Tag Archives: james ponsoldt

SUNDANCE: Directors Tease ‘The Square,’ ‘American Promise,’ ‘Pit Stop,’ ‘A River Changes Course,’ ‘This Is Martin Bonner,’ ‘Who Is Dayani Cristal’

The Sundance Film Festival is passing its midpoint, but there are more world premieres of some of the films that will grace the Specialty Big Screen this year. Beginning last week Movieline posted details about this year’s U.S. and World Competition and NEXT films and filmmakers in their own words. In today’s round Jehane Noujaim ( The Square ), co-directors Joe Brewster, Michèle Stephenson ( American Promise ), Yen Tan ( Pit Stop ), Kalyanee Mam ( A River Changes Course ), Chad Hartigan ( This Is Martin Bonner ) and Marc Silver ( Who Is Dayani Cristal ) preview their films. [ Related: WATCH: Get To Know 5 Sundance Film Festival Filmmakers (And Their Films) AND SUNDANCE: Directors Tease ‘Dirty Wars,’ ‘Fire In The Blood,’ ‘God Loves Uganda,’ ‘A Teacher,’ ‘Narco Cultura’ ] The Square by Director Jehane Noujaim [World Documentary Competition] Synopsis: In February 2011, Egyptians – particularly young ones – showed the world the way people demanding change can drive an entire nation to transformation. The result was a profound movement toward democracy that is still evolving across the Arab world. The Square , a new film by Jehane Noujaim ( Control Room ; Rafea: Solar Mama ), looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Catapulting us into the action spread across 2011 and 2012, the film provides a kaleidoscopic, visceral experience of the struggle. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out. [Courtesy of Sundance Film Festival] The Square quick pitch The Square  is an intimate observational documentary that tells an immersive story of the ongoing struggle of the Egyptian Revolution.  Beginning in the tents of Tahrir in the days leading up to the fall of Mubarak, we follow our characters on their life-changing journey through the euphoria of victory into the uncertainties and dangers of the current ‘transitional period’ under military rule, where everything they fought for is now under threat. While much of the world thought that the Egyptian Revolution had been won, our characters had only just begun their battle.   …and why it’s worth seeing at Sundance and beyond: Our film catapults you into the front lines of the Egyptian revolution, providing a kaleidoscopic, visceral experience of their struggle. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. They know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out on the ground, and our crew is bringing the story straight to Park City.  Arrest, being shot and immersion: The entire team was immersed in the events on the ground, many times getting tangled up in the action. For example, I got arrested by military soldiers while I was on the frontline of clashes between the military and protesters. I was detained and eventually freed by one of my characters coincidentally, lawyer Ragia Omran.  Our producer Karim Amer got arrested taking sound while walking near the square with our character Ahmed Hassan and my very talented cinematographer Mohammed Hamdy got shot in the back and in the head with a pellet while filming a battle between security forces and protesters in Tahrir. He got stitched up in a nearby hospital and went straight back to Tahrir to continue filming.  —

Original post:
SUNDANCE: Directors Tease ‘The Square,’ ‘American Promise,’ ‘Pit Stop,’ ‘A River Changes Course,’ ‘This Is Martin Bonner,’ ‘Who Is Dayani Cristal’

SUNDANCE REVIEW: James Ponsoldt’s ‘The Spectacular Now’ Is A Spectacularly Authentic American Teen Movie

The scars and blemishes on the faces of the high-school lovers in The Spectacular Now are beautifully emblematic of director James Ponsoldt’s bid to bring the American teen movie back to some semblance of reality, a bid that pays off spectacularly indeed. Skillfully adapted from Tim Tharp’s novel, evocatively lensed in the working-class neighborhoods of Athens, Ga., and tenderly acted by Miles Teller and Shailene Woodley , this bittersweet ode to the moment of childhood’s end builds quietly to a pitch-perfect finale. Warts-and-all authenticity can be a tough sell, but Ponsoldt’s bracing youth pic seems bound to graduate with honors. Working with a sensitive script by Scott Neustadter and Michael H. Weber ( 500 Days of Summer ), Ponsoldt follows his Off the Black and Smashed   with another insightful study of a flawed protagonist’s hard-fought battle against forces, including alcohol, that keep him or her from growing to fruition. Dumped by his gorgeous girlfriend ( Brie Larson ) in the early going, whiskey-swilling senior Sutter Keely (Teller) swiftly rebounds by making a charismatic play for book-smart Aimee Finecky (Woodley), who finds him passed out at dawn on a neighbor’s front yard and is astounded when the school’s hungover party monster returns her gaze. Aimee, having never had a boyfriend, naturally falls hard for the ultra-confident but scholastically challenged Sutter as she tutors him in geometry and he teaches her how to drink. Although Sutter can’t stop mildly flirting with his ex, he makes the moves on Aimee anyway, alarming friends of both. A startlingly intimate sex scene, set in Aimee’s tiny bedroom and hauntingly captured in long take, marks the point at which the possibility of heartbreak begins to loom large. Whatever formulaic elements appear in the opposites-attract scenario are mitigated by the film’s philosophical underpinnings. While pragmatic Aimee prepares to attend college in Philadelphia, Sutter remains arrogantly committed to his manner of living in the moment, believing that a car, a flask and an hourly wage job are all he’s ever going to need. Sutter’s hardened mom ( Jennifer Jason Leigh ) worries that her son is following in the footsteps of his estranged father and contrives to prevent a reunion of the two. It’s during the inevitable meeting with Dad ( Kyle Chandler ), facilitated by Sutter’s well-off sister, Holly ( Mary Elizabeth Winstead ), and held over pitchers of beer, that the film’s principal themes — of the difficulty of breaking the familial mold, the fine line between temporary behavior and habit, and the fleeting nature of youth — begin to take root. Ponsoldt, with the help of Jess Hall’s attentive cinematography, does an excellent job of letting the drama play out on the imperfect faces of his two young leads, both of whom embody a delicate combination of fearlessness and vulnerability. Woodley thoroughly fulfills the promise of her smaller role as the teenage daughter in The Descendants , locating the precise point at which Aimee’s infatuation with Sutter turns to self-protection. Equally impressive is Teller, who makes his character’s adolescent bravado appear intoxicating and then more than a little scary. The film’s supporting players are uniformly superb, particularly a haggard Chandler, who offers a worrisome glimpse of what Sutter could easily become, and Andre Royo as a schoolteacher whose honest reluctance to sell Sutter on the advantages of adulthood silently speaks volumes. Linda Sena’s production design makes vibrant use of Athens locations while maintaining the small-town setting as Anywhere, U.S.A. Editing by Darrin Navarro respects the pic’s alternately peppy and languorous mood, occasionally using slo-mo to represent Sutter’s desire to stretch now to eternity. Other tech elements are aces, each one furthering the film’s refreshing commitment to naturalism. Follow Movieline on Twitter.

Originally posted here:
SUNDANCE REVIEW: James Ponsoldt’s ‘The Spectacular Now’ Is A Spectacularly Authentic American Teen Movie

WATCH: Mary Elizabeth Winstead Is Out Of Control — And Gunning For Oscar — In New Smashed Trailer And Clips

Smashed has been built up as Mary Elizabeth Winstead ‘s career-maker — a character-driven piece about an alcoholic woman entering AA — although time will tell if the addiction dramedy has the mojo to muscle in on the awards race with folks like Marion Cotillard and Jennifer Lawrence hogging all the buzz with their respective festival hits. But take a look at the first Smashed trailer and four additional clips, co-starring Aaron Paul, Octavia Spencer , Megan Mullally, and Nick Offerman (courtesy of Sony Classics ) and get to early prognosticating on Winstead’s chances. Official Trailer (via Yahoo): It’s meaty stuff for Winstead, and director James Ponsoldt makes great use of her wonderfully wide-open face. Paul threatens to be a force as well, with that constant crackling energy of his. Hell, everyone in this ensemble is pretty fantastic in their own right (see following clips for scenes with Paul, Mullally, and the erstwhile Ron Swanson) though for my money the scene below of Winstead’s Kate going from flip to crushingly emotional in the span of a single shot as she introduces herself at an AA meeting is the most powerful and telling sign yet that this is a big moment for Winstead. Smashed will hit theaters on October 12. [Via Yahoo ]

See the article here:
WATCH: Mary Elizabeth Winstead Is Out Of Control — And Gunning For Oscar — In New Smashed Trailer And Clips

Star Wars Concept Artist Ralph McQuarrie Dead at 82

“Ralph McQuarrie was the first person I hired to help me envision Star Wars . His genial contribution, in the form of unequaled production paintings, propelled and inspired all of the cast and crew of the original Star Wars trilogy. When words could not convey my ideas, I could always point to one of Ralph’s fabulous illustrations and say, ‘Do it like this.'” [via WSJ ]

Go here to read the rest:
Star Wars Concept Artist Ralph McQuarrie Dead at 82

Get Ready For Errol Morris’s Full JFK Investigation

Remember the short documentary that Errol Morris released last year in commemoration of the 48th anniversary of JFK’s assassination? Not for nothing, but there’s plenty more where that came from — and it sounds… interesting : “I wondered why [he drove] because we offered to fly him in. So I’m interviewing him. He gets up. He walks off. He comes back. And he has a Mannlicher-Carcano, just like the one Oswald used. He wanted to demonstrate for me the enormous difficulty of firing those shots in rapid succession.” [ Smithsonian ]

Read more from the original source:
Get Ready For Errol Morris’s Full JFK Investigation

Celebrity Sexytime Catchup: Christina Hendricks, Olivia Munn, and That Kid from Project X Edition

In case you missed all of the weekend’s riveting PR stunts accidental leaks, here’s all you need to know: Christina Hendricks , Olivia Munn , and one of the stars from the debauchery fest Project X got caught up in an assortment of salacious news that warns us once again against the dangers of doing sexy things in the vicinity of recording devices if you’re famous. (Unless, ahem, you’ve got a project to push.) Nude pics, Photoshopped naughtiness, and even – gasp! – a secret porn past were revealed thanks to the Internet; hit the jump to catch up as we wait for the inevitable awesome Taiwanese animated recap to drop. I’d save the best for last, but I honestly can’t decide which of the weekend’s titillating tales was tops. So we’ll start with boobs: Christina Hendricks’ boobs, to be exact. The Mad Men / Drive actress acknowledged that she’d been hacked but insisted that a nude NSFW shot included in a batch of photos posted this weekend is not her. And who are we to argue? So an actress took camera phone pictures of herself. And she, being a lady, has breasts. Revelations! Even if she is currently pimping the upcoming return of Mad Men with various other sexually-charged interviews and even if the photo’s legit, it’s just an innocent blip on the radar compared to… Olivia Munn and her alleged naughty lingerie photos hit Sunday as well, notable only because of the instances of extremely cheesy dirty talk Photoshopped onto them, ostensibly for private dissemination to an acquaintance. Named Chris… as in ex Chris Pine , perhaps? Would former G4 hostess Munn take the time to Photoshop whilst sexting? Who knows, but wouldn’t that be kind of awesomely nerdy of her if she did? While she doesn’t seem to have anything to push until this summer’s Magic Mike — and perhaps no obvious reason to leak said pics herself — Munn pleads the Hendricks ” It wasn’t me ” defense. Whatever. I don’t know how she does it. Last but certainly not least we have a bit of news that hit earlier in the weekend, on Saturday, super coincidentally-timed to give Project X the strategic viral profile it needed. That’s right folks, it’s porn . And it appears to have been performed, circa 2008, by the film’s relative newcomer Jonathan Daniel Brown (AKA JB, the sweet, chubby one). In their report, TMZ cites “sources close to Jonathan” with the scoop, probably because “makers of Project X ” or “Jonathan Daniel Brown’s publicist” or, also possibly, “The guys still trying to make money off the thing four years later” would’ve been too conspicuous; AVN, meanwhile, digs deep to conjure a very explicit interview with one of Brown’s confidantes from the film in question, an episode named Nerd Hunting in adult series entitled F*ck Team 5 . With a gem like that on his resume, how could Brown not have gotten the Project X gig? On the one hand, I feel for these individuals and the invasion of privacy they’ve suffered in and because of the limelight. On the other, the trifecta of events serves as a good reminder to Hollywood’s image-conscious up and comers. So what have we learned? 1. Keep a lock on your cell phone security. 2. When in doubt, say it wasn’t you! And 3. Porn never really goes away, does it? Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

Read this article:
Celebrity Sexytime Catchup: Christina Hendricks, Olivia Munn, and That Kid from Project X Edition

As Predicted, Sony Classics Gets Smashed

I wouldn’t brag were it not Monday morning and it’s the only thing keeping me from walking in front of a bus, so: The final piece of Movieline’s Sundance 2012 Bidding-War puzzle has fallen into place, with director James Ponsoldt’s boozehound relationship drama Smashed going to the estimable Sony Pictures Classics. Five-for-five! High five? Smashed is the last of the year’s projected Sundance darlings to officially find a distribution deal, with The Surrogate , Bachelorette , Arbitrage and Red Lights all spoken for in the month-plus since the festival came and went. Moreover, its showcase for Mary Elizabeth Winstead as a young teacher battling the vicissitudes of alcoholism may yet prove to fall in line with SPC’s recent underdog awards tradition — the one that found Melissa Leo ( Frozen River ) and Jacki Weaver ( Animal Kingdom ) coming out of late-summer platform releases to compete with the mainstream favorites at the Oscars. (A press release sent to Movieline HQ did not specify a release date.) “The role asks Winstead to run the full gamut, from game good-time girl and stimulating teacher to shell-shocked morning-after casualty and adamant survivor,” wrote Hollywood Reporter critic Todd McCarthy from Park City. “She’s terrific at it all, far surpassing the promise she indicated in Death Proof and Scott Pilgrim Vs. the World .” Probably not coincidentally, recently crowned Oscar-winner Octavia Spencer and Breaking Bad Emmy-winner Aaron Paul co-star. Everybody in the awards pool, etc. Or not, just throwing that out there. Either way, congrats to Team Smashed ! Morning hours notwithstanding, surely this calls for a drink? Whatever, I’m having one anyway. Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

Go here to see the original:
As Predicted, Sony Classics Gets Smashed