If you’ve seen even a modest number of European art-house films in your lifetime, you’re familiar with the following formula: Act I, child with problems (emotional problems, family problems, what have you) is introduced. Act II, said confused, troubled child gets into big trouble by seeking out the wrong kind of father figure, committing a misdeed in a fit of frustration, or simply being in the wrong place at the wrong time; luckily, a kind someone comes to the rescue, offering the troubled child some respite and a dim ray of hope. Will it last forever? Do you even need to ask?
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CANNES REVIEW: The Dardenne Brothers Break From Formula with Le Gamin au Vélo
