sort of numbed monotone. And just when you might be wishing that he’d shut up and let the images speak for themselves, he comes out with something that stops you cold. “These empty shells of better days are the biggest attraction America has going for it,” he says at one point, meaning that they’re visions of something truly American that persist even in the face of economic hardship and decay. His camera shows us deserted drive-thru restaurants and shuttered shops in sections of San Antonio, and he remarks that it’s as if a plague had wiped out a whole population, suddenly and thoroughly. “It’s a Texas Pompeii,” he says, observing how sadly beautiful it all is. As captured by Markus, Mellencamp, now 60, is looking a little weatherbeaten himself, but in a handsome, vital way — he shows no sign of going the way of those sad, forgotten downtowns. Still, they’re a big part of what he’s all about. Because, in the end, it really isn’t about him. Follow Stephanie Zacharek on Twitter . Follow Movieline on Twitter .
The couple, who were wed for 18 years and have two sons – Hud, 17, and Speck, 16 – separated on Sept. 1, 2010, and he filed for divorce on Jan. 14. Their divorce, his third, was formalized on Aug. 12. The couple negotiated “an amicable settlement of all issues involving property and maintenance rights, the custody and support of their children, and all other issues,” according the settlement agreement. Rocker John Mellencamp and his estranged wife, model Elaine Irwin Mellencamp, are officially
Filed under: Meg Ryan , John Mellencamp , Hook Ups , Paparazzi Photo Wearing matching sunglasses, alleged couple Meg Ryan and John Mellencamp (Megencamp?) were spotted out in NYC today. There’s no question they are together … in this picture. Read more
Meg Ryan and John Mellencamp have been dating for several weeks, according to reports. John announced his separation from wife Elaine just days ago. The actress, 49, and the rock star, 59 spent time together on Martha’s Vineyard and in New York City in recent days, enjoying their newfound romance. A source close to Ryan says they began dating about seven weeks ago, and that Mellencamp and his wife had been separated for awhile before that. Mellencamp has been married three times and has five children, including two sons with Elaine. Ryan has been married once, to actor Dennis Quaid. They divorced in 2001 after 10 years of marriage. They have a son, Jack Henry, who is 18. Ryan also has a daughter, Daisy True, 6, adopted from China.
Filed under: Catherine Mary Stewart , Memba Them , Beauty In the 1980s, Catherine Mary Stewart starred in films like ” The Last Starfighter ,” ” Night of the Comet ,” ” Mischief ” and ” Weekend at Bernie’s .” Guess what she looks like now ! Read more
Filed under: Catherine Mary Stewart , Memba Them , Beauty In the 1980s, Catherine Mary Stewart starred in films like ” The Last Starfighter ,” ” Night of the Comet ,” ” Mischief ” and ” Weekend at Bernie’s .” Guess what she looks like now ! Read more
Filed under: Meg Ryan , John Mellencamp One week after John Mellencamp publicly split from his wife — the rock legend and maybe-GF Meg Ryan hit a local market in NYC yesterday
Filed under: Meg Ryan , John Mellencamp One week after John Mellencamp publicly split from his wife — the rock legend and maybe-GF Meg Ryan hit a local market in NYC yesterday
