Tag Archives: mumblecore

REVIEW: Aaron Katz’s Cold Weather Wants to Have a Plot, and Almost Does

No filmmaker wants to be lumped in with the Mumblecore movement anymore, and for good reason: The problem with the pictures made by the likes of Joe Swanberg, Andrew Bujalski and the Duplass brothers in the early to mid-2000s wasn’t that they were made on tiny budgets; it was that they were aimless and peopled with characters who were supposedly like “real people,” even though they weren’t anyone you’d particularly care to watch in a movie. (Typical plot: So a guy goes here, and then he walks down the street, and then he meets this girl, and they talk about stuff, and then maybe they go to bed or maybe not.) What’s more, they were punishment to look at. This was low-budget filmmaking made by people who seemed to think innovation and cleverness on a shoestring were bourgeois.

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REVIEW: Aaron Katz’s Cold Weather Wants to Have a Plot, and Almost Does

REVIEW: Fascinating, Frustrating Cyrus Loses Its Nerve

The Duplass brothers (co-writers and -directors Jay and Mark) are devout practitioners of something I’ll call moment-based filmmaking. Graduates of both the Mumblecore school and its ambient hype, they have coaxed a more palatable style from that movement’s core of strident naturalism. They build self-effacing stories from off-handedly naturalistic moments, the assembly of which serves an organizing theme. Tough to pull off and magical when it works, moment-based filmmaking is intrinsically opposed to plot — to machinations of any order — and aggressively favors the spontaneous over the crafted, evoking the narrative satisfactions of a three-act structure as if by a sort of ingenious accident. The Duplass brothers are determined to remain true to their eccentricities and equally bent on breaking into the big time, and their struggle manifests itself quite nakedly in the curious case of Cyrus, their third film and also first to feature a cast of well-known actors.

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REVIEW: Fascinating, Frustrating Cyrus Loses Its Nerve