For most of the last 18 years as Steven Spielberg’s go-to cinematographer, Janusz Kaminski has held one of the sweetest creative gigs in Hollywood. The post has netted the Polish D.P. two Academy Awards (for Schindler’s List and Saving Private Ryan , plus an additional nomination for Amistad ) and credits on some of the most commercially successful films of the last generation, but more than that, it has made Kaminski’s eye the one through which audiences witness Spielberg’s influential vision of the past, present and future. It’s a huge responsibility. It’s also a singular opportunity.
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Janusz Kaminski on Shooting War Horse, Avoiding 3-D, and Those Spielberg Close-Ups
