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If Nicki Minaj Isn’t Hip-Hop, Neither Is Eminem, Ed Lover Says

But Doctor Dre tells ‘RapFix Live’ Nicki should have played Summer Jam: ‘You go out there and you perform for your fans.’ By Rob Markman, with reporting by Sway Calloway Nicki Minaj Photo: Kevin Mazur/ WireImage When it comes to Nicki Minaj versus Hot 97 , it’s hard not to have an opinion. And, of course, Sunday’s Summer Jam drama came up during Wednesday’s (June 6) “RapFix Live.” During the special episode, MTV News correspondent Sway Calloway shared hosting duties with “Yo! MTV Raps” legends Ed Lover and Doctor Dre, who weighed in on the situation. “You can’t look at anybody that crosses over and achieves pop appeal as a sellout, because that’s what you’re trying to do when you put a record out,” Ed Lover said. “So if Nicki Minaj ain’t real hip-hop, then Public Enemy wasn’t real hip-hop, then Run-DMC wasn’t real hip-hop, then Eminem ain’t real hip-hop.” After Hot 97 DJ Peter Rosenberg criticized Nicki’s “Starships” single, suggesting the track wasn’t real hip-hop, Minaj’s Young Money boss Lil Wayne decided to cancel the Summer Jam performance. According to Doctor Dre, that’s a no-no: The show must go on. “First of all, Nicki Minaj was the only one who ruined 55,000 fans’ expectations of the night. It has nothing to do with Rosenberg. You go out there and you perform for your fans,” he said. While Dre feels that Nicki should have performed that night, he also believes Rosenberg was out of line. “We have too many what I call ‘semi-super experts’ who always try to redefine hip-hop from its infancy,” he argued. In the late 1990s, Ed and Dre hosted “Yo! MTV Raps,” and on Thursday, they will be the subjects of VH1’s new Rock Doc “Yo: The Story of Yo! MTV Raps.” During their iconic run, they’ve interviewed artists such as 2Pac, the Notorious B.I.G. and Rakim, just to name a few. They’ve seen many artists come and go. “She’s an artist whether I like her or I don’t like her. My daughter loves her and thinks that she’s the world, and that’s the case,” Dre said before issuing a challenge to Rosenberg. “You make your record and get in the ring and let’s see how you react, whether you start to sell out or not.” Where do you stand in the Young Money/ Summer Jam drama? Share your thoughts in the comments below! Related Videos ‘RapFix Live’ Goes Big With K.R.I.T., N.O.R.E And A ‘Yo! MTV Raps’ Reunion Related Artists Nicki Minaj Doctor Dre & Ed Lover

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If Nicki Minaj Isn’t Hip-Hop, Neither Is Eminem, Ed Lover Says

One Direction To Star In 3-D Concert Film?

Reports have 1D attached to a 3-D flick set to hit theaters next November, though details on the project are scarce. By James Montgomery One Direction Photo: Uptin Saiidi/MTV News Coming soon to a theater near you (maybe): It’s 1D … in 3-D! Yes, according to a report in the British newspaper The Sun, One Direction are set to star in an eye-popping 3-D film that is slated to begin filming next year. Which means that very soon, 1D obsessives will be able to plumb the depths of Harry’s dimples, explore the peaks of Niall’s mane or slalom down Zayn’s cheekbones … all in three very life-like dimensions. Of course, the plot of the film (as if it really matters) has yet to be determined, with The Sun reporting that it may either be a scripted comedy — “a camper in the style of old Monkees films,” is how a source put it — or a documentary, featuring clips of the too-cute quintet in concert. “It’s early days, but it’s something that their management and label are excited about,” the source is quoted as saying. “All options are open, though they’re unlikely to get cracking on shooting it until next year.” The still untitled (and unscripted) 1D film will reportedly hit theaters on November 8, 2013, and it is intended to be an answer to Justin Bieber’s massively successful 3-D flick “Never Say Never,” which surpassed Michael Jackson’s “This Is It” to become the biggest concert film in U.S. history last year. “U.S. film experts are speculating that the 1D film would be similar to Justin’s movie and will be a big money-spinner for the boys,” the source told The Sun. Just how big of a, uh, “money-spinner” remains to be seen, though The Sun reported that the One Direction guys stand to make as much as &163;10 million ($15 million) each from the film. Of course, there’s still no official word on the project, and a spokesperson for the band did not respond to MTV News’ request for comment by press time. Would you see 1D in 3-D? Leave your comment below! Related Videos MTV News Extended Play: One Direction Related Artists One Direction

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One Direction To Star In 3-D Concert Film?

Does Nicki Minaj’s ‘Starships’ Make Her Any Less Hip-Hop?

In the wake of Minaj’s feud with Hot 97, MTV News examines what real hip-hop is and who gets to decide. By Rob Markman Nicki Minaj Photo: Ronald Martinez/ Getty Images A funny thing happened on the way to Summer Jam. All hip-hop hell broke loose after an off-the-cuff comment by a radio DJ led rap’s reigning queen to pull out of the year’s biggest rap concert. Nicki Minaj versus Hot 97 has no doubt become the biggest rap gossip of the week, but once the drama subsides, an eternal discussion will still linger: What is real hip-hop? And who gets to decide? In one corner there’s rap purist and Hot 97 radio personality Peter Rosenberg, who trashed Nicki’s RedOne-produced crossover machine “Starships” in front of concertgoers just hours before she was scheduled to take the stage. In the other corner there is Nicki Minaj , whose pop success has made her a punching bag for critics who turn their noses up at anything without a James Brown sample. Hot 97’s famous tagline is “where hip-hop lives,” and in the radio world that pretty much rings true, though underground artists like Action Bronson, Skyzoo and the Immortal Technique could make a case otherwise. Minaj is technically rapping (and singing) on the fist-pumping “Starships,” and while the Barbie has always been classified as a hip-hop artist, the song didn’t become a top five Billboard single with urban-radio spins alone. Still, Hot 97 does play the record. If it is judged solely against the boom-bap DJ Premier portion of the genre, then “Starships” isn’t really a hip-hop record, but the track’s pounding bass and electro-pop dance beat is not totally detached from rap’s early days. Afrika Bambaataa’s iconic “Planet Rock,” lifted from Kraftwerk’s “Trans-Europe Express,” was centered around dance and not dusty samples or deep and intricate lyrics. In the 1980s, the Jungle Brothers built much of their discography around house and dance music, and they were one of the most celebrated hip-hop groups of their day. Hell, you can even trace Nicki’s penchant for wearing over-the-top costumes back to Bambaataa, so to suggest that “Starships” isn’t real hip-hop is an absolute statement and isn’t entirely accurate. Now to call “Starships” “wack” is a qualitative judgment and one widely held by hard-core rap fans — so there is some basis to Rosenberg’s charge. On her latest, Pink Friday: Roman Reloaded, Nick essentially splits her sound down the middle. On one side, Euro-inspired dance anthems dominate, while on the other side there are hard-core rap joints. For every “Starships” there is a “Beez in the Trap” or “Roman Reloaded,” which builds its beat around nine-millimeter gunshot sound effects. Nicki recognizes that she toes hip-hop’s undefined line, but relentlessly holds on to her rap roots. “I’m still me, hip-hop culture is still in my heart,” Minaj told MTV News back in April. “That can never leave me. I know I’m always gonna be street, because I can’t pretend to be street.” When she phoned in to Power 105’s Breakfast Club morning show on Tuesday, Nicki insisted that she wasn’t planning to perform “Starships” at Summer Jam. Instead, she planned to rock more fitting tracks and parade out a who’s who of hip-hop favorites during her set. Nas, Lauryn Hill, Lil Wayne, Cam’ron, 2 Chainz and Foxy Brown were just some of the guests with whom Minaj planned to share her stage. Ironically, it could have ended up the realest hip-hop moment of the year. Tune in to “RapFix Live” on Wednesday at 4 p.m. ET on MTV.com as “Yo! MTV Raps” hosts Ed Lover and Doctor Dre weigh in on the debate. Related Artists Nicki Minaj

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Does Nicki Minaj’s ‘Starships’ Make Her Any Less Hip-Hop?

Nicki Minaj Offers No ‘Apology’ On Explosive Hot 97 Call

‘I wouldn’t dare come on your stage and say something negative about Hot 97,’ Minaj says in heated radio interview. By Nadeska Alexis Nicki Minaj Photo: Kevin Winter/ Getty Images Hip-hop beefs come and go, and while some battles are fought lyrically and others are resolved under wraps, once in awhile they need to be aired out on public radio. Nicki Minaj called in to New York City’s Hot 97 on Monday night to do the latter, and she demanded that her conversation with DJ Funkmaster Flex be aired uncut and unedited. The YMCMB rapper was tuning in to address the controversy that started on Sunday when she pulled out of Hot 97’s annual Summer Jam concert in New Jersey after a brief tweet from Lil Wayne that read, “Young Money ain’t doing summer jam.” Word had gotten back to Weezy that Hot 97 personality Peter Rosenberg had disrespected Minaj, calling her single “Starships” “wack” and panning it for not being “real hip-hop.” To fans who were not at the show or watching the Summer Jam live stream, the first indication that things had gone sour were a series of tweets from Minaj’s account such as, “Wow. U ni–az just f—ed up history. But the President has spoken. #YMCMB.” During their heated discussion, which opened with Flex admitting that they’d already been arguing for an hour, Nicki Minaj was adamant in insisting that Rosenberg chose the wrong time and place to voice his negative opinions. “It’s not about his opinion, because I have opinions about DJs on Hot 97 and I have opinions on Hot 97,” she said. “But when it’s about us uniting people [for] your show, I wouldn’t dare come on your stage and say something negative about Hot 97, leading up to that concert.” “My fans at Summer Jam didn’t appreciate his comments, nor did my fans who were watching the live stream appreciate his comments,” she added. “This is streaming to the world. Nicki Minaj opened up that stream to show to kids in London and Paris. It was hosted on my website and those requests came from your station. I posted the links.” Flex countered that Nicki was overreacting when she listened to Lil Wayne and pulled out of the show, and he accused her of riling up fans on Twitter before dealing with the issue internally. But Minaj wasn’t having any of it, maintaining that what Weezy says goes. “I don’t go against the president of my label. Before I had New York radio, I had Wayne,” she said emphatically. “I will never go against Wayne. I can’t believe after all these years, he’s still teaching me. After a man goes onstage and disrespects me and tries to rile people up, I still was going on that stage, and shame on me. Lil Wayne gave me a valuable lesson in self-worth. He tweeted before he called me, and when I spoke to him he said, ‘Nick, we ain’t doing that show.’ ” Minaj explained that the attack felt extra-vindictive since she was the only woman on the roster (but not because she was the only woman on the roster), and plenty of yelling and screaming took place, sometimes punctuated by Minaj repeating Flex’s name slowly, in an effort to calm him down. One final issue that she needed to address was Flex’s earlier radio rant, when he defended Rosenberg and Hot 97 and made questionable remarks about her music sales . “When you give stats to the world, people listen to you, and it’s important that people know Nicki Minaj is actually out here selling records, singles and making money for Universal,” she said, rattling off the sales numbers she’s raked in with Pink Friday and Pink Friday: Roman Reloaded, topping it off with my favorite line, “I get money.” It wouldn’t be completely accurate to say that things ended on a positive note, but it seems like Minaj had the upper hand here. Flex admitted that Rosenberg could’ve picked a better time to criticize her, and she still stuck by Wayne’s decision to pull her out of the show, reiterating, “This is my hometown. I wanted to come onstage for my fans, my Barbz, my babies.” When Flex made one final joking attempt to get an apology out of her, you can probably guess the tone of her response. “Excuse me?” No radio station that allowed someone to disrespect me is getting an apology.” What do you think about Minaj pulling out of the show following Rosenberg’s remarks? Tell us in the comments. Related Artists Nicki Minaj

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Nicki Minaj Offers No ‘Apology’ On Explosive Hot 97 Call

Selling Out Is No Longer a Thing, It Is the Thing [Hip Hop]

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Some melodrama went down at New York hip-hop radio station Hot 97’s annual Summer Jam this weekend. Before the show, morning-show host Peter Rosenberg publicly dissed headliner Nicki Minaj for her increasing pop appeal: “I see the real hip-hop heads sprinkled in here. I see them. I know there are some chicks here waiting to sing ‘ Starships ‘ later – I’m not talking to y’all right now.” “Starships”… Broadcasting platform : YouTube Source : Valleywag Discovery Date : 04/06/2012 04:22 Number of articles : 4

Selling Out Is No Longer a Thing, It Is the Thing [Hip Hop]

Peter Rosenberg Calls Nicki Minaj “A Sell-Out!” [Audio]

As we’ve seen in his interview with Machine Gun Kelly or ScHoolboy Q, Hot 97′s Peter Rosenberg keeps it 100 whenever he provides his opinion on a subject. When discussing Nicki Minaj, there was no change in Rosenberg’s filter at all. The Hot 97 radio personality proceeded to critique Nicki’s approach in her music and appearance, citing her performance at the Grammy’s… Continue

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Peter Rosenberg Calls Nicki Minaj “A Sell-Out!” [Audio]

Heavy D Remembered By Iconic Producer Pete Rock

Cousin of rap’s Overweight Lover reminisces during call to New York’s Hot 97. By Rob Markman Heavy D Photo: Getty Images Heavy D’s death on Tuesday has hit the entire hip-hop community pretty hard, but for Pete Rock , who not only collaborated with Heav but was his cousin, things are difficult. Still, the legendary hip-hop producer took the time to call in to New York City’s Hot 97 morning show on Wednesday (November 9) and spoke with hosts Peter Rosenberg and Cipha Sounds. “Just trying to fathom the thought of all of this, it’s very hurtful,” Rock said of Heavy D, who was born Dwight Arrington Myers. “This man, he gave me everything.” The trailblazing rapper, who rose to fame with his group Heavy D & the Boyz in the late 1980s, died at 44. While the cause of death remains unconfirmed, early police reports say that Heav complained of having difficulty breathing. After cops responded to a 911 call on Tuesday, a still-conscious Heavy D was transported to Cedars-Sinai Medical Center in Los Angeles, where he was pronounced dead at 1 p.m. ET. Pete Rock, who is also Heav’s first cousin, told the radio hosts that he was with the rapper/actor just weeks ago and he seemed to be in good health. “It’s hard because it’s still unbelievable. I didn’t expect this to happen this fast, I was just with him a couple of weeks ago,” the producer revealed. “I spent the night; he didn’t even want me to leave. It’s like he didn’t want me to go and I laughed at him … it was crazy.” It was Heavy D who gave the Mount Vernon, New York, producer his start. Mr. Big Stuff’s success helped pave the way for Pete Rock to make his mark with rapper C.L. Smooth. On Pete and Smooth’s 1992 album Mecca and the Soul Brother, the duo even paid homage to deceased Heavy D & the Boyz group member Troy Dixon (a.k.a. Trouble T Roy) on their classic single “They Reminisce Over You (T.R.O.Y.).” “I felt like he was my guider, my person that just put me in place. He was my #1 believer,” Rock said while on the radio. “He was just too good to be true.” The #1 Soul Brother also spoke about the fond memories he shared with his cousin, remarking that their bond was “deeper than music.” Pete also noted that the two musicians had completed a song just two weeks ago. Share your memories of Heavy D on Facebook. Related Videos Remembering Heavy D Related Photos The Overweight Lovers Of Hip-Hop Related Artists Heavy D & The Boyz

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Heavy D Remembered By Iconic Producer Pete Rock