Some movies come directly to you, begging for your attention if not demanding it outright. And other movies sit still and quiet even as they hold out a hand, beckoning you closer until you’ve been drawn in almost in spite of yourself. Tomas Alfredson’s Tinker Tailor, Soldier, Spy , an adaptation of John Le Carré’s 1974 novel, is the latter type.
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REVIEW: Gary Oldman Sneaks Off with One of the Year’s Great Performances in Tinker, Tailor, Soldier, Spy