Patti Labelle is finally letting us in her kitchen with her own cooking show! Since them Patti pies hit the market we been wanting to step foot in her kitchen. The Cooking Network has given Patti a six show series that will air December 3 with back to back premiere with guest like 50 Cent […]
Patti Labelle has always pushed the envelope when it came to fashion, so Meredith gets her opinion on the current trendsetters in the music scene – Nicki Minaj & Lady Gaga. youtube
With the recent passing of “Soul Train” creator Don Cornelius, we take a look back at some of our favorite female performers who brought grace and style to the “hippest trip in America.” The series was created by Don Cornelius, who also served as its first host and executive producer, and aired first-run episodes from 1971 to 2006. Rufus featuring Chaka Khan- “Sweet Thing” Aretha Franklin- “Rock Steady” Freda Payne “Band Of Gold” The Emotions – “Best Of My Love” Janet Jackson -”Young Love” Jody Watley – “Looking For A New Love” Labelle – “Lady Marmalade” Teena Marie – “I Need Your Lovin’ Celebrities React To Death Of Don Cornelius
Philly’s Qool DJ Marv has spent over a decade spinning in some of the hottest nightclubs in the world. In this exclusive to TheUrbandaily he shares why he thinks the extravagance of bottle service has hurt nightlife and the art of DJing. I have a strong opinion about bottle service and what it all stands for. Bottle service was the end of the model of the DJ as storyteller/ crowd motivator…person with the P.O.V. When it emerged it was the beginning of the end of that free spirited night life culture in Manhattan. You had parties where you heard different music, classic hip-hop and funk, all kinds. But the bottle service thing funneled it all into top 40, mash-ups and main stream rap. Before bottle service if you were presentable you could walk into a room. In the small bars and lounges you had the funky people, their whole point wasn’t to be inebriated from an entire bottle of vodka. You were there to be social, dance maybe have a couple of drinks, maybe one. Not to finish this entire bottle of vodka because you paid $250 for it. These are the middle-class, working people who just wanted to work off whatever they needed to work off with some music and some people. Bottle service says you can’t come in no more. All you have left is the people who used to be at the bar at those cool spots who felt like they were cool because they were [in the mix]. You had a corporate gig and you’re in this bar with a guy with dreadlocks dancing and you’re thinking “wow, I’m somewhere cool.” Those people drove the economies of those bars and venues. Those people that were glad to be there because it wasn’t work. They weren’t around “Biff” and “Wellington”, it was “Ahmad” and “Jose”.You had the mix of funky people and the people that drove the bar and it was all good. Then you had the geniuses that decided they were going to interpret the cabaret laws like “They can’t dance? Let’s charge them to sit.” It’s great for the capitalist but not for those paying a $200 entry fee. What’s left? The people who think they can buy their cool, credit card cool. But they’re not cool. They’re using their credit card to express their coolness. They start looking around and nobody here has flavor. Because everybody here is like me, they all PAID for it. “Hey DJ, play something we know.” A DJ in that scene [becomes] a human jukebox to people getting as drunk as they can possibly get. That kind of energy needs that kind of music and I’m not any of that. This place called Lotus opened up on 14th St and I got recommended to play there once by a guy that played there regularly on the weekend. And the manager comes to me during the middle of my set and he says “hey, you gotta pick it up. You gotta get it going.” I look around and see people dancing, etc. Then he says: “Did so-and-so recommend you for this gig? “Yes” “Well play like so-and-so…” They paid a lot at the time because they were charging people $200 plus to walk in the door. But I didn’t know how to be a robot, a human iPod. I didn’t know how to detach my whole point of view so that I could play street rap to 90% Caucasians scared to go to the streets. They’re looking at me like I should be their enabler, and it was weird. I couldn’t play act it, I couldn’t suffer through it. My ex-wife was disappointed that Lotus gig didn’t work out, I was too. I didn’t know if I’d made some mistake. But I knew that wasn’t the place to be. It ended up being a mutual decision. They said I was too mellow and I said “Thank you! I’m out of here.” RELATED POSTS: VIDEO: Diddy “Apologizes” To Vodka Rivals From Bathtub Qool DJ Marv Is HBO’s Secret Weapon [VIDEO]
Everybody can agree that music is a universal language. Many American musicians make note of the fact foreign audiences don’t understand what they’re saying when they are speaking, but the audience sings every word to their songs. Well, what happens when an audience speaks a musician’s native tongue fluently and they still don’t understand what the musician is talking about? I was at a party and the DJ had the beats knocking, until he threw Kriss Kross on . (Forgive him.) On “Jump,” the boys from the A rap, “‘Cause I’m the miggity, miggity, miggity, miggity Mac Daddy.” Can someone explain what a “miggity mac” is because I didn’t understand it then and still don’t. We will discuss a few of the most confusing lyrics in songs. If you think you can explain some of our selections, sound off in the comments. Labelle – “Lady Marmalade” This signature hit from the ladies of Labelle has it all–a racy subject matter, a funky groove, and a little bit of French thrown in there. The few lines in French translate to “Will you sleep with me tonight?” However, what in the world is a “gitchy gitchy ya ya?” I’ve heard of singers scatting, but that was never in the scat sounds dictionary. “Gitchy gitchy ya ya” sounds like a pause worthy slang term for a sexually transmitted disease. “ Yo, Son, you was messing with that girl around the block? You better get checked or something. I heard she got that gitchy gitchy ya ya, if you know what I mean!” To which a person would respond, “Pause. Damn, I’m going straight to the clinic!” Lady Marmalade Kanye West – “Roses” In 2005, Kanye West put out his sophomore album, Late Registration . The set was more introspective than his debut. His introspection was on full display on the track dedicated to his grandmother’s ordeal with being hospitalized. “Roses” documented how he had to deal with his popularity when he just wanted to be a human and look after his grandmother. While the song is remarkable, one line baffles even the most intellectual people I know. “So many aunties, we could have an auntie team.” Kanye , we know you like to act like you’re more forward thinking than the rest of us commoners. So could you explain what an auntie team is? To clarify, are we talking about a basketball team full of aunties? What kind of team are we talking here? Commoners, like myself, know you don’t write lyrics down. With lines like that, you might want to start putting the pen to paper again. Roses Whitney Houston – “Million Dollar Bill” When Whitney Houston was recording her comeback disc, I Look To You , she called upon some of today’s hottest songwriters to provide the material for her to reclaim her throne atop the music charts. The second single from the effort was the Alicia Keys and Swizz Beatz confection, “Million Dollar Bill.” The disco-lite uptempo number had us in a groove until she sang, “I can see the way he’s making me feel this way about his love.” Honestly, I can’t blame Whitney. She was just looking for another hit song to flesh out her album. The real blame is on Alicia Keys . She’s a great artist and all, but for a woman who graduated high school at 16 and was accepted to Columbia University , she is all over the place with her writing. A few of her songs don’t make good use of a little thing we like to call subject-verb agreement . This line in “Million Dollar Bill” feels Mrs. Swizz Beatz threw some words at a wall and whichever stuck, she put in a song. No dice. Million Dollar Bill Lionel Richie – “All Night Long” In the 80s, light skinned fellas were all the rage. The leader of that light skinned male crusade was the crooner, Lionel Richie . One of his biggest hits is the party anthem, “All Night Long.” The word “party” is said in many different languages. The questionable thing about the song is about the chant at the end. If anyone has an explanation for “tom bol li de se de moi ya, hey jambo jumbo,” please holla at a player. Are those actual words in another language? I’m not too sure. My theory is baby Nicole Richie was learning to talk and she said this, instead of a real sentence and Poppa Richie just went with it. I could be wrong, but my theory is probably cooler than the actual story. At least, I’d like to think so. All Night Long Michael Jackson – “Wanna Be Startin Somethin” Michael Jackson released the seminal project, Thriller , in 1982. Though every song on there is a classic, one of the biggest fan favorites is “Wanna Be Startin Somethin.” When I was a kid, I was obsessed with this song. I played it so much my mom bought me a Walkman so she didn’t wind up breaking my tape. One thing about that song annoys me to this day. What the hell does “ma ma se, ma ma sa, ma ma coo sa” mean?! My mom told me it was Swahili and I believed her. Come to find out, she wasn’t far off. The King of Pop claimed the phrase was Swahili, in order to keep all royalties for himself. Apparently, the words come from a song by a Cameroonian artist, Dibango . Dibango’s words were, “ma ma ko, ma ma sa, ma ma ko sa.” Dibango sued Jackson in the 80s and sued him again in 2007 when Rihanna sampled the chant for her dance hit, “Don’t Stop The Music.” Rihanna got permission from Michael Jackson , but neglected to get permission from Dibango . They settled out of court for the second time before Rihanna’s album dropped. By the way, there is no clear translation of the chant, but it does have something to do with dancing. Wanna Be Startin Somethin Related Posts: Alicia Keys Or Beyonce: Battle Of The Baby Bumps Top 5 Worst Album Sequels Top 10 Freedom Fighters In Music
Lloyd ‘s new video for “Cupid” dropped today. The uptempo track comes from Lloyd’s forthcoming album, King Of Hearts. Stay tuned to TheUrbanDaily for our exclusive interview with Lloyd coming next week! Woman Opens “Fat Ho” Burgers In Texas RELATED: Lloyd “Don’t You Wanna Know” [NEW MUSIC] RELATED: Patti Labelle Warns Lloyd About “Hood Girls” on “Lay It Down” Remix [AUDIO]
If the crowd that turned out for a simple weigh-in Friday is any indication, mixed martial arts fans are ready to welcome the Ultimate Fighting Championship back to the East Coast.
Edith Labelle’s days as a UFC ring girl are apparently over.
In a bit of not-so-major news on the eve of Saturday’s “UFC 101: Declaration” event in Philadelphia, Labelle’s manager, James Leinhos, confirmed to AOL FanHouse that his client no longer works for the UFC.
Her spot has been filled by new UFC ring girl Natasha Wicks, who won the gig during a contest last month at UFC 100.
Wicks joins regular cageside eye candy Arianny Celeste and Logan Stanton at this weekend’s event, which takes place at the Wachovia Center and airs on pay-per-view.
Leinhos would not confirm whether Labelle quit or was fired from the gig. The Canadian-based model was noticeably absent from UFC 100 even though she was part of the UFC Fan Expo and fighter weigh-ins just 24 hours prior to fight night.
Labelle’s profile has since been removed from the UFC’s official website.
Labelle debuted with the UFC in late 2007 at UFC 78.
For a sneak peak of the UFC’s new ring girl, check out the Natasha Wicks gallery at UFC.com.
(Pictured: Edith Labelle)
Check out more UFC News at MMAjunkie.com. This story originally appeared on MMAjunkie.com and is syndicated on Yahoo! Sports as part of a content-partnership deal between the two sites.