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REVIEW: Glorious Bill Cunningham New York Captures the Face of the City, and Sometimes Its Feet

Long before “street-fashion photographer” was even a job description — before the Sartorialist first spotted a pocket square folded just so, before Tommy Ton even knew what a platform shoe was — there was Bill Cunningham’s regular New York Times photo-column, “On the Street,” a weekly feature capturing the range of looks and combinations found on the sidewalks of New York. Cunningham’s eye might be attracted by the recurrence of the color red, for example, or a dozen women wearing some variation of a black suede ankle boot. If Cunningham’s weekly photo-essays are catnip for people who care about fashion, they’re indispensable for people who don’t: The French, wisely, believe it’s important to have at least a glancing interest in fashion to be culturally literate, and on that score, “On the Street” neatly fulfills the minimum weekly requirement and then some.

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REVIEW: Glorious Bill Cunningham New York Captures the Face of the City, and Sometimes Its Feet