Tag Archives: armond-white

Women Film Journalists Favor Artist, The Help, Bridesmaids

Awards! So many awards — this time around it’s the Alliance of Women Film Journalists passing along the EDA Awards, their annual choices for the best, worst, weirdest and otherwise noteworthy films of 2011. Find an old standby at the top of the list, along with a few of the Alliance’s customarily female-forward and refreshingly cheeky (“Most Egregious Love Interest Age Difference Award,” anyone?) accolades. Congrats to all the winners! EDA ANNUAL ACHIEVEMENT AWARDS Best Film : The Artist Best Director : Michel Hazanavicius – The Artist Best Screenplay, Original : Midnight in Paris – Woody Allen Best Screenplay, Adapted : (TIE) The Descendants – Alexander Payne, Nat Faxon and Jim Rash; Moneyball – Steven Zallian and Aaron Sorkin Best Documentary : Buck Best Animated Film : Rango Best Actress : Viola Davis as Abileen in The Help Best Actress in a Supporting Role : (TIE) Janet McTeer as Hubert Page in Albert Nobbs ; Octavia Spencer as Minny Jackson in The Help Best Actor : Michael Fassbender as Brandon Sullivan in Shame Best Actor in a Supporting Role : Christopher Plummer as Hal Fields in Beginners Best Ensemble Cast : Bridesmaids Best Editing : Hugo – Thelma Schoonmaker Best Cinematography : The Tree of Life – Emmanuel Lubezki Best Film Music Or Score : (TIE) The Girl With The Dragon Tattoo – Trent Reznor and Atticus Ross, Original Score; Hanna – The Chemical Brothers, Original Score Best Non-English-Language Film : A Separation – Ashgar Farhadi, Iran EDA FEMALE FOCUS AWARDS Best Woman Director : Lynne Ramsey – We Need To Talk About Kevin Best Woman Screenwriter : Kristen Wiig and Annie Mumolo – Bridesmaids Kick Ass Award For Best Female Action Star : (TIE) Rooney Mara as Lisbeth Salander in Girl With The Dragon Tattoo ; Saoirse Ronan as Hanna in Hanna Best Animated Female : Isla Fisher as Beans in Rango Best Breakthrough Performance : Elizabeth Olsen as Martha in Martha Marcy May Marlene Female Icon Award : Glenn Close as Albert Nobbs in Albert Nobbs Actress Defying Age and Ageism : Helen Mirren as Rachel Singer in The Debt This Year’s Outstanding Achievement By A Woman In The Film Industry : Jessica Chastain for performances in four highly acclaimed films AWFJ Award For Humanitarian Activism : Angelina Jolie for UN work and making In The Land of Blood and Honey to raise awareness about genocide. EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award : The Hollywood Reporter for failing to invite any women to join the Directors Roundtable Actress Most in Need Of A New Agent : All actresses in New Year’s Eve Movie You Wanted To Love But Just Couldn‘t : Tinker, Tailor, Soldier, Spy Unforgettable Moment Award: The Artist – The sound of the glass clinking on the table. Best Depiction Of Nudity, Sexuality, or Seduction : (TIE) Melancholia – Justine in the moonlight; Shame – Opening sequence on the subway train. Sequel Or Remake That Shouldn’t Have Been Made Award : The Hangover Part II Most Egregious Love Interest Age Difference Award : (TIE) Albert Nobbs – Glenn Close (64) and Mia Wasilkowska (22); Twilight: Breaking Dawn Part I – Bella (18) and Edward (Over 100) [ AWFJ ]

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Women Film Journalists Favor Artist, The Help, Bridesmaids

‘That Jackass’: Armond White Charms Again at the NYFCC Awards

Looker proprietor and all-around swell guy Lawrence Levi braved last night’s New York Film Critic’s Circle Awards so you (read: I) didn’t have to, submitting to Twitter one of the juicier exchanges overheard on a night when anecdotal blips rained down like thumbs at an Adam Sandler flick. Perhaps obviously — despite the attendance of such luminaries as Brad Pitt, Robert De Niro and others — we turn the spotlight to contrarian messiah Armond White, in conversation with Best Supporting Actor award-winner Albert Brooks about a certain recently laid-off Village Voice institution : At NY Film Critics Circle awards dinner, I overheard Albert Brooks ask Armond White, “Is J. Hoberman here?” White replied, “That jackass.” Tue Jan 10 04:17:19 via web Lawrence Levi lawlevnyc Yowza! I mean, at least this year White downgraded from ” That racist ,” but… Anyway. This guy! [ @lawlevnyc ]

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‘That Jackass’: Armond White Charms Again at the NYFCC Awards

Armond White’s 2011 Better-Than List > Pretty Much Every Other Blogger’s List

Say what you will about Armond White , at least the iconoclast film critic is a conversation-starter. Over at CityArts White has posted his annual “Better-Than” list , in which he pairs seemingly disparate films of the year to show you why the movies you love/think are great are, in fact, vastly overrated. Example: ” Jack and Jill > The Descendants ,” White insists, in a clear trouncing of “humility” over “sanctity.” “Adam Sandler’s affectionate, very broad ethnic satire defies Alexander Payne’s smug denial of America’s ethnic history,” he writes. Don’t stop there, Armond! As the 2011-2012 transition births yet more critic Top Ten lists (hey, check out Movieline’s here and here and here and here !), it’s lists like these that give us fresh perspective on the underrated, or even perfectly adequately-rated films of the year. And at least where White dumps on certain lauded Oscar contenders he also proposes films with themes he sees as tighter, better, more valuable by comparison. The Adventures of Tintin > The Artist Spielberg restores the essence of cinema (from the Greek “kinesis,” meaning movement), defying Hazanavicius’ too-cute silent movie hoax. Joy vs. Inanity. I suppose even The Artist ‘s supporters can acknowledge that it can seem, perhaps, “too-cute” — and boy, Tintin was nothing but movement. Sure? Rise of the Planet of the Apes > The Girl with the Dragon Tattoo Rupert Wyatt reboots the original series as a fresh, wild vision of modern frustration, defying Fincher’s apathetic wallow in pathology and brutality. Emotion vs. Style. White raises a good question: What happened to all those critics who Oscar-raved about Apes when it came out last summer? Paul > Uncle Boonmee Who Can Recall His Past Lives Greg Mottola, Simon Pegg and Nick Frost grasp the depth of American pop culture while Apichatpong Weerasethakul peddles Asian obscurantism. Joyous vs. Spurious. “Asian obscurantism” Uncle Boonmee may be, but… Armond, you crazy for this one. Colombiana > The Help Olivier Megaton and Zoe Saldana find new racial, sexual and genre archetypes to discover the meaning of love, defying the stereotyping of black women’s civil rights struggle. Progress vs. Relapse. Are some of these pairings seemingly arbitrary? Sure. Is Colombiana more progressive than The Help ? By golly, yes . Jack and Jill > The Descendants Adam Sandler’s affectionate, very broad ethnic satire defies Alexander Payne’s smug denial of America’s ethnic history. Humility vs. Sanctimony I spoke too soon. This shit cray. Still, thank you Armond for even juxtaposing two movies like Paul and Uncle Boonmee in my brain. True contrarian or no, what a feast for thought. Some of these arguments are just insane enough that they make sense. Read White’s full 2011 Better-Than List here and tell us what you think — and which better-thans you’re in agreement with — in the comments below. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Armond White’s 2011 Better-Than List > Pretty Much Every Other Blogger’s List

DVD: Why Paper Man Might Be the Ultimate Insufferable Indie

The 2011 Sundance Film Festival kicks off today, and this prestigious annual event has yielded dozens of essential indies over the years, from sex, lies and videotape to Poison to The Kids Are All Right . But let’s not forget that the last few decades have included countless twee, precious, and generally irritating indies for every great one. Which brings us to Paper Man (out on DVD this week from MPI Home Video).

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DVD: Why Paper Man Might Be the Ultimate Insufferable Indie

DVD: Why Paper Man Might Be the Ultimate Insufferable Indie

The 2011 Sundance Film Festival kicks off today, and this prestigious annual event has yielded dozens of essential indies over the years, from sex, lies and videotape to Poison to The Kids Are All Right . But let’s not forget that the last few decades have included countless twee, precious, and generally irritating indies for every great one. Which brings us to Paper Man (out on DVD this week from MPI Home Video).

Read more:
DVD: Why Paper Man Might Be the Ultimate Insufferable Indie

DVD: Why Paper Man Might Be the Ultimate Insufferable Indie

The 2011 Sundance Film Festival kicks off today, and this prestigious annual event has yielded dozens of essential indies over the years, from sex, lies and videotape to Poison to The Kids Are All Right . But let’s not forget that the last few decades have included countless twee, precious, and generally irritating indies for every great one. Which brings us to Paper Man (out on DVD this week from MPI Home Video).

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DVD: Why Paper Man Might Be the Ultimate Insufferable Indie

Armond White Responds to Lisa Schwarzbaum’s NYFCC Complaints by Calling Her Racist

(Deep long sigh) I know, I know: This is exactly what Armond White wants. When someone writes a column as inflammatory as the one he wrote this week, it’s done for one purpose: To get attention. And, yes, we are playing into the game by giving him the attention that he wants. It’s just, wow . It’s hard to ignore this one: White — who you may have heard is a bit of a contrarian — unleashed a 1,700-word rant in which he accused Entertainment Weekly ‘s Lisa Schwarzbaum — and the Village Voice ‘s Jim Hoberman, with whom White has had a longstanding feud — of racism.

More here:
Armond White Responds to Lisa Schwarzbaum’s NYFCC Complaints by Calling Her Racist

Armond White Responds to Lisa Schwarzbaum’s NYFCC Complaints by Calling Her Racist

(Deep long sigh) I know, I know: This is exactly what Armond White wants. When someone writes a column as inflammatory as the one he wrote this week, it’s done for one purpose: To get attention. And, yes, we are playing into the game by giving him the attention that he wants. It’s just, wow . It’s hard to ignore this one: White — who you may have heard is a bit of a contrarian — unleashed a 1,700-word rant in which he accused Entertainment Weekly ‘s Lisa Schwarzbaum — and the Village Voice ‘s Jim Hoberman, with whom White has had a longstanding feud — of racism.

Read more:
Armond White Responds to Lisa Schwarzbaum’s NYFCC Complaints by Calling Her Racist

Armond White Responds to Lisa Schwarzbaum’s NYFCC Complaints by Calling Her Racist

(Deep long sigh) I know, I know: This is exactly what Armond White wants. When someone writes a column as inflammatory as the one he wrote this week, it’s done for one purpose: To get attention. And, yes, we are playing into the game by giving him the attention that he wants. It’s just, wow . It’s hard to ignore this one: White — who you may have heard is a bit of a contrarian — unleashed a 1,700-word rant in which he accused Entertainment Weekly ‘s Lisa Schwarzbaum — and the Village Voice ‘s Jim Hoberman, with whom White has had a longstanding feud — of racism.

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Armond White Responds to Lisa Schwarzbaum’s NYFCC Complaints by Calling Her Racist

VIDEO: Parks & Recreation’s Ben Schwartz Makes a ‘Terrible Decision’