Tag Archives: jeremy-scahill

‘Dirty Wars’ Exposes America’s Expanding Covert Warfare Strategy (And Our Lazy Media Culture)

If, like me, you file blog posts from a climate-controlled office in a well-governed, comfort-obsessed city, then the kind of war-zone reporting that Nation correspondent Jeremy Scahill  does is hard to fathom and more than a little terrifying. So it was fascinating to hear Scahill tell the audience at a private screening room what unsettles him: the rapid-fire prattling that takes place on the 24-hour cable networks. ‘Dirty Wars’ Documentary: Journalism & Media Culture “In the [war] zones themselves, there’s a collegial, non-competitive atmosphere,” Scahill said Monday night at a Q&A session that followed a screening of his and director Richard Rowley’s must-see documentary,  Dirty Wars . “People,” he added — and what he meant were war correspondents reporting outside “the bubble” of the embedded press corps — “want to make sure that everyone makes it in and out alive, and they encourage good journalism.”  By contrast, he added, “Back in the states, when you go on cable television, it’s like entering the Twilight Zone where you have these pundits, that know everything about nothing” and ask “the most ludicrous, ridiculous questions” when they invite reporters like Scahill on their shows. “In general, the media culture is lazy,” he said. With the exception of a brief heated scene that shows Scahill tangling with NBC Chief White House Correspondent Chuck Todd, Dirty Wars is not specifically an indictment of the kind of in-the-tank news reporting that is found too frequently on TV and on the web, but, by example, it is. “This is a story about the seen and the unseen,” Scahill says at the beginning of the film, and, more importantly, it’s a story about doing the hard and often dangerous work required to drag the unseen into the light. In this gripping film, which will surely spark debate on those very same cable news outlets as its summer release date approaches, Scahill and Rowley  leave “the bubble” of conventional war-reporting in Afghanistan to uncover a much darker and unsettling tale about U.S. military operations overseas. Through Scahill’s dogged reporting in dangerous territory that eventually includes Yemen and Somalia, Dirty Wars show how the conventional war in Afghanistan was eclipsed by a covert and, one could argue, reckless war of targeted killings and attack-and-grab raids quarterbacked by William McRaven, the commander of the Joint Special Operations Command from June 2008 to August 2011. Osama bin Laden’s Assassination One of JSOC’s success stories is the assassination of Osama bin Laden, and, in the aftermath, McRaven moved from the shadows to the spotlight, when President Obama appointed him Commander of U.S. Special Operations Command (SOCOM) which oversees all of the military’s special operations. McRaven’s strategy of targeted kills has since been lauded in the media and in Washington, but Dirty Wars shows that some operations have been far from surgical.  The documentary contains footage of dead infants and children killed in the strikes along with the grief-stricken and furious survivors one of whom refers to the attackers as “American Taliban.”  Journalists are not safe either.   President Obama  is going to have some explaining to do when the film is released, and one of the movie’s more chilling sequences indicates that he pressed for the continued imprisonment of Yemeni journalist Abdulelah Haider Shaye  after Shaye reported that the U.S. was involved in the 2009 airstrike on a Yemeni village.  The carnage of that attack is particularly harrowing, as is the film’s recounting of the killing of the 16-year-old son of American-born cleric Anwar al-Awlaki, the first U.S. citizen to be targeted for assassination without due process. Like his father,  Abdulrahman al-Awlaki was obliterated by an unmanned drone, “killed not for who he was,” Scahill says in the documentary, “but for who he one day might become.” The Human Cost Of Military Operations One of the strengths of Dirty Wars is that it palpably conveys the human cost of these military operations, and, by the closing credits, the moviegoer is left with the distinct impression that the U.S. is building a reservoir of ill will overseas that could come back to bite us in the ass down the road. It could affect us here in other ways, too.  After the screening, I asked Scahill — who’s also the author of the bestselling book Blackwater: The Rise of the World’s Most Powerful Mercenary Army — if there was a chance of JSOC’s strategy influencing U.S. law enforcement techniques.  He explained that while he didn’t think that “President Obama is going to authorize a hit against a militia guy in Idaho reading his survivalist ‘zine,” he did have “serious concerns over the use of drones for domestic surveillance.” But rather than play pundit, Scahill brought the discussion full circle: “I’m a firm believer that, above all, we have to have our facts straight,” he said.  “The reality we face is bad enough, we don’t need to exaggerate. Let’s confront this on what we can prove.” Follow Frank DiGiacomo on  Twitter. Follow Movieline on  Twitter. 

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‘Dirty Wars’ Exposes America’s Expanding Covert Warfare Strategy (And Our Lazy Media Culture)

SUNDANCE: Directors Tease ‘Dirty Wars,’ ‘Fire In The Blood,’ ‘God Loves Uganda,’ ‘A Teacher,’ ‘Computer Chess’

The Sundance Film Festival heads into the week with more world premieres and a peek at many of the films that will grace the Specialty Big Screen this year. Beginning last week , Movieline posted details about this year’s U.S. and World Competition films and filmmakers in their own words. In this round, Richard Rowley ( Dirty Wars ), Dylan Mohan Gray ( Fire in the Blood ), Roger Ross Williams ( God Loves Uganda ), Hannah Fidell ( A Teacher ) and Andrew Bujalski ( Computer Chess ) preview their films. [ Related: WATCH: Get To Know 5 Sundance Film Festival Filmmakers (And Their Films) ] Dirty Wars by director Richard Rowley [U.S. Documentary Competition] Synopsis: It’s the dirty little secret of the War on Terror: all bets are off, and almost anything goes. We have fundamentally changed the rules of the game and the rules of engagement. Prior to 9/11, it was customary for America to sound a formal declaration of war on a given country before attacking. Today drone strikes, night raids, and U.S. government–condoned torture occur in hidden corners across the globe, generating unprecedented civilian casualties. Investigative reporter Jeremy Scahill traces the rise of the Joint Special Operations Command (JSOC), the most secret and elite fighting force in U.S. history, exposing covert operations carried out by men who do not exist on paper and will never appear before Congress. No target is off-limits for the JSOC “kill list,” even if the person is a U.S. citizen. [Courtesy of Sundance Film Festival] Responses by Richard Rowley Dirty Wars quick pitch: Part action film and part detective story,  Dirty Wars  is a gripping journey into one of the most important and underreported stories of our time. We follow investigative journalist Jeremy Scahill, who is pulled into an unexpected journey as he chases down the hidden truth behind America’s expanding covert wars. …and why it’s worth checking out at Sundance and beyond: Dirty Wars  takes on the issues everyone’s talking about right now. With  Zero Dark Thirty ,  Argo , drones, Benghazi, and the nomination of John Brennan — America’s covert wars are back in the headlines. Dirty Wars  reveals how these wars have been hidden in plain sight all along and offers a behind-the-scenes look at a high-stakes investigation into the operations, and even the same people, fictionalized by Hollywood and discussed on Capitol Hill. Dirty Wars  is not “based on actual events” — it  is  actual events. The focus has been on one raid by Special Forces that killed one man, Osama bin Laden. That same year, there were thousands of raids and we’re ten years into wars not just in Afghanistan and Iraq, but also in Somalia, with new fronts in Yemen and elsewhere. That’s the story of  Dirty Wars  and it couldn’t be more timely and urgent for Sundance and other audiences. How it all came together: The film that will premiere at Sundance looks and feels nothing like the film we set out to shoot. During our three years in production, we hit major roadblocks just trying to confirm basic information about the Joint Special Operations Command, a secret, elite force reporting directly to the White House. Few in government would go on record. Talking heads? That was out of the question. We had to find another way in to the story. So we went far afield and to new sources. As a result, the final film is more compelling, and surprising. When I realized that there were two dramatic arcs — one of America’s expanding covert wars, and another the personal story of the reporter, Jeremy Scahill — I knew I’d have to convince Jeremy to be in front of the camera. It made him uncomfortable. But he was the right choice to guide us through a complex story. By the end, in our editorial meetings, even Jeremy started to refer to himself in the third person. Mogadishu was by far the most dangerous place I’ve ever been, though I’ve reported from war zones for many  years. We didn’t want drive-by journalism: in and out in a few days, talking to government officials in hotel lobbies. But getting to the war’s front lines, without drawing too much attention to ourselves, proved complicated. Our Somali country coordinator made it possible. Meanwhile, our producers took out kidnapping, dismemberment, and ransom insurance. Estimating the cost of my arm before we set out – well, that was something new. —

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SUNDANCE: Directors Tease ‘Dirty Wars,’ ‘Fire In The Blood,’ ‘God Loves Uganda,’ ‘A Teacher,’ ‘Computer Chess’

Taliban Imposter

Jeremy Scahill is interviewed by Chris Hayes on the Rachel Maddow Show. added by: treewolf39