Tag Archives: look-at-garry

First Look inside The Hammer Vault, the Coffee-Table Tribute to a Horror Institution

I’ve spent the last few days transfixed by The Hammer Vault , Marcus Hearn’s new tour through the history and archives of the infamous genre maestros at Hammer Films. It’s got everything — from the stories behind the celebrated creature features of Christopher Lee and Peter Cushing to remembrances of the risible pseudo-PSA Never Take Sweets From a Stranger to a rummage through such unmade Hammer fare like When the Earth Cracked Open and the awesome Zeppelin vs Pterodactyls (seriously). And while its official January release date won’t necessarily help you for the holidays, it’s worth earmarking a line in the early 2012 budget for any horror, fantasy and B-movie devotees in your life. CORRECTION : The publisher writes to say that it will be out for the holidays! Hallelujah!

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First Look inside The Hammer Vault, the Coffee-Table Tribute to a Horror Institution

Gary Oldman on The Dark Knight Rises and Tinker, Tailor’s Master Spy Smiley: He’s ‘Like Jazz’

At the center of Tomas Alfredson’s marvelously taut espionage thriller Tinker, Tailor, Soldier, Spy (based on the John Le Carré novel previously adapted into a celebrated 1979 British miniseries) is an unusually understated turn by Gary Oldman as George Smiley, a recently retired career spy of few words quietly trying to uncover a mole within British intelligence. Oldman acknowledges a departure of sorts from the wild, often manic characters he built much of his career on — Sid Vicious, Count Dracula, Beethoven, DEA agent Stansfield of Leon, to name a few. Some of Oldman’s best-known roles are, as he described to Movieline this week in Los Angeles, more rock ‘n’ roll. “Smiley,” he explained, “is jazz .”

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Gary Oldman on The Dark Knight Rises and Tinker, Tailor’s Master Spy Smiley: He’s ‘Like Jazz’

The 9 Most Scathing Critical Responses to New Year’s Eve

We may remember this as the week David Fincher and Scott Rudin went to war on movie critics, but think of it this way: If critics couldn’t get an early look at Garry Marshall’s New Year’s Eve , then how would any of us ever know what a soul-rending atrocity it is? I mean, even Pete Hammond hated this movie ! He was in some fine company, too:

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The 9 Most Scathing Critical Responses to New Year’s Eve