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Envelope-pushing sex symbol starred in ‘The Outlaw’ and ‘Gentlemen Prefer Blondes.’ By Gil Kaufman Jane Russell Photo: Getty Images You can thank Jane Russell for “Sucker Punch,” every Roger Corman jigglefest, the Catwoman outfit Halle Berry was poured into and just about any other body-baring costume that a Hollywood actress has shimmied in over the past 70 years. The buxom pinup beauty who helped push the envelope in onscreen sensuality died on Monday at the age of 89 at her home in Santa Maria, California. For photos of Jane Russell through the years, click here. The Los Angeles Times reported that Russell had suffered from respiratory problems and died after a short illness. The actress made her biggest splash in her first role in 1943’s “The Outlaw,” a Howard Hughes-produced film that played up her sexuality in a marketing campaign that focused on her voluptuous figure. In fact, the iconic publicity still of Russell posing in a low-cut top while leaning back on a bale of hay — her left arm cocked on her hip and her pouty lips and ample bosom prominent — created a sensation and challenged the strict morality rules of Hollywood’s production code. Born Ernestine Jane Geraldine Russell on June 21, 1921, in Bemidji, Minnesota, she moved to Southern California with her family as an infant and started working as a part-time model after graduating from high school. She was discovered by one of Hughes’ casting agents amid a search for a beauty with a curvy figure to play Billy the Kid’s love interest Rio McDonald in “The Outlaw.” The Times noted that Russell got the part after one audition, and Hughes took such an interest in her that he fired director Howard Hawks and got personally involved in finding creative ways to emphasize her assets. How involved? Hughes had his engineers design a custom “cantilever” bra with no seams that would expose more of her breasts than typical bras. Russell refused to wear the contraption, however. Hughes’ efforts shocked Joe Breen, who was in charge of enforcing the strict production code (the precursor to the modern-day ratings code), which forbade such overt portrayals of erotic situations and material. He said at the time that he’d never seen “anything quite so unacceptable as the shots of the breasts of the character of Rio,” which he said were “shockingly emphasized.” Despite Breen’s order to delete dozens of shots of Russell’s cleavage, Hughes refused, playing up the controversy in the ad campaign with the haystack poster and taglines such as “How Would You Like to Tussle with Russell?” After being re-released in 1946 without code approval, the movie