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‘Breaking Dawn’ And ‘Dark Knight Rises’: The Trouble With Trailers

Josh Horowitz takes a stand against the teaser-trailer obsession. By Josh Horowitz Kristen Stewart and Robert Pattinson in “Breaking Dawn – Part 2” Photo: This is the actual thing. It’s not the preview of the thing. It’s not the tease of the preview of the thing. It’s not even the glimpse of the tease of the preview of the thing. It’s the actual thing. I know — weird, right? If you’re an insatiable consumer of media like me (and if you’re not, you’re in the wrong place. Go commune with nature, you hippie; I’m juggling an iPad, a laptop and a Blackberry with one hand!), you’re probably getting sick of the parsing out of “exclusives” during the last few months. I write the following acknowledging there’s some hypocrisy here. I (and MTV News) am after all guilty of exactly what I’m claiming to be tired of: the teaser culture. But I’m taking a stand — I hereby go on record saying I am officially sick of 10-second previews of previews. As I write this Tuesday (June 19) morning, a bunch of new trailers and teases and commercials (figuring out the appropriate terminology is a headache in and of itself) just landed on the Interwebs. Perhaps most notable in your world is the latest from “Breaking Dawn – Part 2” that came out Tuesday morning. Yes, Summit has released what it calls a “ten-second sneak peek of the teaser trailer” in anticipation of the actual teaser trailer for said movie, which presumably will give way to a non-teaser (er, regular?) trailer in a few months. Still with me? Now don’t get me wrong: I love seeing early imagery from films I’m anxiously awaiting, but this is not the way to do it. At least not for me. Mind you, this snippet is still worlds better than the time-honored entertainment-show tradition of showing snippets of an exclusive trailer while a breathless correspondent narrates exactly what you’re seeing. “There’s Bella! And there’s Edward!” Yeah, we see that. Thanks, Billy Bush. Also out Tuesday morning are two examples of advertisements for upcoming flicks that definitely get things right, in my estimation. In the — let’s call it “traditional” — category, there’s the brand-new trailer for “The Dark Knight Rises,” which frankly doesn’t show a ton more than we’ve seen already. But it does package the material so artfully, with a keen sense of self-serious awesomeness (“This year a fire will rise” — yes! ), that I doff my broken cowl in its favor. And then there’s my personal obsession, the latest work from Paul Thomas Anderson, “The Master.” The second of what I’m guessing will be a series of shorts (calling these trailers doesn’t do them justice) has been released, and each is slowly but surely introducing the upcoming flick’s key figures. (Joaquin Phoenix is going to steal the film! Wait, no, I take it back — it’s Philip Seymour Hoffman’s movie!) Make no mistake, “The Master” is the “Dark Knight Rises” for the Sight & Sound -subscribing crowd this year. Of course, this assortment of teases/ trailers/ shorts/ whatever doesn’t even get into the most interesting area of film advertising going today — let’s call it the viral short. “Prometheus” may have divided fanboys, but I think we all can agree that “Happy birthday David” was mesmerizing and creepy in all the right ways. So where is the viral video of the Cullens sitting at home watching a “True Blood” marathon? Oh, the possibilities … For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos ‘Twilight: Breaking Dawn – Part 2’ Teaser Trailer Related Photos Official ‘Breaking Dawn – Part 2’ Posters

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‘Breaking Dawn’ And ‘Dark Knight Rises’: The Trouble With Trailers

Exclusive: Beastie Boys’ Adam Yauch Honored On Source Cover

MTV News has your first peek at the late MCA’s special commemorative July cover. By Rob Markman The Beastie Boys on the cover of The Source Photo: Adam “MCA” Yauch was more than a musician, he was a culture icon. As a member of the Beastie Boys, Yauch helped blend punk, rock and hip-hop, fusing multiple genres and effectively changing the way people consume music. He died on May 4 after a lengthy battle with cancer, and on June 26, The Source magazine will honor him with a special commemorative cover, and MTV News has the first look. Slaughterhouse appears on the July issue’s main cover, while Yauch, Ad-Rock and Mike D. grace the special tribute cover. The black-and-white image, originally captured by photographer Sunny Bak in the 1980s, shows MCA on a skateboard, flanked on his left and right by his two bandmates. Inside, The Source interviewed Def Jam co-founder Russell Simmons and famed A&R Dante Ross about the Beastie’s musical legacy. ” ‘You Gotta Fight For Your Right to Party.’ That record kept us alive,” Simmons told the mag. “There were times when we thought Def Jam’s doors were gonna close if not for the royalties that came from making that record.” Yauch formed the Beasties back in 1979 while he was still in high school. Though the group started as a punk band, their sound would evolve to adopt styles from hip-hop. They were signed to Def Jam records and in 1984 dropped their classic debut Licensed to Ill. Their contributions to music earned them an induction into the Rock and Roll Hall of Fame this April. On the flipside, Shady’s lyrical assassins Slaughterhouse appear with an image inspired by Quentin Tarantino’s 1992 crime thriller “Reservoir Dogs.” Joe Budden, Joell Ortiz, Royce da 5’9″ and Crooked I all appear wearing matching white shirts and black ties in a colorful, four-panel cover shot. In their cover story, Joey talks about his struggle with maintaining a sense of self in the big bad record business. “I almost despise a lot of aspects that come along with this industry. All the red tape. All the politics,” he said. “Everything that is in between me and my direct talent and the fans. The industry will jade you. The a–hole I am today is the man that y’all created.” What is your favorite Beastie Boys song? Sound off in the comments! Related Videos Adam Yauch: Remembering A Beastie Boy Related Photos The Beastie Boys’ Adam ‘MCA’ Yauch: A Life In Photos Related Artists Beastie Boys

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Exclusive: Beastie Boys’ Adam Yauch Honored On Source Cover

Beastie Boys Fans Travis Porter Pay Tribute With Tour

DMC and Biz Markie also weigh in on life and legacy of the late Adam ‘MCA’ Yauch during ‘RapFix Live.’ By Rob Markman, with reporting by Sway Calloway The Beastie Boys in the mid 1980s Photo: Getty Images None of the members of Travis Porter were even born when the Beastie Boys released hip-hop’s first #1 album in 1986, but the seminal rap trio influenced the new-age party animals all the same. In fact, Travis Porter have been planning to pay homage to the Beasties for some time now: They originally wanted to title their debut album No Sleep Till Atlanta in reference to the BB classic “No Sleep Till Brooklyn.” “A lot of people compare us to the Beastie Boys in some type of way,” Travis Porter’s Ali told “RapFix Live” on Wednesday when he and his group appeared on the show. “Just because the hip-hop and the music and the fun,” Quez added. When you consider TP’s electric club jams like “Make It Rain,” “You Don’t Know Bout it” and “Ayy Ladies,” then the Beasties comparison makes sense. In their early days, Mike D, Ad-Rock and MCA — who died following his struggle with cancer on Friday, were the ultimate party starters, and Travis Porter look to carry on that tradition. Ultimately, TP decided to name their upcoming May 29 debut From Day 1, but they still plan to honor the Beasties. “We named our tour No Sleep Till Atlanta though, still,” Ali said of their upcoming summer run, which will support the LP. DMC, a member of the iconic rap group Run-DMC , also appeared on “RapFix” and reacted to Yauch’s death and the Beastie Boys’ legacy. During the 1980s, Run-DMC and the Beastie Boys toured together and became fast friends. “The first thing that came to my mind was like, man, another one of us, it’s crazy. Adam Yauch is a member of one of the greatest groups ever in hip-hop, rock and roll history and music period,” he said. “He will be forever remembered as one of the greatest voices in hip-hop.” MTV News also spoke with Biz Markie on Friday about Yauch’s legacy. “He was in a class by himself. All three of them was in a class by themselves,” the iconic rapper/DJ said. “They were different, but he was a cool one and he was just different. He was from a different cloth, he had a different aura about him. He was just super cool.” Related Videos Adam Yauch: Remembering A Beastie Boy Travis Porter And Scarface Mix It Up On ‘RapFix Live’ Related Photos The Beastie Boys’ Adam ‘MCA’ Yauch: A Life In Photos Related Artists Beastie Boys Travis Porter

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Beastie Boys Fans Travis Porter Pay Tribute With Tour

Beastie Boys Fans Travis Porter Pay Tribute With Tour

DMC and Biz Markie also weigh in on life and legacy of the late Adam ‘MCA’ Yauch during ‘RapFix Live.’ By Rob Markman, with reporting by Sway Calloway The Beastie Boys in the mid 1980s Photo: Getty Images None of the members of Travis Porter were even born when the Beastie Boys released hip-hop’s first #1 album in 1986, but the seminal rap trio influenced the new-age party animals all the same. In fact, Travis Porter have been planning to pay homage to the Beasties for some time now: They originally wanted to title their debut album No Sleep Till Atlanta in reference to the BB classic “No Sleep Till Brooklyn.” “A lot of people compare us to the Beastie Boys in some type of way,” Travis Porter’s Ali told “RapFix Live” on Wednesday when he and his group appeared on the show. “Just because the hip-hop and the music and the fun,” Quez added. When you consider TP’s electric club jams like “Make It Rain,” “You Don’t Know Bout it” and “Ayy Ladies,” then the Beasties comparison makes sense. In their early days, Mike D, Ad-Rock and MCA — who died following his struggle with cancer on Friday, were the ultimate party starters, and Travis Porter look to carry on that tradition. Ultimately, TP decided to name their upcoming May 29 debut From Day 1, but they still plan to honor the Beasties. “We named our tour No Sleep Till Atlanta though, still,” Ali said of their upcoming summer run, which will support the LP. DMC, a member of the iconic rap group Run-DMC , also appeared on “RapFix” and reacted to Yauch’s death and the Beastie Boys’ legacy. During the 1980s, Run-DMC and the Beastie Boys toured together and became fast friends. “The first thing that came to my mind was like, man, another one of us, it’s crazy. Adam Yauch is a member of one of the greatest groups ever in hip-hop, rock and roll history and music period,” he said. “He will be forever remembered as one of the greatest voices in hip-hop.” MTV News also spoke with Biz Markie on Friday about Yauch’s legacy. “He was in a class by himself. All three of them was in a class by themselves,” the iconic rapper/DJ said. “They were different, but he was a cool one and he was just different. He was from a different cloth, he had a different aura about him. He was just super cool.” Related Videos Adam Yauch: Remembering A Beastie Boy Travis Porter And Scarface Mix It Up On ‘RapFix Live’ Related Photos The Beastie Boys’ Adam ‘MCA’ Yauch: A Life In Photos Related Artists Beastie Boys Travis Porter

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Beastie Boys Fans Travis Porter Pay Tribute With Tour

‘Glee’ Prom Joins Other Great Small-Screen Formals

‘90210’ and ‘Saved by the Bell’ make MTV News’ list of other memorable prom episodes. By Jocelyn Vena Matthew Morrison and Jayma Mays on tonight’s “Props/Nationals” episode of “Glee” Photo: Adam Rose/FOX Much like high schoolers all across the country, this week the kids of McKinley High will get their prom on. And, it comes complete with a fun little One Direction cover and, according to star Dianna Agron, some “surprising moments.” Well, that sounds about right given the show’s penchant for spot-on covers and love for twists and turns. Like any great TV show, the “Glee” prom follows in the grand tradition of small-screen formals, where true love blooms and occasionally trouble brews. MTV News has rounded up some of the most memorable prom-themed episodes that, if you have the time, you might want to check out before the McKinley students get their groove on. And, yes, it seems that art of the perfect prom episode really hit its stride back in the ’90s, if you couldn’t tell by our picks. “Saved By The Bell,” 1990 Zach made sure that nothing would allow Kelly to miss her prom. After her dad loses his job, Kelly sacrifices her dream of going to the school dance to save money. But Zach, being the dreamboat that he is, arranged a private prom for the couple, right outside the school. Their private dance is even more special since it was the first time they kissed in the show’s history. Beverly Hills 90210, 1991 Well, it wasn’t the prom, but it was the spring dance and it was filled with drama that included Brenda and Kelly both showing up in the same black, off-the-shoulder dress complete with bow detailing. Dra-ma indeed! The episode was particularly memorable because it also included Brenda getting it on for the first time with her boo, Dylan. That’s a saucy way to deal with a fashion faux pas. The Fresh Prince of Bel-Air, 1993 It was a “very special episode” of the show that focused on Carlton accidentally popping speed pills that were in Cousin Will’s locker. After getting a pimple, Carlton hopes that Vitamin E can help it shrink, but instead of taking vitamins he ends up amped up on drugs. He begins to act erratically at the dance, and winds up in the hospital. He tries to cover for Will, but Will does the right thing and fesses up. Buffy The Vampire Slayer, 1999 Star-crossed lovers Buffy and her hottie vampire beau Angel ended their love affair for good right before prom, much to the Slayer’s surprise. Bottom line, she’s pretty upset about it. When Hell hounds trained to kill anyone in formal wear threaten the dance, dateless B decides to skip it to save everyone. Thrills and chills ensue and she saves the day, shows up to the dance in her lovely lavender gown, wins a prize for being Class Protector and — boom — Angel appears for one last dance. Dawson’s Creek, 2000 Those enterprising kids of Capeside decided to stick it to the man by throwing an anti-prom, after Jack’s decision to bring a male date to the prom gets shut down by the prom committee. From there, Dawson tries to win Joey back, but she still has Pacey on the brain (who could blame her?). And both Andie and Dawson are left all alone while their dates flaunt that undeniable love in everyone’s faces during a slow dance. What’s your favorite prom episode? Tell us in the comments!

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‘Glee’ Prom Joins Other Great Small-Screen Formals

Adam Yauch And The Beastie Boys: A Band Of Brothers

With the death of MCA last week, Bigger Than the Sound looks back at the amazing connection the Beastie Boys shared. By James Montgomery The Beastie Boys Photo: Paul Natkin/ Getty Images After the death of Adam Yauch last week, I am almost 100 percent sure that the Beastie Boys are no more. And while that’s a shame, it’s also fitting: After all, it is impossible to imagine them existing without him. Of course, how the Beasties choose to honor Yauch’s legacy — or carry on with their careers — is ultimately up to them, which is why I can’t say with total certainty that we’ve heard the last of them. And, to be honest, it’s probably too early to even think about it. So instead, I’ll just say that if they truly are done, there will never be another group like them. And I’m not just saying that because of their legacy, creativity or consistency, all of which have been lauded at length in the days since MCA died (and rightfully so). No, what made the Beastie Boys so unique — and so undeniable — was the magic that the trio possessed, an indefinable quality that can only be honed over decades, and never duplicated. Part of it was pure skill; the way they bobbed and weaved through verses, often completing each other’s sentences, literally passing the mic. In a lot of ways a great Beasties song was a lot like a Globetrotters’ routine — they’d sling passes into the ether, always knowing that someone would be there to catch it, never letting the beat skip or the ball drop. And you’d just sit there and marvel at it all. But there was always something deeper about the connection: The Beasties were brothers in arms. From beer-guzzling partymeisters to stony thrift enthusiasts to pop-cult obsessives to downright deep doyens, they grew up together — grew old together — but never lost the joy of youth. And because of that, there was a genuine sense of camaraderie that accompanied them every step of their career. No matter what they were doing, you got the sense that there was no one else they’d rather be doing it with. The Beastie Boys truly loved each other, in that unerring, unwavering way that only old friends can. You know it from the heart-wrenching statements the two surviving members have released since Yauch’s death, but more importantly, you feel it in their music. It’s there in the goofy boasts of Paul’s Boutique tracks like “Shake Your Rump” and “Egg Man” (not to mention album-closing mega-mix “B-Boy Bouillabaisse”) and the all-in surge of “So What’cha Want,” from the follow-up, Check Your Head, where they took the leap together, expanding their sonic palette with instrumentals … and their collective consciousness on tracks like “Namaste.” You feel them becoming closer — not to mention a tighter band — on Ill Communication and The In Sound from Way Out! , having a blast on stuff like “Intergalactic” or “Three MCs and One DJ” off Hello Nasty, getting contemplative on To The 5 Boroughs. And on last year’s Hot Sauce Committee Part Two, they paused to look back on how far they’ve come … not to mention let it all hang out. It’s the kind of growth that’s inevitable, given their closeness; yet it’s also the kind that cannot be forced in any way, shape, or form. And while there certainly have been other great hip-hop groups in the decades since the Beastie Boys first blasted onto the scene (Run-DMC, Public Enemy, the Wu-Tang Clan, etc.), none were able to sustain the kind of career — or the connection — that MCA, Mike D and Ad-Rock had. Their contemporaries were pulled apart, imploded, faded away or simply lost focus … the Beasties did none of those things. To the end, they were one team, one dream; they were never greater than the sum of their parts. Which is why I say it’s impossible to imagine the Beasties existing without MCA, and why I’m certain we’ll never see the likes of them again. Many will try to replicate it, of course, assembled by shadowy Svengalis to feign friendship, but they’ll never beat the B-Boys, because they were actually friends. No group will share the kind of bond they did, no group will be as selfless or as tightly knit. And if this really is the end, then all of that is worth noting, not to mention celebrating. The Beastie Boys were one of the all-time greats, regardless of genre; they went deeper than all that. Theirs was the kind of connection we all strive for and, if we’re lucky, maybe find once in our lives. Do you think there will ever be another group like the Beastie Boys? Share your thoughts in the comments. Related Videos Adam Yauch: Remembering A Beastie Boy Beastie Boys’ Adam Yauch: 1964-2012 Related Photos The Beastie Boys’ Adam ‘MCA’ Yauch: A Life In Photos Related Artists Beastie Boys

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Adam Yauch And The Beastie Boys: A Band Of Brothers

Adam ‘MCA’ Yauch, Remembered: My Ill Devotion To The Beasties

Gen Y super fan recalls stumbling upon Beastie Boys’ ‘So What’Cha Want’ and falling for ‘three men from New York who rapped and rocked.’ By Rya Backer Adam Yauch Photo: Bertrand Guay/ Getty Images On Friday (May 4), news broke that Adam “MCA” Yauch had died at age 47 and I found myself working on what is easily the most difficult piece I’ve ever had to write. Because it’s something I’ve never wanted nor intended to write. You see, the Beastie Boys are my favorite band of all time. I stumbled upon the “So What’Cha Want” video when I was very young and impressionable and maybe a little too mature for my age, and remained steadfastly obsessed with the three men from New York who rapped, rocked and sometimes just played their instruments. They were my band, and I related to them, perhaps at the most base level: We’re all New York City Jews who would’ve been described as “eccentric” growing up — Ad-Rock and I had even shared a history teacher, which was a really big deal to my 6th grade self. Needless to say, my devotion to them soon became a part of my identity. And while they’ve now been woven into the fabric of our country’s pop-cultural identity, to me, the Beastie Boys are also quintessentially the Great American Band. Yes, they helped bring hip-hop to the suburbs with their debut, Licensed to Ill, you’ve heard that part before. But their body of work was incomparable, often cited and never replicated. Moreover, they never broke up, even after more than 30 years together (their first gig was at Yauch’s 17th birthday), a rare feat for most any popular act. And their influence was absolutely singular. I’m certain I’m not the only one who loves Sonic Youth, Beck, Bad Brains or Tribe Called Quest because of the Beasties’ seal of approval. They were the cool, older brothers you didn’t have, serving as barometers of what was hip and why you should care. I guess what I’m trying to say is — like Yauch — I’m an only child, and I don’t know what kind of person I would’ve become if it weren’t for the Beastie Boys’ direction. I can say with confidence that I wouldn’t be here working at MTV News. “Charity” is an interesting word when it comes to the Beasties, and especially when it comes to Yauch, because he gave so much to others. (At one point, he expressed a desire to relinquish his royalties to the cause of a free Tibet.) I remember being devastated when my bat mitzvah fell on the exact date of the 1998 Tibetan Freedom Concert, where the trio was performing. Three years later, I was devastated for a very different reason, when our city was under attack. I attended the New Yorkers Against Violence concert with my mother, who wanted to finally see for herself just what it was about the Beastie Boys that was so vital to me. We posted up against the railing that separated us from the the VIP area, and while I rocked out to the likes of Rival Schools and Cibo Matto, my mother took to playing with an adorable baby who was being held by her mother in VIP. At one point, the baby’s father came out and my mother’s jaw dropped. She grabbed my wrist: It was MCA. In a moment that would be forever etched in my memory, I registered seeing him for the first time as a man with a family. My mother (as only a sweet Jewish mother could do) tapped him on the shoulder and assured him that his #1 fan was but inches away. I honestly don’t remember much of what I told him, except how incredibly grateful I was for his work … and I’m pretty sure I cried. I saw MCA again just last year at a screening of “Fight for Your Right Revisited.” He looked frail but, once again, he was there with his wife and daughter. He looked whole and happy in their company, and that’s all that mattered. When I first joined MTV News in January 2008, my only goal was to interview the Beastie Boys. Nearly four-and-a-half years later, I assisted in writing his obituary. Later, I’d even work on a live MTV tribute show dedicated to him, “Adam Yauch: Remembering a Beastie Boy.” I wish that wasn’t the case, but these things happen, right? So what can we learn from this? Yes, Cancer is a horrible disease capable of cutting through no matter what sort of lifestyle you’ve adopted. But I also hope we’ve learned that people need to be enjoyed and appreciated while they’re still here. I’ve made a point to listen to a Beastie Boys album every week, even when, let’s face it, it wasn’t that hip to like them. I particularly made sure, following his 2009 diagnosis , because I knew this day might come. You’re never ready for it but, like I said, these things happen. And I’m sure Yauch would assure us that this lesson applies to so much more beyond his band. When I first heard the news of Yauch’s passing, I cried a different set of tears. I was sad that a part of myself that I’d so long been connected to is gone and I can never get it back. I was sad that I didn’t see them that one last time at a 2008 fundraiser, and sad, too, that we’ll never hear anything else from a group that has already given us so much. Mostly though, I was sad because I know that Yauch’s daughter will never again have that moment of familial bliss between a daughter and her dad. Share your condolences for MCA’s family, friends and fans in the comments below. Related Videos Adam Yauch: Remembering A Beastie Boy Beastie Boys’ Adam Yauch: 1964-2012 Related Photos The Beastie Boys’ Adam ‘MCA’ Yauch: A Life In Photos Related Artists Beastie Boys

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Adam ‘MCA’ Yauch, Remembered: My Ill Devotion To The Beasties

Beastie Boys’ Original ‘Fight For Your Right’ Revisited: Meet Ricky Powell

With ‘Fight’ short film set to premiere Wednesday (April 20), here’s a look back at the beer-soaked history of the 1986 video. By James Montgomery Adam Yauch, Ricky Powell and Mike D in 1986 Photo: MTV News You get the feeling that, back in their hell-raising License To Ill heyday, the Beastie Boys derived some sort of perverse pleasure from blindsiding unsuspecting interviewers with profanities or non sequiturs. Or at least by dumping beer on them. Sufficed to say, they’ve mellowed some in recent years ( their vocabulary has improved , too), but back in the day, the Beasties lived to torment the media, and they did so by any means necessary. Take, for example, this rather revelatory bit of tape shot on December 31, 1986, at MTV’s 6th annual “Rock ‘N Roll New Year’s Eve Ball” (a party so huge that both Brian Setzer and the Georgia Satellites were in attendance). In it, a poor MTV News field producer corners the Beasties and attempts to ask them about their plans for 1987 — plans that included a headlining tour and a new video to shoot for “No Sleep Till Brooklyn” — and gets doused by a Budweiser, making a valiant attempt to shield the microphone from a soaking, with little success. And while it’s oddly compelling to watch a train wreck like this unfold, the reason we dug the tape out of our archives occurs just moments later, when the same producer, still wet with cheap beer, asks the MCs about their infamous “(You Gotta) Fight For Your Right (To Party)” video — the same video that serves as the inspiration for the band’s “Fight For Your Right Revisited” short film , which premieres Wednesday (April 20) at midnight on MTV2, mtvU and Palladia. Specifically, the interviewer asks the Boys about casting “the geeky guys” for the video, which gives them the opportunity to introduce “the man who played the main nerd,” their photographer-friend Ricky Powell (presumably right around the time “your girl got di–ed” by him.) And then, they pour beer on his head, too. But not before Powell curses on-air and then professes his love for “Black women with blonde hair.” So, yeah, it’s a pretty amazing bit of tape, even 25 years later. In celebration of just how far the Beastie Boys have come — and in anticipation of “Fight For Your Right Revisited” — we’re rolling it out for you right now. Enjoy — and wear a poncho! Don’t miss “Fight for Your Right Revisited” on Wednesday (April 20) at midnight on MTV2, mtvU, VH1 Classic and Palladia. Related Photos Beastie Boys: A Career Retrospective Related Artists Beastie Boys

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Beastie Boys’ Original ‘Fight For Your Right’ Revisited: Meet Ricky Powell

Rej3ctz Dance To Their Own Drum In The New West

Cali trio who created the ‘cat daddy’ tell MTV News they’re more than just dancing MCs — they’re ‘renaissance artists.’ By Alvin Blanco, with reporting by Steven Roberts Rej3ctz Photo: Getty Images MTV News’ New West Week coverage obviously entails focusing on the music coming out of the surging L.A. hip-hop scene, but the movement’s fashion and dance culture also deserves special attention too. That’s where Cali trio the Rej3ctz — Mowii (South Central), Pee Wee (Inglewood) and Bounce (Compton) — glide into the picture. The trio already have a fan in Chris Brown, who appeared in their video for “Cat Daddy,” also the name of their latest dance, which has been spreading like wildfire thanks to a viral video that has banked more than 21 million YouTube views. The Rej3ctz aren’t just dancers moonlighting as rappers though. They insist they have too many talents to limit themselves to just those titles. They’re also prominent members of Cali’s party scene. “We created something called ‘renaissance artist,’ ” Mowii told MTV News. “So for all those who like to tell people [no] and destroy their dreams. Nah, we are the renaissance artists. It means you have the art, the life, the style of fashion, to do what you want, no matter what anybody says. That’s why we’re renaissance artists. That’s why we’re directing, that’s why we’re choreographing, that’s why we’re making up our own dances, our own lane, our own style.” Dances have always been a part of hip-hop culture — from the running man to the Soulja Boy dance — and the Rej3ctz are embracing their dance-floor talents. In recent years, dances with accompanying songs have become hugely popular, including Cali Swag District’s “Teach Me How to Dougie” and the New Boyz ‘s “You’re a Jerk.” (Cali natives Audio Push also dropped “Teach Me How to Jerk.”) Besides the cat daddy dance and its accompanying song, off their TheFUNKtion vs theKICKback mixtape, the Rej3ctz also claim to have created all the fancy moves coming out of the West Coast like jerkin’ or whatever spastic motion kids in colorful gear are performing. “Currently, all the dances that came from the West, the Rej3ctz have made them up. Period,” Mowii said. “We were doing music and dancing at the time. And the New Boyz called us over and were like, ‘Yo, bro, we realized we was using your dance and we respect y’all enough to invite you all out, so please show some support,’ so I was like, ‘Ben J and Legacy, man, you got it.’ So, we hopped up that morning and went out to support their video.” For now, the Rej3ctz are continuing to spin their popularity into bigger opportunities. They’re set to be featured in the forthcoming Mario Van Peebles-directed film “We the Party.” The acclaimed director also helmed their video for “Cat Daddy 2.0,” which is based on the group’s audition for “We the Party.” No matter how busy their schedules get, the always dazzlingly dressed Rej3ctz plan on having a good time. “I think people are at a point where they’re like, ‘Let’s have fun,’ ” Mowii said. “Let’s have fun, let’s stop doing too much, man. There’s too many killings going on right now, too much violence around the world,” he added. “It’s too serious right now. People aren’t talking about something real. Let’s have fun … thank you.” Stick with us all week as MTV News turns the spotlight on the New West, including a special edition of “RapFix Live” with Cali’s own Tyga on Wednesday at 4 p.m. ET on MTV.com. We’re bringing you the next wave of hip-hop acts helping restore faith in the L.A. rap scene. From groups like Odd Future to rising MCs like Dom Kennedy, we’ll bring you up close and personal to these artists as they carve their own lanes in the post-gangsta rap era. Keep it locked here for the next week for more on the West Coast up-and-comers! Related Videos The New West: An In-Depth Look At L.A. Hip-Hop

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Rej3ctz Dance To Their Own Drum In The New West

Beastie Boys’ ‘Fight For Your Right Revisited’ And The Art Of The Anti-Career

With their new film set to premiere at midnight, Bigger Than the Sound looks back at the Beasties’ authentic but odd history. By James Montgomery Danny McBride, Seth Rogen and Elijah Wood in the Beastie Boys’ “Fight For Your Right Revisted” video Photo: Capitol Back in the summer of 1992, I wasn’t really concerned with the Beastie Boys’ legacy. I wasn’t aware of the seismic shift they had undergone with Check Your Head or the to-the-brink-and-back journey they’d taken just to make the album. Instead, I was focused on getting my Dickies to sag just so and tracking down a pom-pom beanie like MCA wore on the album’s cover. So deep was my Beastie-mania that I was willing to wear a knit cap and khakis in July. In Florida. And I wasn’t alone (at least not in my high school). Because in 1992, everyone I knew lived and breathed the Beastie Boys, and their fantastically rattling comeback album Check Your Head. Of course, at the time, none of us really knew it was a comeback album; we just thought it was the coolest thing we’d ever heard &#8212 a fuzzy, funky think that sounded like nothing else on the radio &#8212 and, by proxy, the Beasties were the coolest guys on the planet (or, at least, the coolest guys in suburban Orlando). They dressed like skaters, they were obsessed with the ABA and creaky badasses like Richard Holmes and the Ohio Players, and they channeled the swagger of everyone from Columbo to Dolemite. They were, whether they knew it or not, the underground railroad of hip. If you wanted to know what was cool, and you wanted to know before anyone else, you went to the Beastie Boys. It’s only years later that I realize that prescient coolness is what has made the Beastie Boys what they are today: a band whose career rivals any other. They have been together in their current incarnation for nearly 30 years and have released a slew of albums, the overwhelming majority of which are very good (their latest, The Hot Sauce Committee Part Two, is due May 3), but it’s not their longevity or their back catalog that have earned them respect; it’s their unerring ability to continuously reinvent themselves, seemingly at will, and without ever getting snagged the way so many of their contemporaries have. In 1986, with License to Ill, they were party-hearty terrors. On 1989’s epochal Paul’s Boutique, they were stony sample-meisters. Check Your Head saw them zigging at a time when others were zagging; rather than join the debate over just how the ’90s would sound, they decided to head back to the ’70s ( Head remains a decidedly lo-fi thing to this day). Sure, 1994’s Ill Communication was in the same vein, but there also emerged a newfound consciousness, one they’d explore more fully with their series of Tibetan Freedom Concerts. In ’98, with Hello Nasty (and the accompanying “Intergalactic” video), they got a jump on the Kid Robot “designer toy” fetish that broke through to the mainstream late in the 2000s. And on 2004’s To the 5 Boroughs, they returned to their hip-hop roots and celebrated the city in which they live (though, to be honest, the less said about this album the better). In between all that, they released EPs that saw them dabble in hardcore punk and jazzy instrumentals (to name just a few), but never once did anyone bring up the question of authenticity. And there’s a reason for that — the same reason they’ve become the revered act they are today. No matter how they reimagined themselves, it always came from the same place: the heart. There is an unquestionable authenticity to everything the Beastie Boys do, because they’re not doing it to be contrary or successful; they’re doing it because it’s what they want to do. And it’s only now that people seem to realize just how influential that authenticity really is. At midnight Wednesday &#8212 on MTV2, mtvU, VH1 Classic and Palladia &#8212 they’ll premiere “Fight for Your Right Revisited,” a short film/ career retrospective that includes plenty of nods to their past — it tells the wholly imagined story of what happened after 1987’s legendary “(You Gotta) Fight for Your Right (To Party)” video — but also features cameos by a whole lot of “f— it, let’s do something funny” actors like Will Ferrell and Danny McBride, who were 19 and 11, respectively, when the original video premiered and probably couldn’t help but have been influenced by its sublimely stoopid sentiments, not to mention everything that came after. So, in a lot of ways, Ferrell and McBride are a lot like you or I. They were drawn to the Beastie Boys because they sensed in them something revelatory and real, and they stuck around because neither of those things ever changed. Of course, leave it to the Beasties to turn the convention of career retrospection on its ear. Rather than release some deluxe edition of License, they’ve instead made an incredibly insular short film that rewrites history with each frame. It’s deceptively brilliant, really. And the same can be said for the B-Boys themselves. Without really trying, they’ve fashioned the kind of anti-career that many aspire to, yet few ever attain. And no matter where they go from here, you’ll know it’ll be someplace else entirely. Even if they’re just doing it for themselves. Don’t miss “Fight for Your Right Revisisted” on Wednesday at midnight on MTV2, mtvU, VH1 Classic and Palladia.

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Beastie Boys’ ‘Fight For Your Right Revisited’ And The Art Of The Anti-Career