Tag Archives: either-on-home

Will Academy Voters Learn Anything From the Transformers 3 Oscar Campaign?

Yes, I just wrote the words ” Transformers Oscar campaign.” Sigh. It’s time we come to terms with the fact that each installment in Michael Bay ‘s robot action series has technically been nominated for one or more Academy Awards — deservedly so, really, given the technical achievements these CG metal-on-metal bashfests have under their belt, even if everything else in these films are aggressively, brain-numbingly mediocre. But Paramount aims to take home one of them statuettes this year, by god, and so they’ve created an awards campaign to break through to Oscar voters in the most effective way possible: Through their TV sets. Bay’s billion-dollar summer hit Transformers: Dark of the Moon is nominated in three technical categories: Sound Editing, Sound Mixing, and Visual Effects. No matter how much you may loathe this series, one thing is irrefutable: Transformers 3 boasts some of the best vfx of the year. That churning building-chomping giant bot thing cutting down a skyscraper in glorious, shiny detail? Mesmerizing, really. Bay slowing down his previously indistinguishable CG robot action for the third film actually helped highlight the amazing visual work he and his team pieced together out of bits and data, and though the first Transformers lost the Visual Effects Oscar to The Golden Compass (the second lost Best Sound Mixing to The Hurt Locker ), 2012 seems like the year for a Transformers win for vfx. ( Dark of the Moon is up against Hugo , Deathly Hallows Pt. 2 , Rise of the Planet of the Apes , and Real Steel in the category.) Which brings us to the two sound categories. Does anyone out there who’s not a sound engineer actually understand the difference between Sound Editing and Sound Mixing? Fine, I’m sure there are a handful of expert McKnowitalls out there. (Essentially, editing is the selection/assemblage of sounds and mixing is the blending of all sounds/dialogue/audio for the final film.) But you know who doesn’t understand the difference between the two? Normal people, and a whole lot of Oscar voters. That’s probably why Paramount’s Transformers Oscar spot doesn’t even bother distinguishing between the two sound categories. “Just vote for us across the board!” the campaign practically screams, and why not? The goal of these spots is basically to put Transformers in the minds of the voters — the ones who can be swayed by a TV commercial telling them that these are the best effects of the year. Take a look at the ad below and chime in below: Do you think this campaign will finally earn the franchise their Oscar? [via Deadline ]

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Will Academy Voters Learn Anything From the Transformers 3 Oscar Campaign?

The Artist’s Jean Dujardin: Too Sexy for French Censors (But What About Oscar?)

Banned in France! Well, kinda: Movie posters featuring Oscar -nominated Jean Dujardin , up for Best Actor for his turn as a silent film star in the sweet and wholesome The Artist , have been deemed too racy by French censors who recommended that certain billboards for Dujardin’s French language film Les Infidels ( The Players ) be taken down. Judging from the film’s redband trailer, Les Infidels is a comedy that features lots and lots of sex. Dirty sex. Upside down sex, suggest the naughty, naughty posters! According to The Hollywood Reporter , who picked up the trail after French media went to town on the racy materials, Les Infidels is “a series of sketches from directors including Dujardin, Lellouche, Fred Cavaye, Eric Lartigau, Emmanuelle Bercot, Alexandre Courtes and Michel Hazanavicius all centering around the theme of male infidelity.” Dujardin and co-star Gilles Lellouche appear in the posters in pseudo-in flagrante poses, boasting douchey looks of self-satisfaction accessorized by faceless women and female body parts. Of course, pointing out the ridiculousness of these fellas’ wanton use of women for sex is probably the entire point of the film (I’m guessing/hoping), but y’know… Above tagline translation, per THR: “It’s going to cut out. I’m entering a tunnel.” Tres classy! But you tell me: Are these posters (courtesy of the film’s Facebook page) so bad? And, more relevant to this season: Can these raunchy images damage Dujardin’s hold on the Best Actor race? For more of a sense of the film, and to see Oscar’s leading man get down and dirty, watch the French language redband trailer (via EW ): [ THR , EW , Facebook ] Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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The Artist’s Jean Dujardin: Too Sexy for French Censors (But What About Oscar?)

Share Your Best Daniel Radcliffe Mini Fan Fiction, Win a Woman in Black Prize Pack (UPDATED)

The much-anticipated Daniel Radcliffe ghost-story thriller The Woman in Black opens Feb. 3. This calls for a giveaway! But considering what you stand to win (including an iPod Nano and a signed WIB poster), we’re going to make you work for it. (Sort of.) Welcome to Movieline’s Daniel Radcliffe Mini Fan Fiction Sweepstakes! [ UPDATE 2/2: Contest is now closed — thanks to all who participated! Scroll down for the winning submission. ] First things first: The prize line-up!

McG Considered Clue-Style Alternate Endings for This Means War, Admits He ‘Pussed Out’ on Terminator 4

It’s the biggest, most important question of the season, people: Whom will Reese Witherspoon choose, between pillow-lipped Brit Tom Hardy and confident playboy Chris Pine , in the spy vs. spy love triangle rom-com This Means War ? While you won’t get any spoilers here for the Valentine’s Day release, let Hardy and director McG tease you with the envelope-pushing alternate ending ideas that didn’t quite make it to the final cut. (And no — McG didn’t learn from Terminator: Salvation , which he admitted he “pussed out on.” Hindsight, my friends.) [To the hardcore spoiler-averse who don’t even want to know what doesn’t happen in the film, a mild warning for what follows…] The McG-helmed romantic action-comedy This Means War , written by X-Men: The Last Stand scribe Simon Kinberg, finds Reese Witherspoon dating Hardy and Pine at the same time, unaware that they are CIA spies and best friends. As both men find themselves falling for her she must decide which beau she truly wants to be with. At a press conference today in Los Angeles, McG revealed one idea that was tossed around early on for ending the film in an unconventional way – by releasing two endings into theaters simultaneously, one in which Witherspoon ends up with Hardy and another where she chooses Pine, with no indication to moviegoers of what they were in for. “We wanted to have flexibility and even talked about two endings and releasing it on 3,000 screens — 1,500 have this [ending] and 1,500 have that one, and just not saying anything,” McG said. “But it felt a little gimmicky in the end.” Releasing two endings into theaters in wide release? Now that would have been interesting, possibly even a worthy financial gamble if moviegoers enjoyed the film enough to see it again, either on home video or in theaters, just to see the alternate ending; the most famous predecessor to do this is probably Jonathan Lynn’s Clue , which was distributed to theaters with three different surprise endings. Clue , of course, was a financial failure (though admittedly deserving of its cult status ), so perhaps following this precedent was ultimately unwise for McG and Co., but let’s put it out there: Hollywood, why not try breaking the mold sometime? That said, there was another idea for concluding the film that would have defied Hollywood convention, story-wise. “There’s even an ending where the two boys end up in each other’s arms,” joked McG. “That should have been the ending,” added Hardy from across the podium. “It would have been a really groundbreaking ending! You should have gone for it, really gone for it.” “I know, I know,” McG answered. “I pussed out on the ending of Terminator 4 … so I should’ve gone for the dark ending of this one.” Stay tuned for more on This Means War to come in my forthcoming junket diary, posting next week… Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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McG Considered Clue-Style Alternate Endings for This Means War, Admits He ‘Pussed Out’ on Terminator 4