Tag Archives: animal-kingdom

Twitter Brilliantly Schools White Actress On Nate Parker Dilemma

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https://twitter.com/EllenBarkin/status/784176274851913728 On Tuesday, white actress Ellen Barkin turned to Twitter to ask for help understanding the controversy about Nate Parker‘s new movie The Birth Of A Nation and his 1999 rape acquittal. Barkin, who currently stars in TNT’s Animal Kingdom, was clear that her questions was directed only at her non-white followers, writing “Please don’t offer suggestions if […]

Twitter Brilliantly Schools White Actress On Nate Parker Dilemma

Girl Gives Her Friend a Wedgie on a Swing of the Day

Girls are such bitches. So catty and out to get each other. Even best friends will fuck each other up, if it means comin’ out on top. I blame our animal kingdom genetic code of girls craving to be top bitch that all the dudes want to impregnate, you know fighting for the golden cum, makes them disloyal to each other…and to the dudes they are dating…cuz the second a better one comes a long, they shut it down and move on, it’s all part of them having no soul. This video is also one ofthe reasons I tell girls they should never wear underwear, because underwear are a liability. Sure, underwear protects pants from getting smeared up by pussies, forcing a bitch to wash her pants more than she otherwise would. But it also gets in the way of fingering a bitch on the dancefloor, or really anywhere….underwear creates a breeding ground for yeast infections, especially the cheap underwear the bitches I hang with wear, and when in skirts, pussy flashes become far less exciting when there’s a fucking wall of fabric blocking out the meat…. Not to mention, your cunt friends can wedgie you on a swing and put it on the internet…and no one wants that…even if wedgies can feel kinda nice against your clit.

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Girl Gives Her Friend a Wedgie on a Swing of the Day

Academy Award Nominations − The Behind-The-Scenes Winners & Losers

It’s a good morning for Harvey Weinstein , Fox and Sony Pictures Classics .  Sifting through the more surprising-than-usual list of Academy nominations , these are the three big winners of the fierce behind-the-scenes campaigning that movie studios, their specialty divisions (and their consultants) do to get their pictures, directors, actors, etc. onto the hallowed Oscars short list. The Weinstein Company has the enviable dilemma of now having to decide how to run two Best Picture campaigns for Silver Linings Playbook and Django Unchained.    It also managed to get Joaquin Phoenix a Best Actor nomination for The Master despite Phoenix’s slagging of the Oscars as the  “stupidest thing in the world”  and the picture’s quick fade as a contender in the awards buzz circus. David O. Russell’s nomination, after being passed over by the Director’s Guild , is another sign of TWC’s political muscle, particularly since the Silver Linings Playbook director is an outsider in Hollywood — like Weinstein and Phoenix, for that matter. (Okay, so Weinstein may be way more inside than he was in the Miramax days, but he’s still an outsider. Fox employee and this year’s Oscars host Seth MacFarlane made that clear earlier this morning, when referring to the Best Supporting Actress nominees, he cracked: “Congratulations, you five ladies no longer have to pretend to be attracted to Harvey Weinstein.”) Fox and Sony also did well in the Best Picture category: Fox 2000 has Life of Pi   and Fox Searchlight has Beasts of the Southern Wild in the top category, but Sony is the more interesting story here.  While the Annapurna-produced Columbia Pictures-distributed Zero Dark Thirty   was nominated for Best Picture as expected, director Kathryn Bigelow’s omission in the Best Director category goes down as one of the biggest snubs of this morning.  On the other hand, the nominations of Sony Pictures Classics’ Amour  in the Best Picture and Best Foreign Picture categories and Michael Haneke for Best Director is quite a coup for the mini major given the competition this year and the film’s difficult subject matter. In other words, Haneke’s gain is related to Bigelow’s loss. Thoughts? Leave them in the comments section. More On Today’s Oscar Nomintions:  Academy Award Nominations — What Were The Biggest Snubs & Shocks Of The 2013 Oscar Noms? Follow Frank DiGiacomo on Twitter.   Follow Movieline on Twitter. 

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Academy Award Nominations − The Behind-The-Scenes Winners & Losers

WATCH: ‘Modern Imbecile’s Idiot’s Guide To Making Movies For Dummies,’ Episode 4: Editing

Thank god for post-production. After the travails of casting , owning the director’s chair and wrangling two unruly actors , the final shot is done. No more sets and arguments, it’s now all about catching Zen in the edit room. Wallace Cotten begins to edit his masterpiece. Cotten recalls his favorite part of the post-production process and that means he doesn’t have to see some particular people again – at least offscreen. Or does he? Much to his dismay, Don and Lizard Man are there to help out with “final cuts” and songs for the soundtrack. Watch it all play out in Episode 4 of Modern Imbecile’s Idiot’s Guide To Making Movies For Dummies presented by Slamdance TV! 
Slamdance alums Kevin M. Brennan and Doug Manley have teamed up with Slamdance TV to present Modern Imbecile’s Idiot’s Guide To Making Movies For Dummies. In the five part web series, Slamdance TV’s very own Ben Hethcoat goes behind the scenes of Wallace Cotton’s latest feature film, COP HEAT starring Brennan and Manley as the titular duo, Don and Lizard Man. COP HEAT “Two hot for the streets. Two hot to handle.” 

Join the festival ‘By Filmmakers, For Filmmakers’ in this Slamdance TV original web series which explores the independent filmmaking process. Slamdance Film Festival takes place January 18-24 in Park City, UT. For more information visit slamdance.com 
Facebook.com/SlamdanceFilmFestival Twitter @Slamdance
 PREVIOUSLY: ‘Modern Imbecile’s Idiot’s Guide To Making Movies For Dummies,’ Episode 1: Casting ‘Modern Imbecile’s Idiot’s Guide To Making Movies For Dummies,’ Episode 2: Directing ‘Modern Imbecile’s Idiot’s Guide To Making Movies For Dummies,’ Episode 3: Acting

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WATCH: ‘Modern Imbecile’s Idiot’s Guide To Making Movies For Dummies,’ Episode 4: Editing

Academy Award Nominations: Best Song Picks Are ‘Les Miserables’-y Safe

So you might have heard that the 85 th Academy Awards nominations have been announced . Good for you, person who wakes up early in the morning. This year’s nominees contains some shocking snubs — no best director for Tarantino or Bigelow ? — as well as some pleasant surprises, but if the majority of the nominees will have us bitching or raving until March, the Best Original Song category plays it as frustratingly safe as ever. To be fair, the nomination of “Everybody Needs A Friend” from Ted   comes as a surprise, and Adele’s Skyfall  theme is a classic that would deserve to win regardless of the year it was nominated. Despite this, looking at the list of nominated songs one can’t help but be baffled, particularly given how interesting this year’s list of potential selections actually was. The list of eligible songs , released in December, reads like one of the craziest drug-fueled mix tapes ever made. There were three — three! — songs from Casa De Mi Padre. There were three songs from Django Unchained    including “100 Black Coffins” by Rick Ross that would have finally put Three 6 Mafia’s 2006 win in context. “Razors.Out” from The Raid: Redemption , the sole good song ever associated with Linkin Park, was a potential. And dammit, Matthew McConaughey’s scene stealer “’Ladies of Tampa” from Magic Mike could have been a contender. Even Katy Perry’s “Wide Awake” would have been an interesting (and, I suspect, controversial) choice. The songs are selected based on how they work within their featured scenes, but even that doesn’t get the list off the hook. By that criteria alone, “Ladies of Tampa” should have been the hands-down winner. (Maybe the Academy hates male strippers?) Instead, the nominated songs confirm once again that the Oscars might as well cut a royalty check to Stuff White People Like creator Christian Lander and call it a day. Yeah, a nomination from Les Miserables was a given, because the Academy loves ambitious musicals like the day is long.  But “Before My Time” from Chasing Ice and ” Pi’s Lullaby “? Snore. NPR has more interesting music during All Things Considered interstitials. What’s the solution? Probably nothing, aside from demographic shifts that inevitably will result from an influx of new voters with fresher taste in music. But that doesn’t make the risk-averse and tone-deaf nature of these choices any less disappointing. Let’s take a moment then to reflect on the fact that we won’t be seeing a topless Mcconaughey, or western-suit wearing Will Ferrell , performing at this year’s Academy Awards, and why not let us know in comments how you feel about this year’s songs. Ross Lincoln is a LA-based freelance writer from Oklahoma with an unhealthy obsession with comics, movies, video games, ancient history, Gore Vidal, and wine. Follow Ross Lincoln on Twitter.  Follow Movieline on Twitter.

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Academy Award Nominations: Best Song Picks Are ‘Les Miserables’-y Safe

Jacki Weaver Dropped An F-Bomb When She Heard About Her Oscar Nom

Jacki Weaver says she has no Oscar game plan except to buy a new pair of shoes.  “I love shoes. I love shiny things,” the Australian actress told Movieline this afternoon, after learning she had been nominated for a Best Supporting Actress Oscar for her fine work in David O. Russell’s Silver Linings Playbook .  Weaver, who plays an Italian-American Philadelphia housewife so well that you can almost smell the braciole when she’s onscreen, explained that she learned of her nomination while watching TV “in my Qantas pajamas” after flying into Los Angeles en route to Texas for her next acting gig, as Lee Harvey Oswald’s mother, in David Landesman’s Parkland . “I wasn’t sleeping well so I turned on the TV. I honestly wasn’t expecting it, and it did take me quite by surprise,” Weaver said. “I yelled out a rude word.” That word began with “f, as in Freddie,” the actress said in her jammy Australian accent. “And it sounded like the way Australians say ‘park,'” she explained. “We drop the ‘r’ and say, ‘pahk.'”  She went on to explain that said word is “a term of wonderment” in her country,” then laughed: I don’t know why I don’t just say the word.” She never did, but did tell us that she had not spoken to her fellow cast members and nominees,  Robert De Niro , Bradley Cooper or Jennifer Lawrence , but had talked to Russell.  “He told me that he’s really proud of me and he’s thrilled,” she said.  “I adore David.” She likes Americans a lot, too.  Weaver explained that “I haven’t changed but my life has changed,”  in the two years she since earned her first Oscar nomination for the brutal 2010 Australian crime drama Animal Kingdom .  “I’ve now done my fifth film in America and to be embraced so heartily by Americans has been wonderful. It’s a very generous culture, American culture,” she added. “I know you can’t generalize 300 million people, but everyone I’ve met her has been so lovely to me.” Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter. 

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Jacki Weaver Dropped An F-Bomb When She Heard About Her Oscar Nom

Jeffrey Wright Is Catching Fire’s Beetee; Robert Pattinson’s The Rover Sells Overseas

Also in Friday’s Biz Break: indie horror maven Ti West goes “mainstream,” Daniel Craig signs for more Bonds, and Spike Lee ‘s Oldboy is snapped up by FilmDistrict for U.S. release. Jeffrey Wright Cast In The Hunger Games: Catching Fire Lionsgate continues to beef up its sequel cast with stellar veteran talent. The Tony- and Golden Globe-winning actor will play Beetee, a former victor from District 3 thrown into the Quarter Quell competition with Katniss Everdeen. [Press release] Robert Pattinson’s The Rover Makes International Sales The pic from David Michod ( Animal Kingdom ) sees RPattz teaming up with Guy Pearce for a gritty dystopian Outback thriller ; actor-filmmaker Joel Edgerton co-conceived the story, and filming begins this winter. Rights have been sold in “United Kingdom, Canada and Benelux to eOne, Scandinavia to Nordisk, Latin America to Sun Distribution, the Middle East to Italia Film and Eastern Europe excluding Russia to Revolutionary Releasing. Village Roadshow already picked up the film in Australia and New Zealand,” per THR . Ti West And Eli Roth Team Up For The Sacrament Indie horror auteur West ( House of the Devil , The Innkeepers , V/H/S ) begins filming this month on the under-wraps horror thriller, which will court buyers at the Toronto Film Festival. Roth will produce and West will direct from his own script in what Roth describes will be West’s “first mainstream movie,” via Variety . Daniel Craig Commits To Two More Bonds With his third turn as 007 in the can ( Skyfall hits theaters in November), Daniel Craig has signed up for at least two more Bond pics in the current EON Production series. According to MI6 , Sony/MGM execs are aiming for an aggressive two year gap between films. Spike Lee’s Oldboy Gets U.S. Distribution He hasn’t even begun filming yet (though he told Movieline he’ll definitely shoot on celluloid ), but Spike Lee continues to put his ducks in a row for his Oldboy remake. FilmDistrict will take U.S. rights as Lee heads into production this month, according to THR . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Jeffrey Wright Is Catching Fire’s Beetee; Robert Pattinson’s The Rover Sells Overseas

Battleship’s Boy Bust, Fokkens to US, ‘The Real Fassbinder’: Biz Break

Also in this afternoon’s Biz Break: The breakout director of Animal Kingdom plots his next (possibly with the help of Robert Pattinson), Rupert Everett to direct himself as Oscar Wilde (with the help of a few friends of his own), and more… Kino Lorber Wants You to Meet the Fokkens The specialty distributor has announced a deal to bring Gabrielle Provaas & Rob Schröder’s documentary Meet the Fokkens to the US; the film tells the story of 69-year-old twin sisters experiences as prostitutes and brothel owners in Amsterdam’s red-light district. The doc will enjoy its Stateside premiere next month at the SilverDocs Film Festival before debuting Aug. 8 in New York. Michôd, FilmNation Take Aim at The Rover FilmNation continued its Cannes newsmaking streak , announcing the acquisition of Animal Kingdom filmmaker David Michôd ‘s follow-up The Rover . The story follows two men through “a dangerous and dysfunctional near future. Eric has left everything and every semblance of human kindness behind him. When his last possession, his car, is stolen by a gang of dangerous criminals, Eric sets off to track them down and is forced along the way to enlist the help of Reynolds, the naïve simpleton member of the gang left behind in the bloody chaos of the gang’s most recent escape.” Guy Pearce and Robert Pattinson are said to be in talks for the roles of Eric and Reynolds, respectively. XLrator Floors It With Action Series XLrator Media has announced the multi-platform TURBO by XLrator label, which will bring an international slate of action films to North American audiences. The first three movies set for release this year will be Naked Soldier (from Hong Kong), Blood Money (filmed in Sydney, Hong Kong and Miami) and Brawler (shot in New Orleans). Former Weinstein Co. exec Mike Radiloff has joined as president of marketing and distribution. Around the ‘net… What Went Wrong With Battleship ? A power shortage in the cast… An underrecognized source property… A failure to reach young men… The Battleship box-office post mortem is officially underway as experts determine what sunk Universal’s costly would-be blockbuster in the US. THR reports . German Director Promises “the Real Fassbinder” Marco Kreuzpaintner is set to revive his influential, short-lived filmmaking compatriot Rainer Werner Fassbinder to life in his next project, Rainer . “It will be a homage to his movies,” Kreuzpaintner said of the projct, which he described as less a straightforward biopic than a melodrama. “But we want to show the real Fassbinder, will all the dirt, drugs and excess.” THR reports . Rupert Everett Gets Wilde with The Happy Prince The actor and Oscar Wilde devotee will make his writing-directing debut with a tragicomic chronicle of the writer’s final days. Colin Firth, Emily Watson an Tom Wilkinson are attached to co-star; Variety reports .

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Battleship’s Boy Bust, Fokkens to US, ‘The Real Fassbinder’: Biz Break

As Predicted, Sony Classics Gets Smashed

I wouldn’t brag were it not Monday morning and it’s the only thing keeping me from walking in front of a bus, so: The final piece of Movieline’s Sundance 2012 Bidding-War puzzle has fallen into place, with director James Ponsoldt’s boozehound relationship drama Smashed going to the estimable Sony Pictures Classics. Five-for-five! High five? Smashed is the last of the year’s projected Sundance darlings to officially find a distribution deal, with The Surrogate , Bachelorette , Arbitrage and Red Lights all spoken for in the month-plus since the festival came and went. Moreover, its showcase for Mary Elizabeth Winstead as a young teacher battling the vicissitudes of alcoholism may yet prove to fall in line with SPC’s recent underdog awards tradition — the one that found Melissa Leo ( Frozen River ) and Jacki Weaver ( Animal Kingdom ) coming out of late-summer platform releases to compete with the mainstream favorites at the Oscars. (A press release sent to Movieline HQ did not specify a release date.) “The role asks Winstead to run the full gamut, from game good-time girl and stimulating teacher to shell-shocked morning-after casualty and adamant survivor,” wrote Hollywood Reporter critic Todd McCarthy from Park City. “She’s terrific at it all, far surpassing the promise she indicated in Death Proof and Scott Pilgrim Vs. the World .” Probably not coincidentally, recently crowned Oscar-winner Octavia Spencer and Breaking Bad Emmy-winner Aaron Paul co-star. Everybody in the awards pool, etc. Or not, just throwing that out there. Either way, congrats to Team Smashed ! Morning hours notwithstanding, surely this calls for a drink? Whatever, I’m having one anyway. Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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As Predicted, Sony Classics Gets Smashed

As Predicted, Sony Classics Gets Smashed

I wouldn’t brag were it not Monday morning and it’s the only thing keeping me from walking in front of a bus, so: The final piece of Movieline’s Sundance 2012 Bidding-War puzzle has fallen into place, with director James Ponsoldt’s boozehound relationship drama Smashed going to the estimable Sony Pictures Classics. Five-for-five! High five? Smashed is the last of the year’s projected Sundance darlings to officially find a distribution deal, with The Surrogate , Bachelorette , Arbitrage and Red Lights all spoken for in the month-plus since the festival came and went. Moreover, its showcase for Mary Elizabeth Winstead as a young teacher battling the vicissitudes of alcoholism may yet prove to fall in line with SPC’s recent underdog awards tradition — the one that found Melissa Leo ( Frozen River ) and Jacki Weaver ( Animal Kingdom ) coming out of late-summer platform releases to compete with the mainstream favorites at the Oscars. (A press release sent to Movieline HQ did not specify a release date.) “The role asks Winstead to run the full gamut, from game good-time girl and stimulating teacher to shell-shocked morning-after casualty and adamant survivor,” wrote Hollywood Reporter critic Todd McCarthy from Park City. “She’s terrific at it all, far surpassing the promise she indicated in Death Proof and Scott Pilgrim Vs. the World .” Probably not coincidentally, recently crowned Oscar-winner Octavia Spencer and Breaking Bad Emmy-winner Aaron Paul co-star. Everybody in the awards pool, etc. Or not, just throwing that out there. Either way, congrats to Team Smashed ! Morning hours notwithstanding, surely this calls for a drink? Whatever, I’m having one anyway. Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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As Predicted, Sony Classics Gets Smashed