Tag Archives: salander

‘Dragon Tattoo’ Reviews: How Did Rooney Mara Do?

Moviegoers won’t be able to take their eyes off the American actress’ Lisbeth Salander, critics rave. By Eric Ditzian Rooney Mara in “The Girl With The Dragon Tattoo” Photo: Columbia Pictures Rooney Mara owns “The Girl with the Dragon Tattoo.” That is to say, while the film shows off David Fincher at his meticulous, moody best and Daniel Craig delivers yet another stellar performance, but the beating heart of the picture — or, if you will, the exposed pierced nipple — is Mara as the spiky-haired hacker, Lisbeth Salander. For all the shortcomings of “Dragon Tattoo”— and there are a bunch, from a pacing that sometimes drags to Swedish author Stieg Larsson’s deeply unsatisfying ending — you walk away unable to shake what you’ve just seen from Mara. Alternately vulnerable and vicious, her Salander is an entirely different creature from the one presented by Noomi Rapace in the Swedish version of the film and, what’s more, an entirely different creature from anything Mara offered in “The Social Network” and “A Nightmare on Elm Street.” Let’s stop right there, before we go from gushing to outright hero worship. At least we’re not alone. With the “Dragon Tattoo” review embargo officially lifted, critics have been celebrating Mara’s performance. The Transformation “Rooney Mara’s blazing, uncompromising performance is the film’s center, practically its reason to exist. … Eyebrows bleached blond, hair jet black and scowling constantly, Salander has deliberately modeled herself as the opposite of the feminine ideal, and though Mara digs into her humanity and even sensuality, she never lets down Salander’s guard for the sake of the audience sympathy.” — Katey Rich, Cinema Blend The Chemistry “Mara and Craig make an indomitable screen pair, he nominally leading their intense search into decades-old serial killings, she surging ahead, plowing through obstacles with flashes of phenomenal intellect and eruptions of physical fury.” — David Germain, The Associated Press The Sex Scenes “[It’s] Mara’s movie for the taking, and she snatches it up in dramatic fashion. … Fincher’s belief in her is borne out in a dominating performance of submerged rage, confidence and defiance. Baring all in the several sex scenes, both coerced and consensual, she goes all the way in a performance that compares favorably to that of Noomi Rapace in the Swedish version and its two sequels. She comes across here as the real deal.” — Todd McCarthy, The Hollywood Reporter The Awards “Mara, I feel, gives Salander a sadder and more vulnerable aura and a more emotionally readable quality than what Noomi Rapace delivered in the Swedish trilogy. You might compare the two films down the road and say, “Nope, don’t see it…six of one, half-dozen of the other” but I know what I felt from Mara’s eyes, and there’s a lot going on inside her, I swear. Tremors and feints and glances and looks that say “stay away, I don’t want you near….wait, maybe I do.” There’s enough in this performance, I feel, for Mara to be counted among the year’s Best Actress nominees.” — Jeffrey Wells, Hollywood Elsewhere The Final Word “You can’t take your eyes off Rooney Mara as the notorious Lisbeth Salander.” — David Denby, The New Yorker Check out everything we’ve got on “The Girl with the Dragon Tattoo.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos ‘The Girl With The Dragon Tattoo:’ A Closer Look

Read the original:
‘Dragon Tattoo’ Reviews: How Did Rooney Mara Do?

First Pictures of Rooney Mara From The Girl With The Dragon Tattoo Set

I’m not sure if it’s part of the new TSA safety regulations, but I believe you are physically not allowed to board a plane unless you are carrying a copy of Stieg Larsson’s Lisbeth Salander trilogy. So for all you weary travelers, enjoy the first leaked photos of Rooney Mara in action as Salander — if you can call sitting indian-style while casually removing your jacket action. But, hey, she looks pretty close to what I envisioned Lisbeth looking like.

See original here:
First Pictures of Rooney Mara From The Girl With The Dragon Tattoo Set

‘The Girl Who Played With Fire’: Middling, By Kurt Loder

Cyber-icon seeks better movie. By Kurt Loder Noomi Rapace in “The Girl Who Played with Fire” Photo: Music Box Films The good news about “The Girl Who Played With Fire” is that hacker-punk avenger Lisbeth Salander is right at the center of it. In “The Girl With the Dragon Tattoo,” the first movie drawn from Swedish author Stieg Larsson’s “Millennium Trilogy,” Salander (Noomi Rapace) was a bit peripheral, a sort of cyber-sidekick to investigative journalist Mikael Blomkvist (Michael Nyqvist) on his quest to solve a 40-year-old mystery involving a secretive industrial clan. Here, she’s the focus of the story, which is more of a straight-ahead thriller, and unsurprisingly, she’s a treat to watch. At the end of the first film, Salander had taken off to the Caribbean with millions of dollars of bad-guy cash. Now she’s back in Stockholm, paying a visit to her sleazy social-worker custodian, Bjurman (Peter Andersson), whose last encounter with his angry ward left him with a new appreciation for tasers and an unexpected collection of nasty tattoos. Meanwhile, Blomkvist has commissioned a sensational story for his magazine by two young reporters — a blockbuster expose about sex trafficking that incriminates a score of government big shots. Then the reporters are murdered, and Salander’s fingerprints are found on the gun that killed them. The gun belonged to Bjurman, and it turns out he’s dead, too. Salander is suddenly on the run, and determined to find the truth about the murders. Blomkvist is, too — he knows his odd little friend is innocent. The story expands into areas of espionage, corruption and sexual abuse, with a towering white-haired killer lumbering into the action in the service of a vile Russian thug. We also learn about the devastating childhood incident that landed Salander in a mental institution (and gives the movie its name). There’s a lot of stuff happening, in other words. But the best parts are pure Lisbeth. She takes her taser and makeup box along to pay a visit to another sex pig (they’re her mission in life), and leaves him tied up like a very sad clown. She takes on a trio of greasy bikers and leaves them deeply wishing she hadn’t. We also get a glimpse of her sensitive side (who knew she had one?) in an artfully shot lesbian sex scene. Noomi Rapace owns this iconic character, and even though we’re getting more of her here, we can’t get enough. The bad news about the movie is that it’s not well-made. It’s a chopped-down Swedish TV movie, and it looks it. Niels Arden Oplev, who directed the first film, is here replaced by its second-unit director, Daniel Alfredson, who brought along a new writer and cinematographer, too. The picture is flat and disjointed, and some of its gaudier elements (the white-haired killer might have drifted in from an old Bond movie) aren’t as much fun as you keep wishing they were. There’s also the usual ungainliness of any middle installment of a movie series — we have to wait for the story’s ambiguities and unanswered questions to be clarified in the final film, “The Girl Who Kicked the Hornet’s Nest,” which is due out here in the fall. The bad news about that picture is that it was also made by Arden, back-to-back with this one. Lisbeth Salander’s most formidable opponent may turn out to be her director. Don’t miss Kurt Loder’s reviews of “Predators and “The Kids Are All Right,” also new in theaters this week. Check out everything we’ve got on “The Girl Who Played With Fire.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

Visit link:
‘The Girl Who Played With Fire’: Middling, By Kurt Loder