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Jude Law: Age Helped Me Tackle ‘Anna Karenina’

Oscar-nominated actor Jude Law plays a pious aristocrat in director Joe Wright’s sumptuous big screen adaptation of Anna Karenina . Almost unrecognizable behind a steely exterior, Law’s Karenin is Anna’s spurned husband in the film, which begins its roll out Friday and is a possible awards season heavyweight. Law seamlessly pulls off playing the high-ranking nobleman whose position at the heights of Imperial Russian society is rocked when his wife embarks on an affair with a dashing young soldier. Speaking about his role, Law, who turns 40 next month, said that he doesn’t think he could have played the character when he was younger — but he certainly would have given it a go. “When I was 25 I would probably say I could have played Karenin,” said Law. “When I was 29 and I put together a production of Doctor Faustus in London, it was successful but it took me the length of the production to realize that I was too young to play it. And I think the same would apply to this situation. I would have given it a good shot, but I think it would not have been as successful.” [ Related: Oscars and Obsession: Keira Knightley Talks About ‘Jumping Off A Cliff’ For Joe Wright In Anna Karenina ] Law said that youth would have been a handicap portraying the staid Karenin, who exudes stability and rationality to a fault. He is the archetypal patriarch that is a complete contrast from the youthful soldier who seduces his wife. “I think you need to have a certain amount of experience to play certain roles,” noted Law. “You want the audience to see a certain amount of wounds and battle scars that are obviously flickering in the mind and the soul.” Set in the lavish upper crust societies of St. Petersburg and Moscow in 1874, Anna Karenina follows the vibrant and beautiful Anna (Keira Knightley) who is the envy of nearly everyone in her gilded circle. She is the beautiful, stylish and rich wife of Karenin who holds a high position in the government and is blindly devoted to his spouse. Their enviable partnership is dealt a blow when she travels to Moscow to help save the marriage of her philandering brother Oblonsky (Matthew Macfadyen) after a plea for help from his wife, Dolly (Kelly Macdonald). En route, she meets the dashing cavalry officer Vronsky (Aaron Taylor-Johnson), which ignites passion; she returns to St. Petersburg, but she is followed by Vronsky and becomes consumed by him, and they go full-throttle into a ravenous love affair that stuns the establishment. Law said he believes some Anna Karenina readers have misunderstood his character. Though he is sullen compared to the dynamic Vronsky, there is complexity in his personality that many readers of the novel have failed to appreciate. “A lot of people I spoke to before I embarked on it said he was dull and cold, but I disagreed with them,” said Law. “I hadn’t read the novel before, but after reading it I was glad Joe [Wright] agreed with me, because I think it sort of belittles Tolstoy’s study of human complexity. People are complex and there’s a misunderstanding. But you do feel for him because he’s dragged into this arena of gossip and scandal. But ultimately for him, he has to question his belief in God because he believes his marriage is sanctioned by God.” Karenin’s position at the pinnacle of a narrow class of people who delighted in rarified privilege contrasted with the bleak existence that huge swaths of Russians were forced to live in during czarist times. Though Law said he was disturbed to see how extraordinarily the aristocracy lived while most people were barely living a life one notch above serfdom in Russia, he did see some parallels to today. “It’s shocking that they were that indulged and were able to follow their whims and fancies to such extraordinary lengths — and we look at that with jealousy and at times and with fascination. What intrigues me is that the heart of the piece is about love. But there are other aspects in the book that have also been highlighted in the film and that is the role of gossip and judgement. Today there is much of the same thing and we see that online and in papers all the time. We still do that — we call out people for ‘breaking the rules.'” Read more on Anna Karenina . Follow Brian Brooks on Twitter . Follow Movieline on Twitter .

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Jude Law: Age Helped Me Tackle ‘Anna Karenina’

David Koepp Says Kristen Stewart-Rupert Sanders Media Frenzy Was ‘Sad For All Involved’

Don’t tell David Koepp that scandal is good for box office. The screenwriter ( Jurassic Park , Indiana Jones: The Return of a Legend ) and director of this week’s Premium Rush  told Movieline that speculation that the media scandal involving Kristen Stewart, her Twilight co-star and reported off-screen beau Robert Pattinson and her Snow White and the Huntsman director Rupert Sanders is somehow good for business is “a cynical response” to the situation. “The people involved in any kind of scandal like that might want to respond,  Who gives a shit? I didn’t say you could eat my head . You know?” Koepp told me. John Kamps, his writing partner on Premium Rush, agreed: “I think historically scandal has never done well for movies.” (Movieline will post an interview with both regarding their new film on Friday.) When I asked Koepp what he made of the media frenzy surrounding Stewart, Sanders and Pattinson, he replied: “I think it was sad for all involved.” Koepp was hired by Universal to write a script to Snow White and the Huntsman but explained that he departed the project on friendly terms because the producers wanted to pursue a different direction. “I felt like there was a good path with her, but they wanted to explore a different thing I had no ideas for,” said Koepp, who told me  he couldn’t picture SWATH 2 without Stewart and, therefore, “couldn’t follow through.” Koepp observed that the proliferation of social media has made it difficult for  just about anyone, not just Twilight cast members, to maintain privacy. “In  the past — in the long past now — actors were able to keep their private lives much more separate,” the filmmaker said. “Now, no one really has a private life. I don’t think it’s just actors. I have teenage sons and they’re of the social media generation. That sort of living out loud is just weird to me. “I can’t understand why you would want so much of yourself revealed to just anyone, because it is inevitably — inevitably — a target of derision. It’s impersonal, but hurtful,” he said. “You see people really get hurt by Facebook attacks. Particularly in the junior high sort of level.” Noting that “Hollywood kind of is junior high,” albeit with more money and drugs, Koepp added: “There’s a lot of pain out there for people who are exposed. I feel very bad for actors in that regard. I think it’s a suckie part of the job and, when people say, Well, you asked for it — no they didn’t. “They asked for a bunch of other stuff and were willing to make a bunch of other sacrifices,” he said. “Just because you’re in the public eye doesn’t mean that you agree that there will be a complete abrogation of decency.” Nell Alk is an arts and entertainment writer and reporter based in New York City. Her work has been featured in The Wall Street Journal , Manhattan Magazine, Z!NK Magazine and on InterviewMagazine.com, PaperMag.com and RollingStone.com, among others. Learn more about her here . Follow Nell Alk on Twitter. Follow Movieline on Twitter.

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David Koepp Says Kristen Stewart-Rupert Sanders Media Frenzy Was ‘Sad For All Involved’

Anna Karenina Teases High Society Sexual Scandal

Fittingly lavish, new images from Anna Karenina , the splendor of imperial Russia is merely the backdrop for a scandalous love affair. But strict rules and mores adhered to (and then broken) by high society have long been enticing setting for 99 per centers (and their friends) throughout the ages to witness aristocratic crash and burns through fleshly indulgences. And the screen version of Leo Tolstoy’s novel appears to not hold back. Keira Knightley , Jude Law , and Aaron Taylor-Johnson (aka Aaron Johnson) star in the 19th century epic, directed by Joe Wright ( Atonement , Pride & Prejudice ) and adapted by Oscar-winner Tom Stoppard ( Shakespeare in Love ). Oscar is undoubtedly on filmmakers’ minds not to mention distributor Focus Features, which will debut Anna Karenina at the upcoming Toronto International Film Festival, the annual September event that is the virtual launch-pad of the annual awards race. Anna Karenina has graced the big screen and small screen throughout the decades. Greta Garbo played the titular Russian aristocrat who falls in love with the dashing Count Vronsky, jeopardizing her social standing and not to mention her aristocratic husband’s displeasure. Jude Law plays the wronged husband in the latest Anna Karenina and Aaron Johnson’s Count Vronsky is the object of desire. [ GALLERY: Check out the latest photos from Anna Karenina ] ( Anna Karenina trailer is below along with the film’s official log-line) Acclaimed director Joe Wright’s bold, theatrical new vision of the epic story of love is stirringly adapted from Leo Tolstoy’s great novel by Academy Award winner Tom Stoppard (“Shakespeare in Love”). The film marks the third collaboration of the director with Academy Award-nominated actress Keira Knightley and Academy Award-nominated producers Tim Bevan, Eric Fellner, and Paul Webster, following their award-winning box office successes “Pride & Prejudice” and “Atonement.” The creative team also includes cinematographer Seamus McGarvey (“The Avengers”), three-time Academy Award-nominated production designer Sarah Greenwood (“Sherlock Holmes”), film editor Melanie Ann Oliver (“Jane Eyre”), hair and make-up designer Ivana Primorac (“Hanna”), Academy Award-winning composer Dario Marianelli (“Atonement”), and two-time Academy Award-nominated costume designer Jacqueline Durran (“Pride & Prejudice”). The timeless story powerfully explores the capacity for love that surges through the human heart while illuminating the lavish society that was imperial Russia. The time is 1874. Vibrant and beautiful, Anna Karenina (Ms. Knightley) has what any of her contemporaries would aspire to; she is the wife of Karenin (Jude Law), a high-ranking government official to whom she has borne a son, and her social standing in St. Petersburg could scarcely be higher. She journeys to Moscow after a letter from her philandering brother Oblonsky (Matthew Macfadyen) arrives, asking for Anna to come and help save his marriage to Dolly (Kelly Macdonald). En route, Anna makes the acquaintance of Countess Vronsky (Olivia Williams), who is then met at the train station by her son, the dashing cavalry officer Vronsky (Aaron Taylor-Johnson). When Anna is introduced to Vronsky, there is a mutual spark of instant attraction that cannot – and will not – be ignored. The Moscow household is also visited by Oblonsky’s best friend Levin (Domhnall Gleeson), an overly sensitive and compassionate landowner. Levin is in love with Dolly’s younger sister Kitty (Alicia Vikander). Inopportunely, he proposes to Kitty but she is infatuated with Vronsky. Devastated, Levin returns to his Pokrovskoe estate and throws himself into farm work. Kitty herself is heartbroken when, at a grand ball, Vronsky only has eyes for Anna and the married woman reciprocates the younger man’s interest. Anna struggles to regain her equilibrium by rushing home to St. Petersburg, where Vronsky follows her. She attempts to resume her familial routine, but is consumed by thoughts of Vronsky. A passionate affair ensues, which scandalizes St. Petersburg society. Karenin is placed in an untenable position and is forced to give his wife an ultimatum. In attempting to attain happiness, the decisions Anna makes pierce the veneer of an image-obsessed society, reverberating with romantic and tragic consequences that dramatically change her and the lives of all around her. Director: Joe Wright (“Atonement,” “Pride & Prejudice,” “Hanna”) Writer: Tom Stoppard (“Shakespeare in Love”); Based on the novel by Leo Tolstoy Cast: Keira Knightley, Jude Law, Aaron Taylor-Johnson, Kelly Macdonald, Matthew Macfadyen, Domhnall Gleeson, Ruth Wilson, Alicia Vikander, Olivia Williams, Emily Watson MPAA Rating: R 

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Anna Karenina Teases High Society Sexual Scandal

Choo-Choo! Here Comes a Killer Adaptation of Anna Karenina!

Lionsgate just announced that Joe Wright, the director of Pride & Prejudice and Atonement , will helm a new adaptation of Leo Tolstoy’s Anna Karenina written by Tom Stoppard (who wrote the Oscar-winning screenplay of Shakespeare in Love , as well as countless revered plays). I think we’re owed an oversize Tolstoy treat in 2011, don’t you? We can’t subsist on The Last Station for much longer. And wait until you hear who’s set to star.

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Choo-Choo! Here Comes a Killer Adaptation of Anna Karenina!