As much as I hate the movie theater talkers, cell phone texters, loud popcorn-chewers, backseat-kickers, nervous leg-jigglers, smelly food-eaters, and armchair hogs who combine evil forces to make going to the movies these days a distracting, living hell, I stop myself short of physical violence when it comes to laying down the law of theater etiquette. Which is what one enraged theater patron in the Seattle area did not do when he caught a case of theater rage and slapped an offending movie talker in the face. Making matters worse: The talker was a ten-year-old kid. Per the Seattle Post-Intelligencer : King County prosecutors contend 21-year-old Yong Hyun Kim knocked out one of the boy’s teeth after the child and several other youths refused to quiet down and stop throwing popcorn in April. According to charging documents, Kim admitted to hitting the boy and appeared ashamed when confronted by police with the boy’s age. Kim allegedly said he thought the boy was an adult when he slapped him in the face. Kim has been charged with a felony assault and probably feels terrible, not to mention he might have to go to jail for slapping a child in the face . The offending kid may or may not have learned a lesson in unruly theatergoing, but he’s missing a tooth. Who’s also to blame, IMO? The management at said AMC Theater who did not stop a bunch of children from ruining another patron’s movie before theater rage took hold. Theater chains, take note: Policing bad behavior is on you, not your ticket-buyers. (And let this be a reminder: Encouraging texting in theaters is still an awful idea .) [ Seattle PI via @thefilmcynic ]
Per LaDonna Harris, president and founder of Americans for Indian Opportunity (ahem): “‘Johnny is reprising the historic role of Tonto, and it seemed like a natural fit to officially welcome him into our Comanche family. I reached out, and Johnny was very receptive to the idea. He seemed proud to receive the invitation, and we were honored that he so enthusiastically agreed. Welcoming Johnny into the family in the traditional way was so fitting,’ Harris said. ‘He’s a very thoughtful human being, and throughout his life and career, he has exhibited traits that are aligned with the values and worldview that Indigenous peoples share.'” [ Indian Country TMN via THR ]
Ken Loach and The Angels’ Share star Paul Brannigan in Cannes Tuesday. Cannes has a soft spot for Scottish director Ken Loach. His latest film, The Angels’ Share , is his eleventh film in competition and he even won the Palme d’Or for The Wind That Shakes the Barley back in 2006. His latest, a comedy — or perhaps more precisely a dramatic-comedy — is a rarity of sorts for the director who is accustomed to critical acclaim though his well-crafted films can leave audiences depressed. But The Angels’ Share involves a pack of offenders hoping to turn good, a last ditch crime, and a whole lot of high brow whiskey. The story serves as one more canvas for the plight of the working class. And for this screening, Cannes used subtitles to guide audiences through the characters’ thick Scottish brogue. “I’d rather have subtitles so people can understand what’s going on,” said writer Paul Laverty. “It’s much [preferable] to diluting the local language and Americanizing it so you miss some of the local [nuance] of the film.” In the film, newcomer Paul Brannigan plays Robbie who is part of a posse of hooligans who are ordered to enter a community payback program. Harry (John Henshaw) oversees Robbie and his fellow Scottish brood. One day, Harry offers Robbie a taste of rare whiskey to celebrate the birth of his son, which gives him an idea. If he can get his hands on a single barrel of the malt, the cash would be enough to erase their financial problems allowing them to start over. “I’m familiar with what Robbie came from,” Brannigan said Tuesday in his thick Scottish lingo. “I came from a rough neighborhood in Glasgow where there are thousands of unemployed.” Brannigan said he had a chance meeting with Laverty who had found him walking out of a community center in a scene that would not have been unfamiliar in the film and the two started talking. The result was simply life-altering for Brannigan who didn’t hold back words. “He saved me — he saved me! It was tough. I had no money. Hands up, I think he saved my life because who knows what I would have done to get money — who knows.” Though Brannigan said that after this film comes out he’ll again be unemployed, he did manage a part in the upcoming Scarlett Johansson starrer Under the Skin and hopes to continue acting. Though he kept pretty quiet about details, he apparently gets naked in front of Johansson’s character in the movie, which he did with some anxiety. “She’s an absolutely fantastic girl and once I got to talking with her, I felt much more at ease,” he said. Never inclined to sugar-coat language, Loach and Laverty embraced the inner-city vernacular that surrounds Robbie. The festival offered up subtitles during Monday night’s premiere and similarly to the recent Weinstein Company documentary Bully in the U.S., Angels’ Share ran into conflict with the U.K.’s MPAA counterpart for excessive language, receiving the equivalent of an R-rating in Britain, though unlike Bully ‘s F-bombs, it was the C-word that ran afoul of censors. “We were allowed seven ‘cunts’ but only two of them could be aggressive ‘cunts,'” said Loach, laughing. “You get into the realm of surrealism here in terms of language. The British middle class is obsessed with what they call ‘bad language.’ But the manipulative and deceitful language of politics is accepted. I’d call those bad words. Embracing the ancient swear words that have gone back for centuries and words we all enjoy should be embraced.” Get more of Movieline’s coverage of Cannes here . Follow Brian Brooks on Twitter . Follow Movieline on Twitter .
