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5 Terrifying Scenes You Won’t Find In Horror Films

I love horror films , but it’s real life that gives me the heebie jeebies. And when I think about the cinematic moments that haunt my nightmares, they’re rarely from scary movies. Sure, escapism is involved (and a bit of time travel) — just not the supernatural. With that in mind,  here’s a list of the top five movie scenes that make my skin crawl.  I hope they inspire you to come up with more in the comments section.  1. The Fate of Paul Dano’s Character in Looper :   This movie has been out long enough that I don’t feel like I’m breaking any unwritten spoiler rules here, but if you still plan to see Rian Johnson’s smart, dark time-travel film with fresh eyes, then skip to the next entry.  I’ve made this number one because it’s been a long time since I’ve seen a filmmaker come up with such a creatively diabolical fate for a movie character that was both original and integral to the plot. (Dreaming up torture-porn scenarios is kid’s stuff.) The most enduring horror is psychological because the brain is so much better at filling in the gory details than any filmmaker, and Johnson, who wrote and directed Looper , leaves a lot to the imagination when Seth is punished for failing to close his loop by killing his elder, future self.  Instead of watching Dano methodically being relieved of his extremities (most memorably, his nose), we see his future self being bloodlessly altered before our eyes as he attempts to scale a fence and skip town. A message sent to Seth’s future self via a skin-carving is also a beautifully macabre detail, as is the final shot of that horrific sequence: a barely discernible body covered by blood-stained surgical sheets and the clinical beeping of life-support machinery. Like the doctor who carves away at Seth, Johnson works surgically, but the effect is a shotgun blast to the chest. 2. The Ear Removal Scene in Reservoir Dogs:   Obvious, you say?  Essential, I reply. This is Quentin Tarantino’s most fiendish scene, and — please argue with me, but all these years later, he has not topped it.  I cannot watch it without averting my eyes, and — perhaps Django Unchained   will prove otherwise — . Once again, the terror is all in the build-up: The deader-than-deadpan voice of comedian Steven Wright (as deejay K-Billy) introducing “Stuck in the Middle with You” by Stealers Wheel only ramps up the tension as Michael Madsen dances cheesily with an open straight razor. You know something horrible is coming, you just don’t know what. And when it does come, Tarantino does not actually show the violence.  His camera cuts to a hallway that looks like an ear shorn of its fleshy lobe as Madsen’s Mr. Blonde relieves Officer Marvin Nash of his pinna. The purity of Madsen’s onscreen malevolence does not seem like acting — which makes it all the more terrifying — but mad props must also be given to actor  Kirk Baltz, who plays Nash, for palpably conveying the pain and terror of a man in a horrifically fucked situation. When Mr. Blonde douses Nash with gasoline, I swear I can feel my skin burn. 3. The Casino Beatings:   So, you’re thinking, Wait! What?  You’re not choosing the scene where Tony Dogs’ eye pops out because Nicky Santoro ( Joe Pesci ) is squeezing his head in a vise ?   Well, if this were a Top 10, Casino would probably get two entries. The beating scene gets top billing because, though I haven’t timed it (compared to the vise scene), it feels like it goes on forever, and the sound of those aluminum bats hitting flesh and bone does not fade easily. Martin Scorsese is celebrated for his mob movies, but he doesn’t celebrate the mob: his La Cosa Nostra is the stuff of nightmares — nightmares in Brioni suits. 4. The Chainsaw scene in Scarface :   Leatherface, Scarface , there’s not much difference when you’ve got a crazy gangster with a chainsaw who’s not afraid to use it. The scene is one of the few where Al Pacino ‘s Tony Montana’s say-hello-to-my-little-friends bravado falters when he’s forced to watch his partner in crime  undergo some radical deconstructive surgery. The fact that this carnage is taking place in what looks like a decrepit South Beach, Miami location that, today, is probably a $495-a-night hotel makes it all the more more horrific.

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5 Terrifying Scenes You Won’t Find In Horror Films

Quentin Tarantino Honored At Critics’ Choice Movie Awards

Filmmaker receives inaugural Music+Film Award with some help from Ice Cube, Keri Hilson, Adam Levine and Tim Roth. By Kara Warner Quentin Tarantino receives the inaugural Music+Film Award at the 2011 Critics’ Choice Awards Photo: Kevin Winter/ Getty Images With brief yet genuine words of praise from former colleagues, a flashy movie-clip mash-up and a musical tribute in his honor, Quentin Tarantino stepped into the Critics’ Choice Movie Awards history books Friday night (January 14) after receiving the show’s inaugural Music+Film Award. Ice Cube started things off by telling everyone to hurry up and sit down so he could present before introducing an impressive clip reel that included Tarantino classics “Reservoir Dogs,” “Pulp Fiction,” “Jackie Brown,” “Kill Bill: Vol. 1” and “Vol. 2” and “Inglourious Basterds.” Then, Maroon 5’s Adam Levine (who, along with his bandmates, was moonlighting as the show’s house band for the evening) hit the stage with his guitar for a performance of the “Dogs” musical number “Stuck in the Middle With You,” which doubled as a tribute to late Stealers Wheel frontman Gerry Rafferty . That was followed by a saucy version of “Son of a Preacher Man” by Keri Hilson. “Reservoir Dogs” castmember Tim Roth took the stage after Levine’s and Hilson’s performances to officially hand off the award to Tarantino, who was shown smiling from the audience throughout the tribute. Roth noted that no one deserves the award more than Tarantino and that he was happy to help “celebrate Quentin for using music so damn effectively.” Then the man himself graciously took the stage and talked about how he started filmmaking by hanging out alone in his room, playing records like Duane Eddy’s “Rebel Rouser” and writing scenes to go along with them. “I’m kind of still doing the same thing right now,” he joked. What do you think of Quentin Tarantino’s use of music in film? Let us know in the comments! Related Photos 2010 Critics’ Choice Awards Celebrity Candids Critics’ Choice Movie Awards Red Carpet 2011 2011 Critics’ Choice Movie Awards Show

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Quentin Tarantino Honored At Critics’ Choice Movie Awards

Quentin Tarantino Honored At Critics’ Choice Movie Awards

Filmmaker receives inaugural Music+Film Award with some help from Ice Cube, Keri Hilson, Adam Levine and Tim Roth. By Kara Warner Quentin Tarantino receives the inaugural Music+Film Award at the 2011 Critics’ Choice Awards Photo: Kevin Winter/ Getty Images With brief yet genuine words of praise from former colleagues, a flashy movie-clip mash-up and a musical tribute in his honor, Quentin Tarantino stepped into the Critics’ Choice Movie Awards history books Friday night (January 14) after receiving the show’s inaugural Music+Film Award. Ice Cube started things off by telling everyone to hurry up and sit down so he could present before introducing an impressive clip reel that included Tarantino classics “Reservoir Dogs,” “Pulp Fiction,” “Jackie Brown,” “Kill Bill: Vol. 1” and “Vol. 2” and “Inglourious Basterds.” Then, Maroon 5’s Adam Levine (who, along with his bandmates, was moonlighting as the show’s house band for the evening) hit the stage with his guitar for a performance of the “Dogs” musical number “Stuck in the Middle With You,” which doubled as a tribute to late Stealers Wheel frontman Gerry Rafferty . That was followed by a saucy version of “Son of a Preacher Man” by Keri Hilson. “Reservoir Dogs” castmember Tim Roth took the stage after Levine’s and Hilson’s performances to officially hand off the award to Tarantino, who was shown smiling from the audience throughout the tribute. Roth noted that no one deserves the award more than Tarantino and that he was happy to help “celebrate Quentin for using music so damn effectively.” Then the man himself graciously took the stage and talked about how he started filmmaking by hanging out alone in his room, playing records like Duane Eddy’s “Rebel Rouser” and writing scenes to go along with them. “I’m kind of still doing the same thing right now,” he joked. What do you think of Quentin Tarantino’s use of music in film? Let us know in the comments! Related Photos 2010 Critics’ Choice Awards Celebrity Candids Critics’ Choice Movie Awards Red Carpet 2011 2011 Critics’ Choice Movie Awards Show

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Quentin Tarantino Honored At Critics’ Choice Movie Awards

Gerry Rafferty Dead At 63

Singer/songwriter was behind hits like ‘Baker Street’ and ‘Stuck in the Middle With You.’ By James Montgomery Gerry Rafferty Photo: David Redfern/Redferns Gerry Rafferty , the singer/songwriter behind smooth ’70s hits like “Stuck in the Middle With You,” “Right Down the Line” and “Baker Street,” died Tuesday (January 4). He was 63. Born in Scotland, Rafferty busked on the streets of Glasgow and formed a folk group called the Humblebums with Billy Connolly, who would go on to become a renowned stand-up comedian and actor. After releasing a pair of albums with the band, Rafferty released a solo record and then formed Stealers Wheel, who scored Stateside success in 1972 — they were viewed as the British Invasion’s answer to Crosby, Stills Nash & Young — with their debut album and, of course, the song “Stuck in the Middle With You,” which would achieve additional notoriety when it was prominently featured in Quentin Tarantino’s “Reservoir Dogs” some two decades later. Rafferty would move on from Stealers Wheel and find success as a solo artist with 1978’s City to City, which featured “Right Down the Line” and “Baker Street,” which features one of the most legendary saxophone solos in music history and has since been covered by everyone from Waylon Jennings to the Foo Fighters . His follow-up, 1979’s Night Owl, featured appearances from Richard and Linda Thompson and was a moderate success, though each of his subsequent albums fared poorly on the charts, due in no small part to Rafferty’s reluctance to perform live. He continued to release albums into the 2000s, but for the most part, he disappeared from the public eye, and his later years were marked by a series of reports that suggested he was battling alcoholism. Last month, Rafferty reportedly suffered kidney failure and was placed on life support in an English hospital. U.K. newspaper The Guardian reported that he died at his home in Dorset with his daughter Martha by his side. Share your memories of Gerry Rafferty in the comments. Related Artists Gerry Rafferty

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Gerry Rafferty Dead At 63