Tag Archives: reverberating

Addiction, Consequence, Redemption: Chris Nolan & Co. Talk ‘The Dark Knight Rises’ On Blu-Ray

“Why do we fall, Bruce? So we can learn to pick ourselves up.” Was The Dark Knight Rises the finale that Batman deserved and needed? On the new TDKR DVD/Blu-ray release (on shelves today), Christopher Nolan and his collaborators wax poetic about their Batman saga and shed light on what made Bruce Wayne’s rise, fall, and redemption such compelling material. “Every film has to be driven by a story,” says Nolan in the bonus feature “The Journey of Bruce Wayne” in which he offers up his personal take on the Batman mythos along with brother/screenwriter Jonathan Nolan, David S. Goyer, Christian Bale, and Hans Zimmer. “And story is driven by people, by characters, by the human face. What we recognize in it, what we’re attracted to, what we hope for, for that character — that relatability — is what drew me to Bruce Wayne’s story.” Nolan and his co-writers speak of Batman/Bruce Wayne in clinical terms: He’s depressed, addicted, and traumatized as the events of Batman Begins and moreso The Dark Knight give way to the confrontations of The Dark Knight Rises . “We tried to treat Batman – the Batman costume, the Batman personality — as if it were an addiction,” said Goyer. “He’s addicted to it; he’s addicted to the anger, that he’s addicted to the violence, that he’s addicted to the suit. It’s all he really lives for, how he was able to channel his anger and his energy is by being Batman and as long as there was something to push against he had a reason for existing, and now that the streets are relatively crime free he doesn’t have anything to push against, so he doesn’t have a purpose.” Bale puts it another way: “He’s not the most healthy of individuals.” The imperative for Nolan & Co.’s game-changing approach to superhero stories was, according to Jonathan Nolan, “being conscious of never straying too far from these being films about a man. There’s a city, there’s a rogue’s gallery, there are some amazing, compelling characters — but it’s really the story of a guy who decided to do something very unconventional, illegal, dangerous, out of a somewhat broken sense of righteousness and justice.” Behind-the-scenes looks abound on Warner Bros.’ comprehensive home video release, from a franchise-spanning Batmobile featurette to the plethora of making-of pieces that peel back the layers on the technical orchestration that went into TDKR ‘s explosive, epic production. But if you want to get to the heart of Nolan’s Batman — and the series that, starting with Batman Begins , ushered in a new era for the Caped Crusader and comic book movies for cinephiles and fanboys alike – this is the must-watch of the batch. As much as the bombast and drama of TDKR makes for a standalone watch, it was intended to fulfill a specific purpose: To question all that came before, and round out the complete three-film journey of its hero. “For the ending of The Dark Knight to have the validity of gravity it should have,” says Nolan, “it is important to have The Dark Knight Rises .” Read more on The Dark Knight Rises , on DVD/Blu-ray today. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Addiction, Consequence, Redemption: Chris Nolan & Co. Talk ‘The Dark Knight Rises’ On Blu-Ray

Time Out! No Way Is ‘Cloud Atlas’ The Worst Movie Of 2012

Here’s an easy formula to get attention for your Worst Movies of 2012 list. Take the unfathomable big-budget box-office failure that’s likely to top a lot of these year-end thumbsuckers — and make it number two. Next, single out an ambitious film by a trio of filmmakers with a passionate following. Put it at the top (or is it the bottom?) of your list and wait for their fans to scream. That’s what Time magazine , in the role of media Old Georgie,  has done with its “Top 10 Worst Films” list for the year.  Writer Mary Pols chose the Wachowskis and Tom Tykwer’ s collaboration  Cloud Atlas as the year’s stinkiest over Disney’s summer bomb John Carter. And I’m calling bullshit. Before I explain, take a look at Pols’ entire list: 10. One For The Money 9. T he Odd Life Of Timothy Green  8. What To Expect When You’re Expecting  7. Alex Cross  6. The Lorax  5. This Means War 4. Abraham Lincoln: Vampire Hunter 3. Hyde Park on Hudson 2. John Carter 1. Cloud Atlas Most of those movies are largely formulaic and, in some cases, cynical attempts to put asses in seats. They should be on the list, particularly the aptly named One For The Money and  What to Expect When Your Expecting,  which would have tied for worst movie had I been doing the ranking. (Even though Jennifer Lopez is the mother of twins in real life, I cannot summon the suspension of disbelief to buy her as a parent in the movies.) Yes, Cloud Atlas is an unwieldy, problematic movie that could have used a good streamlining in terms of the sheer number of  stories that were adapted from David Mitchell’s novel, but a film this ambitious — and unabashedly spiritual at its core — does not deserve to be on a list of the year’s worst. Movieline’s chief critic Alison Willmore explained it beautifully in her review: Cloud Atlas  strives continually for transcendence and only sometimes grasps it, but the sincerity with which it pursues the emotion and the very idea of the reverberating impact selfless actions can have is quite moving. It’s rare, these days, to see a movie declare its aims for greatness so openly and without a leaden sense of self-importance. And though the film doesn’t achieve all of its goals, it does offer an indelibly powerful vision of a throughline from the past to today and on through the end of things, that expresses faith in the ability of people to overcome animalism. It’s spiritual but entirely humanistic, and salvation, when it comes, arrives from within or from other people — an outrageous, silly and beautiful ode to the better nature of mankind. You won’t see anyone writing that about What to Expect When You’re Expecting.  [Time] Follow Frank DiGiacomo on Twitter.  Follow Movieline on Twitter. 

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Time Out! No Way Is ‘Cloud Atlas’ The Worst Movie Of 2012

Time Out! No Way Is ‘Cloud Atlas’ The Worst Movie Of 2012

Here’s an easy formula to get attention for your Worst Movies of 2012 list. Take the unfathomable big-budget box-office failure that’s likely to top a lot of these year-end thumbsuckers — and make it number two. Next, single out an ambitious film by a trio of filmmakers with a passionate following. Put it at the top (or is it the bottom?) of your list and wait for their fans to scream. That’s what Time magazine , in the role of media Old Georgie,  has done with its “Top 10 Worst Films” list for the year.  Writer Mary Pols chose the Wachowskis and Tom Tykwer’ s collaboration  Cloud Atlas as the year’s stinkiest over Disney’s summer bomb John Carter. And I’m calling bullshit. Before I explain, take a look at Pols’ entire list: 10. One For The Money 9. T he Odd Life Of Timothy Green  8. What To Expect When You’re Expecting  7. Alex Cross  6. The Lorax  5. This Means War 4. Abraham Lincoln: Vampire Hunter 3. Hyde Park on Hudson 2. John Carter 1. Cloud Atlas Most of those movies are largely formulaic and, in some cases, cynical attempts to put asses in seats. They should be on the list, particularly the aptly named One For The Money and  What to Expect When Your Expecting,  which would have tied for worst movie had I been doing the ranking. (Even though Jennifer Lopez is the mother of twins in real life, I cannot summon the suspension of disbelief to buy her as a parent in the movies.) Yes, Cloud Atlas is an unwieldy, problematic movie that could have used a good streamlining in terms of the sheer number of  stories that were adapted from David Mitchell’s novel, but a film this ambitious — and unabashedly spiritual at its core — does not deserve to be on a list of the year’s worst. Movieline’s chief critic Alison Willmore explained it beautifully in her review: Cloud Atlas  strives continually for transcendence and only sometimes grasps it, but the sincerity with which it pursues the emotion and the very idea of the reverberating impact selfless actions can have is quite moving. It’s rare, these days, to see a movie declare its aims for greatness so openly and without a leaden sense of self-importance. And though the film doesn’t achieve all of its goals, it does offer an indelibly powerful vision of a throughline from the past to today and on through the end of things, that expresses faith in the ability of people to overcome animalism. It’s spiritual but entirely humanistic, and salvation, when it comes, arrives from within or from other people — an outrageous, silly and beautiful ode to the better nature of mankind. You won’t see anyone writing that about What to Expect When You’re Expecting.  [Time] Follow Frank DiGiacomo on Twitter.  Follow Movieline on Twitter. 

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Time Out! No Way Is ‘Cloud Atlas’ The Worst Movie Of 2012

Watch Ryan Gosling and Eva Mendes in Their First Collaboration: Drunk History Christmas

If you worship at the altar of tabloid courtships, you know that Ryan Gosling and Eva Mendes have been linked romantically since working together on Derek Cianfrance’s crime drama The Place Beyond the Pines earlier this year. But thanks to a new Funny or Die video, gossip hounds won’t have to wait until 2012 to see the rumored couple together onscreen. Check out the pair’s first official collaboration below, appropriately titled “Drunk History Christmas.”

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Watch Ryan Gosling and Eva Mendes in Their First Collaboration: Drunk History Christmas

Janusz Kaminski on Shooting War Horse, Avoiding 3-D, and Those Spielberg Close-Ups

For most of the last 18 years as Steven Spielberg’s go-to cinematographer, Janusz Kaminski has held one of the sweetest creative gigs in Hollywood. The post has netted the Polish D.P. two Academy Awards (for Schindler’s List and Saving Private Ryan , plus an additional nomination for Amistad ) and credits on some of the most commercially successful films of the last generation, but more than that, it has made Kaminski’s eye the one through which audiences witness Spielberg’s influential vision of the past, present and future. It’s a huge responsibility. It’s also a singular opportunity.

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Janusz Kaminski on Shooting War Horse, Avoiding 3-D, and Those Spielberg Close-Ups

Charlize Theron Reveals Secret Oscar Recipe; Let’s Make Our Own!

Charlize Theron’s Best Actress Oscar win in 2003 was hardly unexpected. Roger Ebert had declared her performance as Aileen Wuornos in Monster “one of the greatest performances in the history of the cinema,” and she cleaned up at the Golden Globes and Independent Spirit Awards. But there’s no denying that Theron’s win followed in a certain Oscar tradition, and in this funny clip with MTV, Theron acknowledges it as such. Let’s compare notes with the Young Adult star and come up with our own recipes for Oscar victories in the big four acting categories.

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Charlize Theron Reveals Secret Oscar Recipe; Let’s Make Our Own!

From Say Anything to We Bought a Zoo, a Brief History of Great Cameron Crowe Musical Moments

Few filmmakers use music as unabashedly and emotionally as former rock journalist Cameron Crowe , the man who turned Peter Gabriel’s “In Your Eyes” into an enduring emblem of ’80s teen longing and illuminated the power of Elton John’s “Tiny Dancer” as a late night bonding tune for even the most estranged of friends. Crowe’s latest, We Bought a Zoo , is no different; the instant the reverberating beats of Tom Petty’s “Don’t Come Around Here No More” kick in, lonely and sparse, turning increasingly anthemic by the verse as Matt Damon’s son is expelled from school and Damon uproots his family to a rural fixer-upper of a zoo with the promise of new beginnings, you know you’re in for yet another Crowe Moment.

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From Say Anything to We Bought a Zoo, a Brief History of Great Cameron Crowe Musical Moments