For the first long stretch of Carancho , Pablo Trapero’s elegantly drawn, of-the-moment noir, the camera swerves and wends behind, around and in front of its subjects, brokering space and mapping their movements with smooth, sympathetic constancy. It follows Sosa (Ricardo Darín) and it follows Luján (Martina Gusman), two professionals who cruise the streets of Buenos Aires at night with a vaguely overlapping purpose. Luján is a paramedic and Sosa is a personal injury lawyer. In Argentina, traffic accidents are the leading cause of death for people under 35, so their nights are long.
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REVIEW: Carancho Delivers Sleek, Stirring Argentine Noir
