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Of Course Jean-Claude Van Damme Went Method On The Set Of Expendables 2

Some time after turning down a role in 2010’s Expendables (the part he was offered lacked substance, legend has it) Jean-Claude Van Damme thought better of opting out of the Sylvester Stallone throwback, which went onto become a hit. But perhaps things worked out for the best: In this week’s Expendables 2 , Van Damme steals away with the spotlight as the eccentric and hilariously disdainful uber-villain Jean Vilain (yes, really) with an over-the-top performance that called for full commitment to character on set. At least, Van Damme believed his turn as Vilain required cultivating an icy rapport with his fellow action veterans on set. And so as Stallone, Arnold Schwarzenegger , Bruce Willis and Co. chummed it up during filming , the Muscles from Brussels stayed in character so well he only made nice after the bulk of filming wrapped. “I said to [Sylvester] Stallone, ‘How do you want me as a villain? Do you want me, like, an extravagant villain, or do you want a guy who’s completely serious and believes in what he’s doing and why he’s doing that,'” Van Damme recalled to journalists recently in Los Angeles. “Then I said, ‘By the way — why am I doing that?’ and he said, ‘Because you love money.’ I said, ‘Fine.’ So, I became that type of villain.” So committed was Van Damme to Vilain’s persona, he even found himself sneering at the crew. “When I saw all those cameras around me, I said, ‘Who are those bunch of clowns looking at us with those lenses and the lights and everything?’ I was really into the atmosphere of Expendables .” When it came to treating his peers and personal heroes like enemies, Van Damme didn’t hold back. “I’ll tell you what, those guys were like role models for me, because we have to be honest, we need to look at something to have a goal,” he recalled. “I saw Rambo . I saw Rocky . I saw Conan . I saw Die Hard . So to me, they were like heroes. I was back in Belgium watching them on the screen, buying tickets and dreaming of becoming like them. I wanted to be an actor since I was eleven, twelve years old, and now here I am and they’re chasing me.” Van Damme credits his acting skills to having worked with directors like Ringo Lam ( City on Fire ), who directed him in Maximum Risk (1996), Replicant (2001), and In Hell (2003). He counts Kirk Douglas and Charles Bronson among his screen idols and emphasizes the importance of finding truth within a scene, though his proclivity for doing something different in each take gave producer Stallone and director Simon West a challenge and a boon in the editing room. “If you do a good take,” Van Damme said, “you cannot repeat the same one.” His chilly treatment of his on-screen rivals was an extension of that truth-seeking imperative. “When I came on the set I didn’t talk to nobody,” Van Damme remembered. “I didn’t want to see them because, you know, Arnold is like bop, bop, bop and I was talking more to Stallone about the part than anything else. So, I believe, and I felt when I was looking at them, it was like, ‘Who are you?’ Nothing [in] the eyes. I felt like I didn’t like them. I took it very seriously.” “Of course, when the movie was finished I was like, ‘Hey, guys, I really admire you, but I didn’t talk to you in the beginning because I wanted to have that type atmosphere, that type of tension.’ I think you can see that when you look at the lens, when I look at all them and I’m like, ‘Go down to the floor, guys, bark all of you like dogs.’ It’s hard for me to say that to my heroes, but it was the only way, and then when the movie was going to end, that’s when I started to knock on trailers and say hello to everybody. ‘Hey, Chuck [Norris], how are you?’” Stay tuned for more from The Expendables 2 , which hits theaters Friday. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Of Course Jean-Claude Van Damme Went Method On The Set Of Expendables 2

Cosmopolitan’s Editor Helen Gurley Brown Dead at 90; The Master Heads To Toronto Fest: Biz Break

Also in Monday afternoon’s round-up of news briefs, Martin Scorsese ‘s Frank Sinatra pic gets a writer. Harvey Weinstein is tapped to MC Toronto Film Festival -Asian film event. Haley Joel Osment’s Sassy Pants is heading to theaters and Jodie Foster boards a mob drama as director for Showtime. Harvey Weinstein to MC Toronto Asian Film Summit The Weinstein Company chief will act as the master of ceremonies for the closing banquet of the event, hosted by the Toronto International Film Festival that will spotlight the relationship between East and West. Previously announced guests include Jackie Chan who will attend as Guest of Honor and MPAA Chairman Senator Chris Dodd. “We’ve received tremendous support and interest from the industry and we’re confident this event will help foster deeper relationships and generate new business opportunities between key film players in the East and West,” said TIFF CEO Piers Handling. Sassy Pants Heads to Theaters North American rights to the coming-of-age comedy/drama have been picked up by Phase 4 Films. Haley Joel Osment, Ashely Rickards (MTV’s Awkward ) and Anna Gunn (AMC’s Breaking Bad ) star in the film about teen Bethany who flees her over-protective mother and goest to live with her dad where she forms a bond with his much younger boyfriend. The film, which made its world premiere at the Santa Barbara International Film Festival, will release the title in theaters and VOD this fall. Around the ‘net… Cosmopolitan Editor Helen Gurley Brown Dead at 90 The former Cosmopolitan editor-in-chief died at 90 in New York shortly after being admitted to a hospital. She edited the magazine for 32 years and was the author of the groundbreaking Sex and the Single Girl . During her tenure at Cosmopolitan she became known for encouraging women to have sex regardless of marital status. She said her goal was to let tell readers “how to get everything out of life – the money, recognition, success, men, prestige, authority, dignity – whatever she is looking at through the glass her nose is pressed against,” BBC reports . Paul Thomas Anderson’s The Master to Head to Toronto The Toronto International Film Festival’s Artistic Director Cameron Bailey tweeted that The Master will join the lineup at the event, which opens September 6th. The film, which debuts in Venice, stars Philip Seymour Hoffman, Joaquin Phoenix and Amy Adams in a story said to be inspired by the early days of Scientology, THR reports . Billy Ray to Write Sinatra for Martin Scorsese Universal Pictures has tapped Billy Ray to write the script for the Frank Sinatra biopic that Martin Scorsese will direct. Scorsese is currently filming Leonardo DiCaprio in The Wolf Of Wall Street , Deadline reports . Jodie Foster to Direct & Produce Mob Drama This is her first move behind-the-camera for television. She’ll direct and executive produce Angie’s Body for Showtime. The concept centers on a shrew, sexy and sometimes lethal woman who runs a family-based crime syndicate, Deadline reports .

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Cosmopolitan’s Editor Helen Gurley Brown Dead at 90; The Master Heads To Toronto Fest: Biz Break