Welcome to Movieline’s live coverage of the 70th Annual Golden Globes Awards. Tina Fey and Amy Poehler should be out any minute now, and we’ll keep you updated on the good, the bad and the ugly after the jump.
Movieline is updating the winners as they’re announced at the 70th Golden Globes Sunday night. The nominees follow in each category until the winner is announced. MOTION PICTURE CATEGORIES Motion Picture, Drama Argo , Warner Bros. Pictures, GK Films, Smokehouse Pictures; Warner Bros. Pictures Django Unchained , The Weinstein Company, Columbia Pictures; The Weinstein Company/Sony Pictures Releasing Life of Pi , Fox 2000 Pictures; Twentieth Century Fox Lincoln, DreamWorks Pictures, Twentieth Century Fox; Touchstone Pictures Zero Dark Thirty , Columbia Pictures and Annapurna Pictures; Sony Pictures Releasing Best Exotic Marigold Hotel , Blueprint Pictures/Participant Media; Fox Searchlight Pictures Les Miserables , Universal Pictures, A Working Title Films/Cameron Mackintosh Productions; Universal Pictures Moonrise Kingdom , Indian Paintbrush; Focus Features Salmon Fishing in the Yemen, CBS Films Silver Linings Playbook , The Weinstein Company Director Ben Affleck, Argo (Winner) Actor, Drama Daniel Day-Lewis, Lincoln Richard Gere, Arbitrage John Hawkes, The Sessions Joaquin Phoenix, The Master Denzel Washington, Flight Actress, Drama Jessica Chastain, Zero Dark Thirty Marion Cotillard, Rust and Bone Helen Mirren, Hitchcock Naomi Watts, The Impossible Rachel Weisz, The Deep Blue Sea Actor, Comedy or Musical Hugh Jackman, Les Misérables (Winner) Actress, Comedy or Musical Jennifer Lawrence, Silver Linings Playbook (Winner) Supporting Actor Christoph Waltz, Django Unchained (Winner) Supporting Actress Anne Hathaway, Les Misérables (Winner) Screenplay Quentin Tarantino, Django Unchained (Winner) Foreign-Language Picture Amour (Austria) – Winner Animated Feature Film Brave (Winner) Original Score Mychael Danna, Life of Pi (Winner) Original Song “Skyfall,” Skyfall (Music by: Adele, Paul Epworth Lyrics by: Adele, Paul Epworth) – Winner TELEVISION CATEGORIES TV Series, Drama Homeland (Winner) Actor, TV Drama Damian Lewis, Homeland (Winner) Actress, TV Drama Claire Danes, Homeland (Winner) TV Series, Musical or Comedy Girls (Winner) Actor, TV Musical or Comedy Don Cheadle, House of Lies (Winner) Actress, TV Musical or Comedy Lena Dunham, Girls (Winners) TV Movie or Miniseries Game Change (Winner) Actor, Miniseries or TV Movie Kevin Costner, Hatfields & McCoys (Winner) Actress, Miniseries or TV Movie Julianne Moore, Game Change (Winner) Supporting Actor, Series, Miniseries or TV Movie Ed Harris, Game Change (Winner) Supporting Actress, Series, Miniseries or TV Movie Maggie Smith, Downton Abbey , Season 2 (Winner) Cecil B. DeMille Lifetime Achievement Award Jodie Foster (previously announced)
Whatever your Oscar nomination predictions were, you were wrong: This morning’s Academy Awards announcements by host Seth MacFarlane and Emma Stone jolted Oscarwatchers awake with surprises and snubs so shocking they made everyone forget within minutes that MacFarlane made a Hitler joke, live, before six in the morning, setting the tone for his upcoming hosting gig. From all the Beasts of the Southern Wild love to the freezing out of shoo-ins Kathryn Bigelow ( Zero Dark Thirty ), Ben Affleck ( Argo ), and Tom Hooper ( Les Miserables ) from the Best Director race, which were the biggest shocks of the morning? [ Get the full list of 2013 Oscar nominees ] WTF, BEST DIRECTOR RACE? It was the most unexpected category of the bunch: Major snubs for Bigelow, Affleck, and Hooper shake up the Best Picture race, and the confidences of Oscar prognosticators everywhere. With Steven Spielberg ( Lincoln ), Ang Lee ( Life of Pi ), and David O. Russell ( Silver Linings Playbook ) competing against Michael Haneke ( Amour ) and Zeitlin ( Beasts of the Southern Wild ) the temperature of the Best Pic/Best Director races changes drastically. I was so sure the Academy would get suckered in by Hooper’s uber close-ups that the fact that he wasn’t nominated makes me think Oscar voters aren’t such easy lays after all… WHERE’S LEO? Christoph Waltz’s Best Supporting nod for Django Unchained (which scored fewer nominations than expected/hoped) pushed cast mate Leonardo DiCaprio out despite his Golden Globes nod. JOHN HAWKES IN THE SESSIONS It’s too bad the great John Hawkes wasn’t recognized for his work as a paraplegic poet in the underseen The Sessions , because it’s some of the best acting of the year. MARION COTILLARD IN RUST AND BONE Guess two French ladies in the Best Actress race was two too many. BEASTS OF THE SOUTHERN WILD (Best Picture, Best Director, Best Actress, Best Adapted Screenplay) Who knew the Academy had so much love for Benh Zeitlin’s little Sundance darling? Quvenzhané Wallis becomes the youngest Best Actress nominee in Oscars history — vying against Amour ‘s Emmanuelle Riva, the oldest — but who out there actually predicted Zeitlin would get a coveted Best Director nod while so many front-runners were left out in the cold? And while we’re on the subject of Beasts star Wallis: How great is it that the Oscar-watching world will soon know how to pronounce “Quvenzhané?” I can already see MacFarlane’s telecast writing staff furiously scribbling their “Uma-Oprah”-esque gags. ZERO DARK OSCARS Critics and pundits had Bigelow’s bin Laden pic riding high as an Oscar hopeful before this morning, but even with Best Picture, Best Actress, and Best Screenplay nods the Bigelow snub puts ZDT ‘s potency into question. Did the torture controversy and assorted Congressional hullabaloos dampen the film’s buzz, or did its dispassionate mood leave voters a bit cold? SKYFALL FOR BEST SCORE Methinks Academy members confused Adele’s fantastic Skyfall theme song with the Bond pic’s score, because one stuck to my bones and the other, well, did not. These folks clearly saw Beasts of the Southern Wild , which boasted one of the best original scores of the year but didn’t earn a musical nod. OH, AND ALSO THE SIMPSONS GOT AN OSCAR NOMINATION “Maggie Simpson attends the Ayn Rand Daycare Center, where she finds a caterpillar and faces off against her nemesis.” Maggie Simpson in The Longest Daycare will compete in the Animated Shorts race vs. Disney’s Paperman , among others. Were you shocked and awed by the Academy’s surprise moves? Chime in below with your reactions! RELATED ARTICLES: Academy Award Nominees Announced – ‘Lincoln’ Leads 2013 Oscar Noms Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
It’s a good morning for Harvey Weinstein , Fox and Sony Pictures Classics . Sifting through the more surprising-than-usual list of Academy nominations , these are the three big winners of the fierce behind-the-scenes campaigning that movie studios, their specialty divisions (and their consultants) do to get their pictures, directors, actors, etc. onto the hallowed Oscars short list. The Weinstein Company has the enviable dilemma of now having to decide how to run two Best Picture campaigns for Silver Linings Playbook and Django Unchained. It also managed to get Joaquin Phoenix a Best Actor nomination for The Master despite Phoenix’s slagging of the Oscars as the “stupidest thing in the world” and the picture’s quick fade as a contender in the awards buzz circus. David O. Russell’s nomination, after being passed over by the Director’s Guild , is another sign of TWC’s political muscle, particularly since the Silver Linings Playbook director is an outsider in Hollywood — like Weinstein and Phoenix, for that matter. (Okay, so Weinstein may be way more inside than he was in the Miramax days, but he’s still an outsider. Fox employee and this year’s Oscars host Seth MacFarlane made that clear earlier this morning, when referring to the Best Supporting Actress nominees, he cracked: “Congratulations, you five ladies no longer have to pretend to be attracted to Harvey Weinstein.”) Fox and Sony also did well in the Best Picture category: Fox 2000 has Life of Pi and Fox Searchlight has Beasts of the Southern Wild in the top category, but Sony is the more interesting story here. While the Annapurna-produced Columbia Pictures-distributed Zero Dark Thirty was nominated for Best Picture as expected, director Kathryn Bigelow’s omission in the Best Director category goes down as one of the biggest snubs of this morning. On the other hand, the nominations of Sony Pictures Classics’ Amour in the Best Picture and Best Foreign Picture categories and Michael Haneke for Best Director is quite a coup for the mini major given the competition this year and the film’s difficult subject matter. In other words, Haneke’s gain is related to Bigelow’s loss. Thoughts? Leave them in the comments section. More On Today’s Oscar Nomintions: Academy Award Nominations — What Were The Biggest Snubs & Shocks Of The 2013 Oscar Noms? Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.
The 23rd installment of James Bond became one of only a little over a dozen to score $1 billion worldwide. Also in Wednesday’s round-up of news, The Hobbit: An Unexpected Journey crossed a milestone of its own; Silver Linings Playbook snatches European awards; China’s Lost in Thailand marks a record at home. Skyfall Crossed $1 Billion Mark The 23rd installment of James Bond became the 14th film ever to pass the $1 billion mark globally. It has grossed nearly $290 million as of the weekend, Deadline reports . The Hobbit Crosses $600 Million Globally The first installment of Peter Jackson’s Hobbit pics hit the $600 million milestone over the holiday weekend. It has taken in $22.7 million domestically, putting it ahead of 2001’s The Fellowship of the Ring ($189.3 million), but below the 17-day come of The Two Towers ($243.6 million) and The Return of the King ($272.8 million), EW reports . Silver Linings Playbook Wins Most Awards at Italian-Hollywood Festival The feature directed by David O. Russell picked up four awards at the Capri, Hollywood Film Festival including the festival’s film of the year prize. Other winners included Benh Zeitlin’s Beasts of the Southern Wild , Juan Antonio Bayona’s action drama The Impossible and crime thriller The Iceman by Ariel Vromen, THR reports . Low Budget Lost In Thailand Becomes Highest Grossing Chinese Film The low budget Chinese-produced comedy is Chna’s highest-grosing domestically made film, passing the 1 billion yuan ($160 million) mark since debuting December 12, even beating out James Cameron’s Titanic in 3-D, last year’s most popular foreign film. Set in Thailand, the film revolves around two businessmen who link up with a tourist who explore the country. It’s full of slapstick humor and action scenes, Variety reports . Specialty Box Office: Zero Dark Thirty , Amour , Stellar in 2nd Weekend; West of Memphis OK in Debut, Promised Land Soft Sony/Columbia Pictures’ limited-run engagement of Zero Dark Thirty showed impressive stamina, and the studio’s specialty market distributor Sony Pictures Classics also had great news for Amour but not so great news for newcommer West Of Memphis in three-day estimates for the pre-New Year’s weekend, while Focus Features, Deadline reports .
Top 10s abound, but what the hell, its New Year’s Eve and there are mere hours left (in the Western Hemisphere at least) to look back on the year while it’s still here – Happy New Year Australia, N.Z., Japan and much of Asia. [ Related: Mash-Ups, ‘Moonrise,’ And ‘Miami’ Connections: Jen Yamato’s Top 10 Movie Moments of 2012 and Amy Nicholson’s / Top 10 of 2012 / Written In Haiku ] For those trolling the internet Monday and stumble on this list, I hope it’ll spawn more Top 10s. Either in your own mind or better yet – in the comments below. Or even just give your Top 5 or hell… Just your one favorite. Or even your least favorite. Just go for it, don’t be shy. Below is my ten favorites for 2012. I admit, mine may be loaded with some of the “cold and corny prestige pics and all those ‘respectable’ ‘films’ headed for Oscar gold” as my fab colleague Jen Yamato describes – but there it is… My favorite, Amour , was also the toughest to watch, but it just stayed with me through the rest of the year after having the privilege to see it for the first time in Cannes last May. I saw it again in December and it stayed with me as my favorite even if I was rather numb walking out of the theater. It is one helluva tough one, but so good. Disagree? Go for it and say why in the comments. My top 10 follows with an ever so brief comment and a trailer (admittedly, there are still a couple of ‘key’ movies I still need to see). And what were your faves of 2012? 1. Amour – The toughest movie I, well, loved. 2. Zero Dark Thirty – I knew what the ending would be, but my palms sweat for hours in the lead-up. 3. Silver Linings Playbook – I thought I’d be bored as I was ‘dragged’ to see it at a festival. I completely loved it. 4. Lincoln – I like political intrigue – even of the 19th century sort. Tommy Lee Jones was Amazing. 5. Beasts of the Southern Wild – No stars – fantastic acting and a great new voice in filmmaking in the form of Benh Zeitlin. 6. How to Survive a Plague – It’s hard to hold back the tears watching as these brave people fight for their lives under the scepter of hate. 7. Anna Karenina – Sumptuous. No surprise the Revolution came along. 8. Holy Motors – This movie may go down as one of 2012’s most important. 9. On the Road – Sit down, light up and go for the ride. Garrett Hedlund is a good trip. 10. Argo – Again, you know what the end will be but it still gets the heart racing. The final scenes when the film hits you over the head with how they barely get out is a bit much though.
Even as Zero Dark Thirty has come under fire by key Senators criticizing its depiction of torture in the hunt for Al Qaeda leader Osama Bin Laden, the film shrugged off the pressure, at least at the box office, in its initial limited roll out Wednesday. [ Related: Golden Globes Unveil 70th Edition Nominees ] The Sony release opted for a specialty-style roll-out Wednesday, opening in limited locations in New York and Los Angeles before it heads wide January 11, not so coincidentally, the day after Oscar nominations are unveiled. The pic, which re-teams Oscar-winning director Kathryn Bigelow and writer-producer Mark Boal ( The Hurt Locker ), scored the biggest Wednesday limited opening ever (without a Disney-style stage show), according to Deadline.com . The film starring Jessica Chastain grossed a tremendous $124,848 in one day from just five theaters giving it a stellar mid-week $24,969 average. The numbers outstrip the likes of other Wednesday openers American Beauty which took in $73K with six theaters and Little Miss Sunshine with $66K from 7 runs. The film has been an early darling for critics with prestige organizations including the New York Film Critics Circle, the Chicago Film Critics Association and the National Board of Review giving the two-and-a-half-hour-plus feature its choice for Best Film of 2012. It also received four Golden Globe noms, including Best Motion Picture, Drama though others such as Lincoln , Django Unchained and Les Misérables scored more. Still, Zero Dark Thirty is expected to be a heavy-hitter come Oscar nomination morning. Some, however, have begun to speculate whether the percolating controversy over the film’s perceived suggestions that water-boarding, extreme isolation and other techniques were useful in ultimately locating Bin Laden and how that may affect Academy voters should the story hold staying power in the headlines. A report from A.P. yesterday said that former Vietnam War-era P.O.W. Senator John McCain slammed the film after viewing a screener earlier this week and BBC reports that McCain and two other Senate colleagues made their objections official in a letter to the head of Sony Pictures Entertainment. The letter said the pic is “perpetuating the myth that torture is effective” and that “the fundamental problem is that people who see Zero Dark Thirty will believe that the events it portrays are facts.” It goes on to say, “the film therefore has the potential to shape American public opinion in a disturbing and misleading manner,” and that the “use of torture in the fight against terrorism did severe damage to America’s values and standing that cannot be justified or expunged.” Also signing the letter, which was made public, were Senators Dianne Feinstein and Carl Levin, all of whom are members of the Senate Intelligence committee. Bigelow has said that her film depicts a “variety of controversial practices and intelligence methods.” She and Boal have also indicated their distaste for torture in statements last week. [Sources: Deadline , BBC ]
This was a terrific year for movies. I don’t know that I have more to say about it as a whole than that, because 2012 was such a varied year in cinema, too. We saw procedurals, Zero Dark Thirty and Lincoln , that dug into the immense work behind known moments in history; movies about the movies, like Holy Motors and The Cabin in the Woods , and sensory creations like Beasts of the Southern Wild and The Master , with their very different protagonists who each seem, at times, tuned into a clearer sense of the universe. This year also saw the continued fade-out of celluloid and the push for new cinematic experiences with the 48fps of The Hobbit: An Unexpected Journey , the 3D wizardry of Life of Pi and the prosthetic and make-up-aided gender and ethnicity crossing-casting of Cloud Atlas . But my biggest pleasures in the theater this year tended to be the old-fashioned type: from a luscious 70mm screening of The Master at the Ziegfeld Theater in New York to the throwback sensibility at the center of Rust and Bone. Then again, it’s contemporary technology that allowed my number-one pick to be shot and smuggled to its Cannes premiere inside a cake. Film is changing, sure, but there’s no arguing its vividly alive. 10. Dark Horse “I know that life has been unfair to you because it has given you every possible advantage,” man-child Abe (Jordan Gelber) is told in a dream sequence, a perfect encapsulation of an existence spent in paralyzing, frustrated inadequacy. Both he and his eventual reluctant fiancée Miranda ( Selma Blair ) are in their thirties and living with their parents in New Jersey, crushed by their inability to prove themselves to be as special in adulthood as they’d always been as children. Todd Solondz doesn’t mock his ridiculous, defensive and unhappy protagonist with the same mercilessness that he used to skewer his back catalog of memorable losers, but he doesn’t allow Abe to be lovable or cuddly either. He’s inherited a dissatisfaction that has kept him caught between entitlement and self-loathing, and stands alone as a marvelously drawn and tragic figure of toxic ingrained American aspirations. 9. The Cabin in the Woods It’s an ingeniously geeky and loving deconstruction of the horror genre. It’s a meta-critique of what we want from slasher flicks and why we enjoy them. It’s a reworking of and an explanation for the silliest recurring habits of scary movie victims, and it’s also, somehow, a workplace comedy. Mostly, though, Drew Goddard and Joss Whedon’s clever, clever film was maybe the best time you could have had in cineplexes this year. It was rewarding both as a reference-laden (bloody) valentine to hardcore film fans and a rollicking standalone feature that offered up far-from-disposable characters and an elaborate high-tech system to explain why they ended up running from baddies in the woods.
A front-runner in the Oscar race, Zero Dark Thirty received some harsh words from an unlikely source – Senator John McCain. The Arizona legislator who was a P.O.W. and endured torture during Vietnam watched the film by Kathryn Bigelow Monday night and said it left him sick and called it, “wrong.” McCain said that the controversial technique, known as water boarding, which simulates drowning, did not yield useful information from al Qaeda’s number three leader, Khalid Sheikh Mohammed, who has been in U.S. custody since 2003. The film suggests that the technique resulted in useful information that lead the CIA to al Qaeda mastermind Osama Bin Laden’s courier, Abu Ahmed. “The filmmakers fell for it hook, line and sinker,” the Republican senator is quoted as saying by A.P. Last year, McCain, who spent 5 1/2 years in captivity by his North Vietnamese captors, asked then-CIA director Leon Panetta whether the hunt for Bin Laden came from information provided from Mohammed. The lead to the courier, however, came from a detainee held in a separate country. “Not only did the use of enhanced interrogation techniques on Khalid Sheikh Mohammed not provide us with key leads on bin Laden’s courier, Abu Ahmed, it actually produced false and misleading information,” McCain said in a speech in the U.S. Senate. California Senator Dianne Feinstein, who is chairwoman of the Senate Intelligence Committee concurred that water boarding did not lead to the tip that eventually saw U.S. special forces raid a compound in Abbottabad, Pakistan. McCain said that water boarding is dangerous because it damages the U.S.’s reputation and character and might be used against Americans. “I do not believe they are necessary to our success in our war against terrorists, as the advocates of these techniques claim they are,” he said. [ Source: A.P. ]
The Oscar Index’s head is spinning. What critics organization didn’t announce their nominees or award-winners this week? On Thursday it was the Golden Globes , on Wednesday the SAGs , and Monday the AFI and BFCA. The Boston, Detroit, Las Vegas, Los Angeles , Phoenix, San Diego, St. Louis and Washington critics associations also weighed in with their picks. But critics don’t vote for the Academy Awards, so much of this will have little bearing on who will be nominated for an Academy Award; not Lincoln ’s seven Golden Globe nominations, not Dwight Henry’s Best Supporting Actor win from the Los Angeles Film Critics Association for Beasts of the Southern Wild , and not the Washington D.C. Film Critics Association’s pick of Zero Dark Thirty as the year’s best film. By splitting its acting categories into drama and musical-comedy, the Golden Globes muddle the view of the fields , but they do afford some Oscar dark-horses like Richard Gere some necessary exposure to keep their chances alive. Meanwhile, the Screen Actors Guild Awards do matter as an Oscar precursor, as do perhaps some preemptive strikes at a probable Oscar frontrunner. But how big a target is Zero Dark Thirty ? We got a pretty good idea this week. Let’s go to the Gold Lining Playbook. Best Picture Zero Dark Thirty might have sustained some damage this week in the wake of several newspaper pieces that charge the film with being pro-torture and questioning the character of the real-life inspiration for the CIA analyst portrayed in the film by Jessica Chastain . A New York Times Op-Ed piece provocatively opened, “I’m betting that Dick Cheney will love the new movie Zero Dark Thirty ,” Greg Miller in the Washington Post wrote that the real-life operative, who remains undercover, “was passed over for a promotion that many in the CIA thought would be impossible to withhold from some who played such a key role in one of the most successful operations in agency history.” A New Yorker profile of director Kathryn Bigelow questions whether the film’s waterboarding scene takes dramatic liberties with the true story. The timing of these stories is suspect. If past Oscar campaigning has taught us anything, one has to ask at this early stage: Just how far will Harvey Weinstein go to win Oscars for Silver Linings Playbook ? which did receive a Screen Actor’s Guild’s ensemble nomination, a Best Picture equivalent. Best Exotic Marigold Hotel ’s SAG ensemble nomination could boost the film’s chances for a Best Picture nomination. Its distinguished British cast (classy) and pure escapism would seem irresistible to the typical Oscar voter, which the Los Angeles Times last year found was 94 percent Caucasian and a median age of 62. The Dark Knight Rises and so perhaps its Best Picture hopes after being named among the year’s 10 best films by the American Film Institute. Amends for The Dark Knight ? That The Master was not noticed by the SAG for its powerhouse ensemble is testament to the once presumed frontrunner’s fading buzz, while the omission of the critically praised Beasts of the Southern Wild was due to its SAG ineligibility. Likewise, the shutout of Quentin Tarantino ’s wildly anticipated Django Unchained might be a simple matter of screeners not being available in time for voters, theorizes Awards Daily ’s Sasha Stone. And with its five Golden Globe nominations, including Best Picture, Django could join the Oscar Best Picture race. 1. Lincoln 2. Zero Dark Thirty 3. Silver Linings Playbook 4. Les Miserables 5. Argo 6. Beasts of the Southern Wild 7. Life of Pi 8. Best Exotic Marigold Hotel 9. The Sessions 10. Django Unchained Ones to watch: The Dark Knight Rises, The Impossible, The Master, Moonrise Kingdom, Skyfall Best Director It’s doubtful that the potshots at Zero Dark Thirty will be enough to keep Bigelow out of the running. The director and screenwriter Mark Boal returned fire against agenda-driven critics. “This movie has been and will continue to be put in political boxes,” Boal told The Wrap this week. “Before we even wrote it, some people said it was an Obama campaign commercial, which was preposterous. And now it’s pro-torture, which is preposterous.” That leaves a slot for David O’Russell , Ang Lee , or late entrant Quentin Tarantino, who received his inevitable Golden Globe nomination Thursday. Pundits still give Lee an edge. The Golden Globes’ surprise snub of Tom Hooper is another indication that this field is anything but set. The Director’s Guild nominations, a reliable Oscar precursor, will be announced on Jan. 8, two days prior to the Academy. 1. Steven Spielberg ( Lincoln ) 2. Kathryn Bigelow ( Zero Dark Thirty ) 3. Ben Affleck ( Argo ) 4. Ang Lee ( Life of Pi ) 5. Tom Hooper (Les Miserables) Ones to watch: Paul Thomas Anderson ( The Master ), Michael Haneke ( Amour ), David O. Russell ( Silver Linings Playbook ), Quentin Tarantino ( Django Unchained ) Next: Best Actor & Actress