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Sundance Diary: Seeking (and Finding) Karaoke in the Snow

I ran into Salt Lake Tribune critic Sean Means tonight at Sundance in a packed RV decked out with a mini tiki bar, neon lights, and a booming sound system — also known as the RVIP Lounge and Karaoke Cabaret , a tricked-out mobile karaoke mecca and the jammingest place you’ll find in Park City all week. Since the word’s out ( read his account of the karaoke madness ), here are my two cents: You can have your Drizzy Drake concerts and Bing Bar bashes, but for my money there’s no better way to thaw out from the snow and mingle with Sundance strangers than while belting a karaoke jam or two. The thing about socializing at Sundance is that it can be incredibly frustrating and annoying if you do it the old-fashioned way. Park City imports non-film folks every year who show up to ski by day and get past velvet ropes at night, turning Main Street into douche-infested waters at sundown. Bars are overcrowded and parties all look the same after a while, so thank goodness for alternatives… like recreational vehicles outfitted with karaoke rigs and loud microphones. The RVIP Lounge hails from Los Angeles, courtesy of master KJ/party hosts Kestrin Pantera (pictured above), Jonathan Grubb, and Eva Kim where it zooms from place to place picking up eager singers. When the RVIP folks announced they were Park City bound this year, my heart leapt; no film festival, at least stateside in my experience, is complete without some sort of karaoke. (And while I haven’t quite figured out why movie people love karaoke so much, it’s an inarguable constant in this world, the social lubricant that unites many folks in the film community at large.) Friday night the Tim & Eric crowd sang as the intrepid RVIP navigated the icy mountain roads of Park City, but Saturday the mobile karaoke lounge held court near Sundance HQ. Look for them there Sunday as well – they’ll be the ones in the RV illuminating the night sky with bright colored lights. (Make sure to check their whereabouts on Twitter , this week in Park City and back in L.A.) Inside the RVIP you’ll find a cross-section of Sundance-goers – industry folk, journalists, filmmakers. The songbook is decent, the company even better, and when the place gets packed it takes on a life of its own. “How did I get to this magical place? What the hell is happening right now?” you may wonder as the entire RV erupts in song and someone plays air guitar on a light saber as you sing ditties like 2Pac’s “California Love” or Bonnie Tyler’s “Total Eclipse of the Heart.” It’s all part of the wonder that is the RVIP, which may have single-handedly saved the 2012 Sundance party scene. [Bonus: This week in addition to the RVIP, at least one other karaoke event is on the docket for the remainder of Sundance 2012 as CAVU Pictures hosts a karaoke throwdown Monday, January 23 for film and industry folks.] Got a hot tip on Sundance 2012 karaoke? Drop Jen Yamato a line on Twitter . Follow Movieline on Twitter . Get more of Movieline’s Sundance 2012 coverage here .

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Sundance Diary: Seeking (and Finding) Karaoke in the Snow

SUNDANCE: Tense Q&A an Early Success for Provocative Compliance?

Every so often festivals feature films that so offend the sensibilities of audience members that post-screening Q&As take an ugly turn, with upset viewers voicing their beefs, and loudly, straight to the filmmakers in attendance. This year that provocation came in the form of Craig Zobel’s Compliance , a drama based on an outrageous real-life crime that drew immediate backlash from some in attendance. Is being this year’s The Killer Inside Me / The Woman a buzz-building coup for the film? According to multiple media reports, the animosity emerged fairly quickly following the screening of Compliance , which follows the employees of a fast food chain as a caller claiming to be a police officer remotely instructs the investigation of a teenage clerk, leading her manager to detain her, humiliate her, and worse. The lengths to which Zobel’s film go to depict these events, based on an actual crime, prompted some moviegoers to cry foul. “Sundance, you can do better!” one woman reportedly shouted. According to The Hollywood Reporter , the comments went from admonishing to uncomfortable for star Dreama Walker. When Walker attempted to talk about her role and performance, which required her to be at least partially nude for a large portion of the film, a man in the audience yelled: “Your body is pretty appealing,” leaving Walker visibly shaken as a few other audiences members joined in with catcalls directed toward the cast and director. And then: “The Compliance Q&A has people yelling across the room,” Tweeted Twitch Film’s Ryland Aldrich. “Claims of misogny. ‘I’m a f*ggot! I don’t get off on her body!'” The brouhaha is reminiscent of the public receptions in recent years to Lucky McKee’s The Woman , which was accused of misogyny during its Sundance premiere Q&A, and Michael Winterbottom’s The Killer Inside Me , which provoked numerous complaints for its brutal violence, including a scene in which Jessica Alba is viciously attacked. Those festival controversies earned attention and piqued curiosities, making those films instantly more interesting must-sees in the days that followed, and arguably floated some additional interest when both hit theatrical release. The same is already happening for Compliance , whose publicity reps sent out media alerts today calling it “the provocative movie festival-goers are buzzing about.” Which is fine, but Zobel, for his part, must have known his film would test boundaries from the start given the material. It remains to be seen if further screenings of Compliance this week prompt more outbursts, not to mention whether or not the “provocative” reputation can propel it further towards eventual post-festival success without overshadowing its actual content. [ THR , @ RylandAldrich ]

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SUNDANCE: Tense Q&A an Early Success for Provocative Compliance?

Bereavement Director Stevan Mena On The MPAA and the Boundaries You Shouldn’t Cross In Horror

After watching the fairly savage new horror film, Bereavement , I didn’t know exactly what to expect when I met its director, Steven Mena — but I was fairly certain there would be at least three piercings on his face. Instead, Mena is about as down-home and wholesome in appearance as possible. The kind of guy who you would imagine delivering you milk in the 1950s with a wink and a smile, not the guy who directed a movie where a woman is roasted alive over an open flame.

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Bereavement Director Stevan Mena On The MPAA and the Boundaries You Shouldn’t Cross In Horror