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Steve Stoute, Grammy Boss Forge Alliance After ‘Open Letter’

‘We have come together … to discuss how the Recording Academy can continue to evolve,’ CEO Neil Portnow and marketing mogul say. By Alvin Blanco Steve Stoute Photo: Johnny Nunez/ WireImage Steve Stoute has succeeded in getting the attention of the Recording Academy. After the music-marketing mogul penned an “open letter” last month, decrying the Grammys as being out of touch with current musical trends and culture, Stoute and Neil Portnow, the president and CEO of the Recording Academy announced that those complaints are going to be addressed. “The voices of artists and our creative community are at the heart of the missions of the Recording Academy and indeed the music industry itself,” Portnow and Stoute said in a joint statement issued on Thursday (March 3). “Expanding constructive and positive ways to continue to actively incorporate generational and artistic diversity in the Academy’s development and good work serves those important missions. The participation of new and culturally diverse voices has and continues to be a goal which benefits our members, the creative community, and music fans everywhere.” This new alliance of sorts stems from the letter Stoute, the founder and CEO of Translation Marketing, wrote via a full-page ad in The New York Times days after the 2011 Grammys. The open letter was addressed to Partnow and the Recording Academy and was critical of what Stoute saw as snubs of popular artists at the awards show. The music-industry vet argued that mainstream acts such as Eminem were deserving of awards but lost to lesser-known acts like Arcade Fire, and then went on to say, “The awards show has become a series of hypocrisies and contradictions, leaving me to question why any contemporary popular artist would even participate.” Stoute later clarified his initial statement, saying that hearing “big, credible artists” complain about some of the winners inspired him to write the letter. He also said that Arcade Fire performing twice during the show had raised some eyebrows. Arcade Fire manager Scott Rodger responded with an open letter of his own, noting he was proud of the band and calling Stoute’s letter “a nice piece of self publicity.” Although no changes to the Grammy Award selection process have been announced, the topic appears now to be open to discussion from both sides. The statement continued, “To that end, we have come together in a collaborative manner to discuss how the Recording Academy can continue to evolve in an ever-changing cultural environment. We invite others who share this agenda to join us in these discussions.” What do you think of how the Grammy organization has responded? Tell us in the comments!

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Steve Stoute, Grammy Boss Forge Alliance After ‘Open Letter’

Arcade Fire Manager Responds To Steve Stoute’s Grammy Gripe

In an open letter of his own, Scott Rodger said he’s ‘proud of this band and what they’ve achieved.’ By James Montgomery Arcade Fire at the 2011 Grammy Awards Photo: Getty Images Three days after music-industry vet Steve Stoute took out a full-page ad in The New York Times to blast the Grammys for being out of touch and vaguely evil, the manager of one of the bands he singled out responded, calling Stoute’s missive “a nice piece of self publicity.” In an e-mail to industry insider Bob Lefsetz, Scott Rodger, manager of Album of the Year winners the Arcade Fire , ripped Stoute for calling into question not only the validity of the band’s triumph but also their show-closing second performance. While the encore served as a de facto victory lap for the band, to Stoute it appeared to be proof positive that the Grammys were rigged and in need of a serious overhaul. “Arcade Fire had the final slot on the Grammys as the ratings are low at the end of the broadcast. It really is that simple,” Rodger wrote. “[There was] no big plot. We had no guarantee of air time, but it was simply to play out the end-credits of the show. … For the Grammys international broadcast, our main performance — along with that of Mumford & Sons and the Avett Brothers was completely cut from the show. Our end-title performance was bastardized because they cut our ads/sponsor messages completely. It was a bit of a farce.” Rodger also defended his band’s AOTY win — which Stoute took issue with in his Times open letter, and then again in a follow-up interview with The Hollywood Reporter, — because, well, they “deserved” it. “They made the best album. If the award was named ‘Album Sales of the Year,’ there would be no discussion,” Rodger wrote. “Eminem made a big-selling album, but it was far from being his best work. Katy Perry made a big pop record that simply didn’t have weight or credibility. Gaga’s … was a repackage of the main release. “Arcade Fire are now one of the biggest live acts in the world. It’s not all about record sales. It’s about making great records, and it’s about building a loyal fanbase,” he continued. “The band make great albums, they’re not a radio-driven singles band. … Things couldn’t be better.” Rodger closed his e-mail by taking a final shot at Stoute, saying that his protests were myopic — since Arcade Fire’s triumph was actually celebrated by big-selling artists — and that “he needs to tune in.” “Did he see Kanye’s tweets when we won and the praise he gave us?” he wrote. “I’m proud of this band and what they have achieved.” Related Videos Backstage Interviews From The Grammys Related Photos The 2011 Grammy Awards Show Related Artists Arcade Fire

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Arcade Fire Manager Responds To Steve Stoute’s Grammy Gripe