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Hugh Jackman And Psy Dance Gangnam Style On The ‘Wolverine’ Set (VIDEO)

The Korean pop sensation that’s taken over the world has found its way to the set of Wolverine , where the tuxedoed Psy stopped by to teach star Hugh Jackman — wearing Wolverine’s adamantium claws — how to dance Gangnam Style. And I thought the Filipino prison dancers marked the jumping of the shark! Putting years of Broadway dance training to use, the enthusiastic Jackman seems to have picked up Psy’s signature pony move pretty quickly, which is impressive if you’ve watched every celebrity this side of Ellen Degeneres attempt the dance craze of the year. They even gave Psy his own Wolverine claws. Okay, that’s pretty cool. It’s even better if you imagine this as the character Wolverine meeting Psy and indulging in a lighthearted moment of cross-cultural glee before an epic battle to the death. Because Psy is clearly some sort of mutant being whose power is the ability to entrance strangers with his syncopated gyrations and that damnedly irresistible ditty. Slicing gangnam style!!!! Great to meet @ psy_oppa who visited set yesterday. twitter.com/RealHughJackma… — Hugh Jackman (@RealHughJackman) October 16, 2012 Oh, how Wolverine laughs! Is it too late to turn Wolverine into a K-pop musical? [via @psy_oppa ]

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Hugh Jackman And Psy Dance Gangnam Style On The ‘Wolverine’ Set (VIDEO)

Dark Knight Rises Cinematographer Calls The Avengers ‘Appalling’

They were two of the biggest movies in terms of box office this summer – and likely for all of 2012, yet the battle between The Dark Knight Rises and Marvel’s The Avengers opened a new front in the artistic sphere. TDKR made just over $1.07 billion worldwide (with a $250 million production budget), while Marvel’s The Avengers roared on with a $1.511 billion worldwide gross (and a production budget reportedly at $220 million). One cinematographer offered up his own impressions about the rival’s merits, calling it “appalling.” Wally Pfister won an Oscar for Inception as well as three nominations for Batman Begins , The Presige and The Dark Knight . He is even embarking on his own foray into the director chair on an upcoming project next year said that his past work as a news reporter and in documentary helped him to “reduce the amount of artifice” in his work. Though he has won recognition for his work with TDKR director Christopher Nolan on the Batman franchise, he admitted to not being much of a “super hero fan” and said his reaction was surprise when Nolan first approached him about doing Batman Begins . “I was like, really? A guy in a rubber suit?” Pfister is quoted as saying in the Herald-Tribune speaking to a film class in Sarasota, FL. He also gave his opinions on Marvel’s The Avengers , when asked what was most important in shooting a film. “What’s really important is storytelling. None of it matters if it doesn’t support the story,” said Pfister. “I thought The Avengers was an appalling film. They’d shoot from some odd angle and I’d think, why is the camera there? Oh, I see, because they spent half a million on the set and they have to show it off. It took me completely out of the movie. I was driven bonkers by that illogical form of storytelling.” Pfister, who along with Nolan has been steadfast advocate of film over digital, said The Prestige was his most “artistically fulfilling” and prefers TDKR among the Batman films. “I liked my work best in the last one, of course, because anything I felt I’d done wrong on each one, I’d right on the next one,” he said. He added that he’d “never say never” to any Batman 4 project. “I’m fortunate enough to have been successful enough that now I want to fulfill myself artistically. I guess I might do it right at the point where I had to sell my house.” His directorial debut is currently casting, but only gave a hint at details. “I can’t talk too much about it. It’s a present-day science fiction film, a fairly big concept. It’s bigger budget — not as big as Batman , but not independent. [ Sources: Herald-Tribune , Huffington Post , Box Office Mojo ]

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Dark Knight Rises Cinematographer Calls The Avengers ‘Appalling’

Exclusive: ‘Batman 3’ Cinematographer Hopes To Shoot ‘Whole Movie In IMAX’

‘I like IMAX more than I like 3-D,’ says Wally Pfister, Christopher Nolan’s director of photography. By Eric Ditzian Christian Bale as Batman in “The Dark Knight” Photo: Warner Bros. Early on in the “Inception” preproduction process, director Christopher Nolan and director of photography Wally Pfister had a conversation that dragged on for weeks: After shooting a portion of “The Dark Knight” in IMAX, would they also shoot their Leonardo DiCaprio-starring thriller in the large-scale film format? “Finally I had to tell Chris that the way he was describing the film, so much of it wanted to be with a handheld camera and kind of running around,” Pfister told MTV News. “That’s just not physically possible with the IMAX camera. We ruled out shooting in IMAX.” Their thinking on how to shoot “Batman 3,” however, might turn out to be vastly different. “I can’t say until I read the script, but it would certainly be my preferred, amazing goal to shoot the whole movie in IMAX,” Pfister said. That sentiment jibes with rumors from last summer that suggested the next “Batman” could indeed be shot all in IMAX . At this point, though, Pfister is waiting to get his hands on the script and to find out when the threequel will shift into production. When it does, he’s hoping to work with IMAX cameras and hoping to avoid 3-D ones. “I must say I’m a huge IMAX fan. I like IMAX more than I like 3-D,” he explained. “Chris’ films are so densely layered and have so much going on visually in every way that IMAX helps enhance that because of the scope and the scale of it — it becomes a much larger canvas to paint on. That’s what we found on ‘Dark Knight.’ “I’m not a big fan of 3-D,” he continued. “I liken it to my View-Master I had 40 years ago. Are you really getting more out of the story with 3-D? When you separate those different planes and you’re creating artificial depth, it looks phony to me.” Nolan hasn’t jumped on the 3-D bandwagon either, saying in June, “I’m not a huge fan of 3-D.” Still, any decisions about how to shoot “Batman 3” will ultimately involve Warner Bros. and will certainly wait until Nolan and Pfister sit down and have a discussion similar to the one they had in the run-up to “Inception.” “We usually have lunch and he asks me, ‘Tell me what your thoughts are,’ ” Pfister said. “It’s very casual. It’s not very technical. And then we start to build toward, ‘How are we going to shoot this? Where are we going to shoot this?’ My preproduction is about four months long before principal photography begins. “I can’t imagine how we’re going to step it up [after ‘Inception’],” he added. “But we will.” Check out everything we’ve got on “Inception.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com . Related Videos MTV Rough Cut: ‘Inception’

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Exclusive: ‘Batman 3’ Cinematographer Hopes To Shoot ‘Whole Movie In IMAX’