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Adam Yauch Dead at 47 [UPDATED]

Tragic, shocking news out of New York just now: Adam Yauch — a.k.a. MCA, one-third of rap legends the Beastie Boys, influential filmmaker and music-video director, and founder of independent-film distributor Oscilloscope Laboratories — has died following his long battle with cancer. He was 47. Movieline will have more on Yauch’s passing, including official comment from Oscilloscope and appreciations of Yauch’s artistic legacy, throughout the day. Developing… [via Global Grind , Rolling Stone ] UPDATE [3:56 p.m. EDT]: Movieline received this statement from Yauch’s Oscilloscope Laboratories colleagues Dan Berger, David Fenkel and David Laub on behalf of the entire company: “We are deeply, deeply saddened by the passing of Adam Yauch – an amazing leader, a dear friend and an incredible human being. Today we are heartbroken at Oscilloscope as we take in this awful news and our thoughts are with his family at this difficult time. Adam’s legacy will remain a driving force at Oscilloscope – his indomitable spirit and his great passion for film, people, and hard work – always with a sense of humor and a lot of heart.” And this followed from the Beastie Boys’ management company Nasty Little Man: It is with great sadness that we confirm that musician, rapper, activist and director Adam “MCA” Yauch, founding member of Beastie Boys and also of the Milarepa Foundation that produced the Tibetan Freedom Concert benefits, and film production and distribution company Oscilloscope Laboratories, passed away in his native New York City this morning after a near-three-year battle with cancer. He was 47 years old. Born in Brooklyn, New York, Yauch taught himself to play bass in high school, forming a band for his 17th birthday party that would later become known the world over as Beastie Boys. With fellow members Michael “Mike D” Diamond and Adam “Adrock” Horovitz, Beastie Boys would go on to sell over 40 million records, release four #1 albums–including the first hip hop album ever to top the Billboard 200, the band’s 1986 debut full length, Licensed To Ill –win three Grammys, and the MTV Video Vanguard Lifetime Achievement award. Last month Beastie Boys were inducted into the Rock & Roll Hall of Fame, with Diamond and Horovitz reading an acceptance speech on behalf of Yauch, who was unable to attend. In addition to his hand in creating such historic Beastie Boys albums as Paul’s Boutique, Check Your Head, Ill Communication, Hello Nasty and more, Yauch was a founder of the Milarepa Fund, a non-profit organization dedicated to promoting awareness and activism regarding the injustices perpetrated on native Tibetans by Chinese occupational government and military forces. In 1996, Milarepa produced the first Tibetan Freedom Concert in San Francisco’s Golden Gate Park, which was attended by 100,000 people, making it the biggest benefit concert on U.S. soil since 1985’s Live Aid. The Tibetan Freedom Concert series would continue to stage some of the most significant benefit shows in the world for nearly a decade following in New York City, Washington DC, Tokyo, Sydney, Amsterdam, Taipei and other cities. In the wake of September 11, 2001, Milarepa organized New Yorkers Against Violence, a benefit headlined by Beastie Boys at New York’s Hammerstein Ballroom, with net proceeds disbursed to the New York Women’s Foundation Disaster Relief Fund and the New York Association for New Americans (NYANA) September 11th Fund for New Americans–each chosen for their efforts on behalf of 9/11 victims least likely to receive help from other sources. Under the alias of Nathanial Hörnblowér, Yauch directed iconic Beastie Boys videos including ‘So Whatcha Want,’ ‘Intergalactic,’ ‘Body Movin’ and ‘Ch-Check It Out.’ Under his own name, Yauch directed last year’s Fight For Your Right Revisited , an extended video for ‘Make Some Noise’ from Beastie Boys’ Hot Sauce Committee Part Two , starring Elijah Wood, Danny McBride and Seth Rogen as the 1986 Beastie Boys, making their way through a half hour of cameo-studded misadventures before squaring off against Jack Black, Will Ferrell and John C. Reilly as Beastie Boys of the future. Yauch’s passion and talent for filmmaking led to his founding of Oscilloscope Laboratories, which in 2008 released his directorial film debut, the basketball documentary Gunnin’ For That #1 Spot and has since become a major force in independent video distribution, amassing a catalogue of such acclaimed titles as Kelly Reichardt’s Wendy and Lucy , Oren Moverman’s The Messenger , Banksy’s Exit Through The Gift Shop , Lance Bangs and Spike Jonze’s Tell Them Anything You Want: A Portrait Of Maurice Sendak , and many more. Yauch is survived by his wife Dechen and his daughter Tenzin Losel, as well as his parents Frances and Noel Yauch. UPDATE [5:20 p.m. EDT] Here’s Movieline partner ENTV ‘s dispatch on Yauch:

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Adam Yauch Dead at 47 [UPDATED]

Is Two Can Play That Game the Original Think Like a Man?

While Think Like A Man may have conquered the domestic box office two weekends in a row – an impressive feat for what Hollywood execs refer to as an “urban comedy” – there’s no question that the film’s success is as much due to the popular self-help book on which it is based as it is to its comedic merits. Roger Ebert hit the nail on the head in his review , remarking: “The movie’s mistake is to take the book seriously. This might have worked as a screwball comedy or a satire, but can you believe for a moment in characters naive enough to actually live their lives following Steve Harvey’s advice?” The funny thing is that the screwball version film Ebert would have liked to see actually exists — and is infinitely superior to the more dramatic, contemporary incarnation. That film is Two Can Play That Game , Mark Brown’s hilarious entry in the battle-of-the-sexes subgenre. A distant descendant of true screwballs (most notably The Awful Truth , which depicts a recently divorced couple’s attempts to derail one another’s new romances), Two Can Play That Game is, like Think Like A Man , anchored by a character explaining dating rules and philosophy to the audience. However, in this film that character actually has skin in the game – in fact, she’s its heroine: Shante Smith (Vivica A. Fox) is an ad agency exec who dispenses advice to the audience (and her girlfriends) about her seemingly perfect “Ten Day Program” for keeping a straying boyfriend in check; when her own boyfriend Keith (Morris Chestnut) begins to stray, a battle of wits ensues. The Kevin Hart comedic-sidekick role is played here by Anthony Anderson, as Keith’s relationship consigliore. Anderson knocks the role out of the park, with a performance that easily steals the entire film. It’s true that the most dramatic moments of Think Like A Man – when the characters try to level with each other and Own Up To Their Mistakes – are the moments in which it feels the most deadened. Two Can Play That Game , alternatively, embraces its absurdity; like its finest performance, it doesn’t take itself too seriously. In one scene, when Anderson seconds the points Keith makes by shouting as if he’s at church, an organ and chorus suddenly appear on the soundtrack to emphasize the revelations the men are coming to about women. The film, at various points, informs us that the first law of thermodynamics explains how best to manipulate your partner; has Vivica A. Fox punch Gabrielle Union in the face; and, in the funniest scene, puts forth the theory that church is a better place to pick up promiscuous women than a nightclub. And while the film understands that it’s a light comedy, it’s not lacking for bombast. “This is way bigger than you,” Anderson tells Chestnut late in the film. “You’re doing this for all men across the country. You’re doing this for men all around the world!” With increasingly deranged anxiety, Anderson goes off the rails: “Pretty soon women are gonna be pulling these head trips on us, dog, and you know what’s gonna happen? We’re gonna be the ones cooking dinner! We’re gonna be the ones changing the diapers! We’re gonna be the ones washing the dishes! And you know what they’re gonna be doing? They’re gonna be sitting on our couches, watching football on our Sunday!” Between putting forth the misguided belief that people need to engage in psychological warfare to keep their partners in line and the propagation of all kinds of stereotypes and clichés, no one’s going to accuse either of these movies of responsibly depicting gender relations. But when choosing one to watch, a viewer is well-advised to pick a film that is fully aware of – and complicit in – its own absurdity. Zachary Wigon is a writer based in New York. His work has appeared in the New York Press, NYLON, and Filmmaker Magazine, among many other outlets. He tweets @zachwigon .  

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Is Two Can Play That Game the Original Think Like a Man?