Tag Archives: kenny-loggins

Foo Fighters’ Tape Promo And More Rock Footnotes We’re Claiming

Our Bigger Than the Sound columnist is taking credit for that and five other moments in rock history. By James Montgomery James Montgomery interviews the Foo Fighters Photo: Jonathan Mussman / MTV News Honestly, I don’t know if I should be flattered or outraged right now. On Tuesday, the Foo Fighters released their (genuinely excellent) Wasting Light album, a snarling, knotty thing that, as anyone who bought a copy can attest to, also comes packaged with a snippet of the master tapes it was recorded on. I’ll be the first to admit that it’s a rather brilliant little marketing ploy, especially since I may have been the one who thought it up in the first place. See, last month, when I sat down with the Foos for the premiere of their “Rope” video , we spent a fair amount of time discussing Light ‘s recording process &#8212 and the band’s much-covered decision to make the album in Dave Grohl’s garage, directly to analog tape. At one point, Grohl told me that, after final mastering, he cut the master tapes up “into a million pieces,” which led me to suggest &#8212 half-jokingly, I will admit &#8212 that he should include the fragments of tape with the actual album. “What a great idea!” Grohl laughed. No kidding. And while the outrage I felt upon learning the Foos had, uh, appropriated my concept has subsided some (I’d still like a platinum plaque, though), the whole incident got me thinking. Because whether I meant for it to happen or not, over the years, I have been responsible for creating a lot of ancillary rock bullsh– just like the Wasting Light marketing scheme. I suppose I have a knack for inspiring footnotes in the ever-expanding book of rock and roll (as Musical March Madness has proven). So here’s a look back at some of my Greatest Hits: The Great Killers/Bravery Beef of 2005 Yes, I am the guy responsible for this petty feud, which was a very big deal back when folks mentioned the Killers and the Bravery in the same sentence (or, really, mentioned them at all). It all started when I interviewed Brandon Flowers in March 2005, just as the Killers’ Hot Fuss was gaining traction here in the States, and, flush with confidence, he took the opportunity to lay the verbal smackdown on the Bravery, whom he saw as pretenders to the Killers’ sparkly throne. “They’re signed because we’re a band,” he told me. “I’ve heard rumors about [members of] that band being in a different kind of band, and how do you defend that? If you say, ‘My heart really belongs to what I’m doing now,’ but you used to be in a ska band? I think people will see through them.” Oh, snap. The two sides would continue to spar for most of the year (my favorite part was when Bravery frontman Sam Endicott said Killers’ bassist Mark Stoermer looked like “a 9-foot-tall, Dutch-girl mutant”) before the beef eventually got too lean for anyone to care about. Though, in a semi-related note, a year later, Flowers told me that the Killers’ upcoming Sam’s Town would be “one of the best albums in the past 20 years,” a quote that would haunt him for the majority of the album’s cycle and, in a lot of ways, doom it completely. Needless to say, we haven’t spoken a whole lot since. The Fall Out Boy Song “West Coast Smoker” This is the final tune on their 2008 album Folie

‘American Idol’ Preview: What Happens Post-Pia Toscano?

‘Idol’ expert Jim Cantiello offers up suggestions for the top eight as they tackle songs of the cinema. By Eric Ditzian “American Idol” top 8 Photo: FOX “American Idol” ended last week in a swirl of shock, anger and boo- hooing as Pia Toscano was sent home and Ryan Seacrest was reduced to begging viewers: “We need you! Stay with us this season!” Where does the show go from here? Well, “Idol” will be relying on the bright lights of Hollywood to wash out memories of arguably the most shocking elimination in its history, as the remaining eight singers take on songs of the cinema. That’s a familiar theme in “Idol” land, one last seen just last year (recall how Crystal Bowersox gave a killer country-rock makeover to Kenny Loggins’ “I’m Alright”), but which stretches back all the way to season two. What direction should the contestants take? Read on for what we’ll be looking for them to deliver. And in a special addition to this week’s preview, Jim Cantiello — whose “Idol Party Live” returns to MTV.com on Thursday at noon ET — will be adding in his own song picks. Casey Abrams We had long since tired of Casey’s uncreative use of his growls and groans and other assorted throaty eruptions, when we realized something: The real growly whiz kid on the show is Haley Reinhart. So there’s that. And there’s this: Casey’s now saddled with the judges’ save curse, and it’s only a matter of weeks before he’s headed home. His best bet is to haul out the upright bass again — it helped him avoid the bottom three last week — and continue to do what he’s been doing all along. It’s almost always enjoyable to hear; it’s just not enough to carry him into the final weeks of the competition. Jim’s Pick : Lindsey Buckingham’s “Holiday Road” from “National Lampoon’s Vacation” Haley Reinhart We can’t overstate how important this week is for Haley. This performance will be the key to knowing if her comeback is for real or if her surge will be remembered as an all-too-brief interlude between her lost-puppyish early songs and elimination. We’re hoping for the former, because it’s been so satisfying to see her find her creative sweet spot after languishing in the bottom tier. So Haley, don’t change a thing from what you started with “Bennie and the Jets” and continued with “Piece of My Heart.” Jim’s Pick : The Cardigans’ “Lovefool” from “Romeo + Juliet” Jacob Lusk Please take those uncomfortable hip thrusts and bury them, Jacob, much like you buried the idea to sing “Let’s Get it On.” While you’re at it, get rid of that unearned egotism that has crept into your persona as of late. And shoot, let’s make it a trifecta of things to ditch: songs so suffused with teary-eyed emotion that it appears you’re on the verge of a nervous breakdown rather than an all-important “moment.” Replace all this stuff with the restraint you showed during Marvin Gaye and Tammi Terrell’s “You’re All I Need to Get By,” your finest performance of the season. Jim’s Pick : Tevin Campbell’s “Round and Round” from “Graffiti Bridge” James Durbin We were surprised — and grateful! — that James avoided reaching for stadium-rock godhood during rock week and instead embraced his sensitive side, because we’ve argued again and again that such stuff is his strength. We just don’t think James agrees. We expect him to go uptempo again. No matter what he does, however, voters seem to dig it. Jim’s Pick : Kenny Loggins’ “Danger Zone” from “Top Gun” Lauren Alaina Like James, though for far different reasons, Lauren is at her best during slower jams. But she also can’t forget to add in a few dashes of country flavor, which often spice up her performances into piquant wowers. That was the problem with her competent take on “(You Make Me Feel Like) A Natural Woman” last week. Sure, it sounded great, but it didn’t sound like Lauren. This week, we’d like to see her go slow and country/rock. Not that it matters: This fan favorite ain’t going anywhere for a while. Jim’s Pick : Aimee Mann’s “Wise Up” from “Magnolia” Paul McDonald Paul’s most savvy move to date was making his guitar a staple of his live performances. Without the instrument slung across his shoulder, the guy feels compelled to lurch to and fro like a toddler after a margarita at Applebee’s; it’s unnecessary, not to mention kinda ridiculous. No one this season has more fun onstage, no one knows how to play to the crowd like he does and no one’s a better showman. For these reasons, Jim’s got the perfect song … Jim’s Pick : Pixies’ “Where Is My Mind’ from “Fight Club” Scotty McCreery Last week, we outed ourselves — if not as fans, than as humble appreciators of what Scotty dishes out:

‘American Idol’ Reveals New Exit Song: ‘Leave Right Now’

The tune, which will debut during Thursday’s results show, is by ‘Pop Idol’ winner Will Young. By Katie Byrne Will Young Photo: Mike Marsland/WireImage “American Idol” is offering up some tough love to eliminated contestants this year with the new farewell song “Leave Right Now.” The tune is from Will Young, who was the inaugural winner of “Pop Idol,” the British show that inspired “American Idol.” The song will debut Thursday (February 25) on “Idol,” when the first four top 24 contestants get the boot. Aside from the results, the show will also feature performances from Kris Allen and Allison Iraheta and footage from Allen’s recent trip to earthquake-ravaged Haiti . While the “Leave Right Now” title sounds pretty harsh (don’t let the door hit ya!), the chorus isn’t quite so severe, with the lyrics “I think I better leave right now/ Before I fall any deeper/ I think I better leave right now/ Feeling weaker and weaker.” Choosing Young’s song follows in the tradition of keeping the exit anthem in the “Idol” family. Last year’s song was Carrie Underwood’s cover of M