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Katy Perry: Taylor Swift Tried to Destroy Me!

The are plenty of sequels no one cares about this summer: You’ve got Tom Cruise picking up where Brendan Fraser left off (sadly, not in Encino Man 2 ); Johnny Depp trotting out the same sea-faring Keith Richards schtick he’s been working since 2003; and of course, More Motherf–king Minions .  But not even the stalest of movie franchises can compete with eyeroll-inducing tedium that comes with yet another round of the endless  feud between Katy Perry and Taylor Swift . If you saw her cringe-inducing dabs during her recent SNL performance, you know that Katy has been waging a non-stop war against coolness, but she’s taken time out from that tireless campaign to fire more shots at her lanky, blonde rival. The beef began anew when Katy released “Swish, Swish,”  a single in which she took some pretty blatant digs at Taylor. It continued when Katy challenged Taylor to “finish” their feud during an appearance on The Late, Late Show with James Corden .  It’s still not totally clear what she meant by that comment (fingers crossed for a West Side Story -esque dance-fight), but one thing is abundantly apparent: Katy has no intention of letting this thing go. Asked about her comments to Corden in a recent interview with NME, Perry elaborated – but kept it cryptic: “Well, James Corden makes me and the whole world feel very safe,” Perry said. “No one has asked me about my side of the story, and there are three sides of every story: one, two, and the truth.” That may sound like a fairly Zen take on the matter, but Katy says she’s no ancient Eastern ascetic: “I mean, I’m not Buddha — things irritate me,” she told the magazine. “I wish that I could turn the other cheek every single time, but I’m also not a pushover, you know? Especially when someone tries to assassinate my character with little girls [her fans]. That’s so messed up!” Yeah, she kinda upped the ante with the character assassination comment. Perhaps a bit melodramatic, since this is a woman who was often by Hillary Clinton’s side on the campaign trail, and has therefore seen the consequences of true character assassination firsthand. Speaking of which, we’re surprised Katy never reminds her fans of those rumors that Taylor voted for Trump . You want to make sure your predominantly under-30 audience stays on your side, we can’t think of a better method that pointing out that your rival might be in league with the Orange Menace. View Slideshow: 21 Celebrity Feuds We Never Saw Coming

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Katy Perry: Taylor Swift Tried to Destroy Me!

Intellectual Idiots: Columnist Calls Politician A “Spear Chucker” Then Claims He Didn’t Know It Was Racial Slur

SMH… Talk about ignorance is bliss . NY Post Columnist Calls Politician A “Spear Chucker” This guy needs to face some serious repercussions for his careless choice of words. According to NY Daily News reports: New York Post political columnist Fred Dicker called an upstate senator a “spear chucker” for the predominantly black New York City Democratic delegation in a controversial on-air comment Thursday. A listener to Dicker’s radio show immediately called him out for the racially offensive comment. Dicker insisted he didn’t know the phrase was a racist slur. “There was NEVER any racial suggestion at all,” Dicker told the Daily News in an email. “I said on the air that I was referring to a political ‘spear carrier’ and thought that the other phrase meant the same thing,” Dicker said. “As soon as a listener called a possible misinterpretation to my attention, I quickly explained my position.” During his radio show on WGDJ Talk AM 1300, the veteran columnist, who is white, criticized state Sen. Neil Breslin (D-Albany), who is also white. “Has anyone heard anything from Neil Breslin in the last few years? He’s just like a spear carrier, spear chucker, for these New York City Democrats, but he doesn’t say anything about what’s going on around here,” Dicker said. Following a commercial break, Dicker clarified his statement after receiving the email from a listener. “I didn’t think it was a slur,” Dicker said on air. A spokeswoman for Rep. Charles Rangel said Dicker should apologize, saying, “Fred Dicker’s use of an unacceptable racial term on his radio program was highly insensitive and offensive.” The blunder comes after another on-air gaffe in January in which Dicker called the Newtown school shooting a “little convenient massacre.” Do you think they should take him off the air? Should the Post suspend him? CBS Local

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Intellectual Idiots: Columnist Calls Politician A “Spear Chucker” Then Claims He Didn’t Know It Was Racial Slur

Intellectual Idiots: Columnist Calls Politician A “Spear Chucker” Then Claims He Didn’t Know It Was Racial Slur

SMH… Talk about ignorance is bliss . NY Post Columnist Calls Politician A “Spear Chucker” This guy needs to face some serious repercussions for his careless choice of words. According to NY Daily News reports: New York Post political columnist Fred Dicker called an upstate senator a “spear chucker” for the predominantly black New York City Democratic delegation in a controversial on-air comment Thursday. A listener to Dicker’s radio show immediately called him out for the racially offensive comment. Dicker insisted he didn’t know the phrase was a racist slur. “There was NEVER any racial suggestion at all,” Dicker told the Daily News in an email. “I said on the air that I was referring to a political ‘spear carrier’ and thought that the other phrase meant the same thing,” Dicker said. “As soon as a listener called a possible misinterpretation to my attention, I quickly explained my position.” During his radio show on WGDJ Talk AM 1300, the veteran columnist, who is white, criticized state Sen. Neil Breslin (D-Albany), who is also white. “Has anyone heard anything from Neil Breslin in the last few years? He’s just like a spear carrier, spear chucker, for these New York City Democrats, but he doesn’t say anything about what’s going on around here,” Dicker said. Following a commercial break, Dicker clarified his statement after receiving the email from a listener. “I didn’t think it was a slur,” Dicker said on air. A spokeswoman for Rep. Charles Rangel said Dicker should apologize, saying, “Fred Dicker’s use of an unacceptable racial term on his radio program was highly insensitive and offensive.” The blunder comes after another on-air gaffe in January in which Dicker called the Newtown school shooting a “little convenient massacre.” Do you think they should take him off the air? Should the Post suspend him? CBS Local

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Intellectual Idiots: Columnist Calls Politician A “Spear Chucker” Then Claims He Didn’t Know It Was Racial Slur

‘So You Think You Can Dance’: The Ladies Bring It

From crumping to alien space dancing, sexy ladies stole the show at the Salt Lake City auditions. By Natasha Chandel Witney Carson on “So You Think You Can Dance” Photo: Season nine of “So You Think You Can Dance” just got hot … real hot. The Salt Lake City auditions not only brought forth some stupendous dancers but also scored the first tickets on judge Mary Murphy’s infamous hot-tamale train. Ballroom was the predominantly featured dance style Wednesday night, although we saw glimpses of everything from crumping to burlesque jazz to (you guessed it) alien space dance. In the audition episodes thus far , the men have managed to stand out just a little more than the women. Well, Salt Lake City just tipped the scale in favor of the ladies, leaving judge Nigel Lythgoe and guest judge Adam Shankman drooling. Here’s our “tamales” rundown from last night’s show. Hot Tamales Kicking off the show in high gear was Witney Carson. Not only did her sensual cha-cha tango receive praise for its technique, she made slaves out of the judges. “I am a slave for you,” Shankman proclaimed, while Lythgoe commented on her “smoking-hot face” and compared her to season 3 ballroom favorite Anya Barnis. But the greatest compliment may have been in the form of a simple, shrill scream from Mary Murphy declaring her the season’s first ticket holder on the hot-tamale train. Carson wasn’t the only dancer awarded a golden ticket. Deanna Tomasetta was dubbed “special,” giddy but super-fierce crumper Mariah Spears was called “tremendous,” and burlesque jazz dancer Rachel Applehans was applauded for her confidence. Odd Tamales No reality competition series is complete without its share of oddballs, and the Salt Lake City auditions found its odd tamale in Lynn Gravatt. A former aerospace engineer, Gravatt gave it all up to pursue her passion for dance. Alien space dance, to be exact. Claiming “something” comes through her to make her move, Gravatt performed enthusiastically for the judges. Of course, they didn’t put her through, but Gravatt had achieved her goal of showing the world you can be anything you want to be. Odd things do come in green packages. Gene Lonardo sure did. The real shocker of the night, Lonardo decided to paint himself green and perform the life story of a male praying mantis. Yes, you read correctly. What seemed like a disaster waiting to happen actually turned out to be the surprise of the night. “You’re so brilliant,” Shankman told the unbelievably agile dancer, whom the judges felt would be a treat for contemporary choreographer Sonya Tayeh. Sad Tamales There were a few sad stories interspersed throughout the show, including that of Dareian Kujawa, who was kicked out of his home and disowned for his pursuit of dance. Leroy Martinez, a heavier-set dancer, had overcome a rough childhood and was now giving back through an after-school dance program. Although both put forth commendable efforts, projecting true spirit, neither was granted a golden ticket. Martinez did receive a standing ovation from the judges and the crowd. Contestant Adrien Lee had a different story. After being cut at the last stage in season seven of “SYTYCD,” Lee was disheartened, as was Murphy, who had the tough job of delivering the bad news. After taking a year off, he decided to try again and won yet another ticket and another chance to make his dreams come true in Las Vegas. Salt Lake City was the final audition city before the big cuts in Vegas, and it definitely featured some of the sexiest dancers of the lot. Whether any will actually make it to the top 20 remains to be seen, but next week we will be one step closer to finding out as “So You Think You Can Dance” moves on to Sin City. Who was your favorite dancer on “So You Think You Can Dance”? Let us know in the comments.

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‘So You Think You Can Dance’: The Ladies Bring It

Kanye West Lights Up Superdome At Essence Fest

Yeezy performs a bombastic headlining set on Saturday in New Orleans. By Rebecca Thomas Kanye West performs at the 2011 Essence Fest on Saturday Photo: Erika Goldring/Getty Images NEW ORLEANS, Louisiana — Early on in Kanye West ‘s headlining set at the 2011 Essence Music Festival on Saturday Night, the Chicago MC stood on a raised platform suspended high above the cheering crowd. As he spit “Dark Fantasy,” the hook “Can we get much higher?” seemed a particularly apt way to describe not only his literal skyward stance at the New Orleans Superdome , but also what was to come that night. Yeezy was already knee-deep into career-defining classics like “Jesus Walks” “Can’t Tell Me Nothing” and “Diamonds are Forever,” when he told the elated NOLA fest he was “just getting started.” Rocking a white blazer, topped by a thick tangle of gold chains, and a pair of jeans and sneakers, the 34-year-old rapper bounded across the stage like a hyperactive teen, but there was no mistaking that West is a megastar, the “college dropout” who has more than made G.O.O.D. on his childhood dreams. As a small army of classical dancers — dressed in a variation of the phoenix costume worn by Selita Ebanks’ bird in West’s short film “Runaway” — flanked him, Kanye launched into a bombastic rendition of “Power”; “Devil in a New Dress” and “Hell of a Life” followed as ‘Ye tucked into singles and cuts from last year’s platinum-plus opus My Beautiful Dark Twisted Fantasy. Performing to a massive audience that came to its feet (and stayed there all night) to the strains of ‘Ye and Jay-Z’s “H.A.M.,” the Chi-town MC with a Nas flow touched on his recent scandals, explaining that he stopped granting press interviews after taking lashings from media and bloggers. But he wasn’t all rebellious rapper: He danced, sang along and laughed his way through an old-school medley of personally influential music, and the playlist jumped from Al Green to ’90s soul groups like Jodeci and Shai. And West also emphasized that he knew who had held him down when, as he laughed, he “had a little too much too drink” before storming the MTV VMA stage back in 2009. Yeezy repeatedly thanked the predominantly African-American crowd for standing by him before going on to a stirring, church-tinged rendition of “Gold Digger.” The songs felt big and anthemic; the stage and stands, for instance, were bathed in lights and lasers for “All of the Lights” and “Stronger,” respectively. As he bounced back and forth between hits from his discography, including his College Dropout debut and his introspective, Auto-Tuned 808s & Heartbreak, the weight of West’s musical success was apparent. If there is a handbook for how to headline an expansive show, West should write it. Concertgoers appeared awestruck at the sheer spectacle and scale of the show, mouths gaping when they weren’t shouting lyrics back at the energetic MC. For the finale “Act 3” (a title card projected onto oversize screens flashed the show’s three-part progression), a billowing white tent was spread across the stage. In cocoon-like fashion, the dancers re-emerged in black tutus; West clad in his signature red suit. As the rapper knocked out the mournful, tinkling opener of “Runaway” on his MPC machine, the ballerinas circled and Pusha T turned up for his verse. Still, as large and loud as the show felt, Yeezy’s closing was as subtle. After rapping a heartfelt “Hey Mama” on his knees, with a nod to his late mother, Donda West , the star and his band, dancers and DJ took a ballet-company-style bow and walked offstage as the stadium lights went up. Related Artists Kanye West

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Kanye West Lights Up Superdome At Essence Fest

Filipinos Crucified As Atonement Of Sins On Good Friday

An annual religious ritual disapproved by church leaders in the predominantly Roman Catholic country, Filipino devotees had themselves nailed to crosses on Good Friday to remember Jesus Christ’s suffering and death. In San Fernando City, at least 23 people were nailed to crosses in three villages to mark Good Friday.Foreigners were not allowed in participating this year except as spectators, Ching Pangilinan stated, a city tourism officer and one of the organizers. The ban was imposed after some foreigners took part in previous years just to make a film or make fun of the rites. “We don’t want them to just make a mockery out of the tradition of the people here,” Pangilinan said. The event drew more than 10,000 Philippine and foreign spectators.  Devotees dressed in robes and tin crowns walked to a dusty mound carrying wooden crosses on their backs. At the mound, men crucified their hands and feet. Ruben Enaje, a 49-year-old sign painter devotee who was nailed to a cross for the 24th time as his way of thanking God for his survival after falling from a building. Mary Jane Mamangon, a 34-year-old rice cake vendor, was the lone female devotee to be nailed to a cross this year in San Juan village. It was her 14th time.  According to Mamangon, she started this ritual when she was 18 and has taken part in the annual rites on and off to seek God’s help in saving her ill grandmother and now her younger sister, who is suffering from cancer. “I do it because I have seen that it works,” she told The Associated Press. “I saw how my grandmother recovered from her illness.” Mamangon said she has faith that God will take care of her and her family. Similar rites took place in nearby Bulacan province, while in other parts of the country, half-dressed, barefooted penitents walked the streets, whipping their bloody backs with pieces of wood dangling from ropes as a way to atone for sins. Church leaders disapprove of such practices. The Catholic Bishops’ Conference of the Philippines (CBCP) stated that the real expression of Christian faith during Lent is through repentance and self-renewal, not flagellation or crucifixion. Bishop Rolando Tirona of the Prelature of Infanta said flagellation and cross nailings are expressions of superstitious beliefs, and are usually done out of need for money or to encourage tourism, which make them wrong. About 80 percent of the Philippine population of more than 90 million are Roman Catholic. An annual religious ritual disapproved by church leaders in the predominantly Roman Catholic country, Filipino devotees had themselves nailed to crosses on Good Friday to remember Jesus Christ’s suffering and death. In San Fernando City, at least 23 people were nailed to crosses in three villages to mark Good Friday.Foreigners were not allowed in participating this year except as spectators, Ching Pangilinan stated, a city tourism officer and one of the organizers. The ban was imposed after some foreigners took part in previous years just to make a film or make fun of the rites. “We don’t want them to just make a mockery out of the tradition of the people here,” Pangilinan said. The event drew more than 10,000 Philippine and foreign spectators.  Devotees dressed in robes and tin crowns walked to a dusty mound carrying wooden crosses on their backs. At the mound, men crucified their hands and feet. Ruben Enaje, a 49-year-old sign painter devotee who was nailed to a cross for the 24th time as his way of thanking God for his survival after falling from a building. Mary Jane Mamangon, a 34-year-old rice cake vendor, was the lone female devotee to be nailed to a cross this year in San Juan village. It was her 14th time.  According to Mamangon, she started this ritual when she was 18 and has taken part in the annual rites on and off to seek God’s help in saving her ill grandmother and now her younger sister, who is suffering from cancer. “I do it because I have seen that it works,” she told The Associated Press. “I saw how my grandmother recovered from her illness.”Mamangon said she has faith that God will take care of her and her family. Similar rites took place in nearby Bulacan province, while in other parts of the country, half-dressed, barefooted penitents walked the streets, whipping their bloody backs with pieces of wood dangling from ropes as a way to atone for sins. Church leaders disapprove of such practices. The Catholic Bishops’ Conference of the Philippines (CBCP) stated that the real expression of Christian faith during Lent is through repentance and self-renewal, not flagellation or crucifixion. Bishop Rolando Tirona of the Prelature of Infanta said flagellation and cross nailings are expressions of superstitious beliefs, and are usually done out of need for money or to encourage tourism, which make them wrong. About 80 percent of the Philippine population of more than 90 million are Roman Catholic. Filipinos Crucified As Atonement Of Sins On Good Friday is a post from: Daily World Buzz Continue reading