Tag Archives: credits-on-some

Christina Milian Keeps Reaching of the Day

Christina Milian has a new album… This is what rich people do when they are bored… They revisit what I guess they think their passion is….and what made them relevant enough to fuck the right people, make babies with the right people, and divorce the right people, after getting writing credits on some massive fucking songs the right people produced…meaning getting paid for the rest of her life.. This is like a retired woman taking up knitting, or starting up an Etsy or Ebay jewelry business, where she could make money off it, but is really just doing it for the love and to pass the time. She has a pension..it’s unnecessary to actually spend her day doing it…but why the fuck not… Only with more fame-whoring, attention craving, and tit… Milian….wants you to jerk off to her like she was still 19….It’s some kind of midlife crisis…that is working, because I remember a year ago, she had less than 100,000 instagram followers even with being on The Voice…and now she’s on the map again….thanks to a deep rooted knowledge of proper slutting TO SEE THE REST OF THE PIC CLICK HERE The post Christina Milian Keeps Reaching of the Day appeared first on DrunkenStepfather .

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Christina Milian Keeps Reaching of the Day

Watch Ryan Gosling and Eva Mendes in Their First Collaboration: Drunk History Christmas

If you worship at the altar of tabloid courtships, you know that Ryan Gosling and Eva Mendes have been linked romantically since working together on Derek Cianfrance’s crime drama The Place Beyond the Pines earlier this year. But thanks to a new Funny or Die video, gossip hounds won’t have to wait until 2012 to see the rumored couple together onscreen. Check out the pair’s first official collaboration below, appropriately titled “Drunk History Christmas.”

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Watch Ryan Gosling and Eva Mendes in Their First Collaboration: Drunk History Christmas

Janusz Kaminski on Shooting War Horse, Avoiding 3-D, and Those Spielberg Close-Ups

For most of the last 18 years as Steven Spielberg’s go-to cinematographer, Janusz Kaminski has held one of the sweetest creative gigs in Hollywood. The post has netted the Polish D.P. two Academy Awards (for Schindler’s List and Saving Private Ryan , plus an additional nomination for Amistad ) and credits on some of the most commercially successful films of the last generation, but more than that, it has made Kaminski’s eye the one through which audiences witness Spielberg’s influential vision of the past, present and future. It’s a huge responsibility. It’s also a singular opportunity.

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Janusz Kaminski on Shooting War Horse, Avoiding 3-D, and Those Spielberg Close-Ups