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Argo Tops A Disappointing Box Office; 4 Newcomers Bow Weak

All four studio releases debuted with a whimper at best and tanked at worst. Ben Affleck ‘s Argo topped the box office in a disappointing weekend. It is hard to estimate the impact on the onslaught of Hurricane Sandy had on Sunday on the East Coast as residents scurried to get ready for the storm, but the weekend’s box office took a hit nevertheless. Strong word-of-mouth made Argo one of the lone stars of the weekend. 1. Argo Gross: $12,355,000 (Cume: $60,780,288) Screens: 2,855 (PSA: $4,327) Week: 3 (Change: – 24.9%) Argo finally made it to number one three weeks into its release. But it was mostly by default because its competition from newcomers failed to make the box office grade. Still, Argo showed bravado on its own, with only a small dip in its returns, despite losing 392 locations. Word of mouth is clearly propelling the Ben Affleck-directed political thriller that is a strong contender for awards this season. A $100 million gross is certainly not out of the question. 2. Hotel Transylvania Gross: $9.5 million (Cume: $130,434,000) Screens: 3,276 (PSA: $2,900) Week: 5 (Change: – 26.9%) The animated feature jumped from fourth place last week to second in its fifth round. The $130 million-plus cumulative makes it one of Sony Pictures Animation’s top animated-only pic. It will eventually overtake The Smurfs , which grossed $142.6 million. 3. Cloud Atlas Gross: $9.4 million Screens: 2,008 (PSA: $4,681) Week: 1 Six slightly connected stories told over two hours and forty-four minutes was bound to be a marketing challenge. The pic received a C+ CinemaScore, so it’s going to be a steep trek for this $100 million movie sees any profit. Its recognizable cast should help it as it heads overseas. While it’s the best of the weekend’s newcomers, it clearly didn’t connect with audiences at the level needed. 4. Paranormal Activity 4 Gross: $8,675,000 (Cume: $42,632,365) Screens: 3,412 (PSA: $2,542) Week: 2 (Change: – 70.1%) The pic fell a heavy 70% from its opening weekend when it opened at number one with a $30.2 million open and an $8,851 screen average. The drop was steeper than Paranormal Activity 3 ‘s 66 percent drop. The third installment had grossed about $10 million more than the current pic by this point in its release. 5. Silent Hill: Revelation (3-D) Gross: $8 million Screens: 2,933 ($2,728) Week: 1 A weak opening for the pic, which is off 60 percent from the first movie’s $20.15 million debut. Competition from Paranormal Activity 4 and Sinister likely weighed in in suppressing box office activity for the title. 6. Taken 2 Gross: $8 million (Cume $117,389,000) Screens: 2,995 (PSA: $2,671) Week: 4 (Change: – 39.7%) The title lost 494 theaters compared to its third weekend and essentially tied with newcomer Silent Hill: Revelation (3-D) in the overall box office chart. Taken 2 is holding solid, beating out the first installment by $22 million. 7. Here Comes the Boom Gross: $5.5 million (Cume: $30,610,472) Screens: 2,491 (PSA: $2,208) Week: 3 (Change: – 34.6%) The film remained in seventh place in the b.o. chart, dropping over 34% and losing 523 theaters. Last weekend it averaged $2,820 compared to $3,981 in its debut. 8. Sinister Gross: $5.07 million (Cume: $39,514,955) Screens: 2,347 (2,160) Week: 3 (Change: – 42.5%) The title dropped 195 theaters in its third round and dropped a fairly strong 42 percent plus. But with a production budget of only $3 million, the title is a clear success and its roll-out will continue. Last weekend it averaged $3,552. 9. Alex Cross Gross: $5.05 million (Cume: $19,368,691) Screens: 2,541 (PSA: $1,987) Week: 2 (Change: – 55.7%) The pic dropped nearly 56%, a steep one for the titles second round. It added two locations and its $1,987 average compares to $4,489 in its debut. The crime thriller’s $35 million production budget means it has a tough road given its slow momentum. 10. Fun Size Gross: $4.06 million Screens: 3,014 (PSA: $1,347) Week: 1 Ouch, one of the worst of the weekend’s new offerings, the film clearly tanked with audiences. —– 13. Chasing Mavericks Gross: $2.2 million Screens: 2,002 (PSA: $1,099) Week: 1 The worst of the newcomers, the film failed to make the top ten even though it opened wide. The debut is the ninth worst ever for a film opening in over 2,000 theaters.

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Argo Tops A Disappointing Box Office; 4 Newcomers Bow Weak

Taken 2 Leads A Stellar Box Office Weekend; Frankenweenie Peters Out

Taken 2 exploded in its opening with $50 million and a spectacular per screen average of $13,657 in wide release. The film had one of the biggest October openings ever, showing momentum that should propel it in the coming weeks. Last weekend’s box office topper, Hotel Transylvania , held strong in its second weekend, landing second in the box office ranking. Frankenweenie , meanwhile, failed to appeal to large numbers of theater-goers, only placing fifth on the box office chart in a wide open. 1. Taken 2 Gross: $50 million Screens: 3,661 (PSA: $13,657) Week: 1 Taken 2 dominated the weekend with one of October’s best openings in box office history. By contrast, the first Taken cashed in at $24.71 million in 2009 when it opened in 3,183 theaters. Not bad, and the performance helped propel the overall box office to another stellar weekend after six weeks in the doldrums, which ended last weekend spearheaded by Hotel Transylvania and Looper . Estimates had Taken 2 coming in around the mid-30 million range, but it far exceeded that low-ball figure. Taken 2 ‘s stellar result is outpaced by Paranormal Activity 3 , which took in just over $52.56 million on October 21, 2011. 2. Hotel Transylvania (3-D, animation) Gross: $26.3 million (Cume: $75,958,532) Screens: 3,352 (PSA: $7,846) Week: 2 (Change: – 38%) Last weekend’s top earner held strong in its second weekend with a decline of only about 36 – 38 per cent according to estimates. The Sony animation title added just three additional screens for its second round and its nearly $76 million cume means the title will easily match its estimated $85 million budget this week. 3. Pitch Perfect Gross: $14,736,400 (Cume: $21,582,608) Screens: 2,770 (PSA: $5,320) Week: 2 (Change: +186%) The title added 2,435 screens in its second weekend and the result was a move up the box office chart to third from its first frame at number six last week and a 186 per cent jump in revenue. Bring It On ($17.4 million) and Footloose , which opened one year ago at nearly $15.6 million suprassed Pitch Perfect . But its domestic total already surpasses its estimated $17 million production budget and it should make it to $50 million domestically. 4. Looper Gross: $12.2 million (Cume $40,300,651) Screens: 2,993 (PSA: $4,076) Week: 2 (Change: – 41%) Last week’s strong number 2 opener hell to fourth place with a 41 per cent drop in its box office after adding one more location. The title has already more than matched its $30 million production budget and will likely see northward of $70 – 80 million before it’s all said and done. 5. Frankenweenie Gross: $11.5 million Screens: 3,005 (PSA: $3,827) Week: 1 Ouch! Tim Burton’s latest stop motion pic has not caught audience attention the lead up and marketing campaigns might have suggested. His previous stop motion pic, Corpse Bride opened in much more limited release, so comparisons are a bit difficult. But that title bowed in only 5 theaters with a $77,633 average, but it went on to a $53,359,111 domestic cume in 2005 and $19.1 million in its initial wide expansion. 6. End of Watch Gross: $4 million (Cume: $32,845,946) Screens: 2,370 (PSA: $2,370) Week: 3 (Change: – 48%) The Jake Gyllenhaal and Michael Pena cop drama tumbled 48% after losing 410 theaters in its third weekend. Still, the film has done very well considering its $7 million budget, though it may struggle to reach $50 million. 7. Trouble With the Curve Gross: $3,870,000 (Cume: $29,709,823) Screens: 3,003 (PSA: $1,289) Week: 3 (Change: – 46%) Last week’s fourth placed film landed at 7th in its third round. It’s per screen average also tumbled from last week’s $2,320 even as the title shed 209 theaters. 8. House at the End of the Street Gross: $3,698,000 (Cume: $27,531,144) Screens: 2,720 (PSA: $1,360) Week: 3 (Change: – 48%) House at the End of the Street ranked fifth in its second frame last week and placed 8th over the weekend after it lost 363 theaters vs one week previously. Its cume should top $30 million in the next week, tripling the thriller’s production budget. 9. The Master Gross: $1.84 million (Cume: $12,315,329) Screens: 864 (PSA: $2,130) Week: 4 (Change: – 31%) The big Oscar contender added only 8 theaters over last week following its huge theater jump two weeks ago. When it opened with a massive $147,262 per screen average in the second weekend of September following its Venice and Toronto premieres it seemed the sky was the limit, though it appears to have arrived more or less back to earth. 10. Finding Nemo (3-D, animation) Gross: $1,555,000 (Cume: $38,969,000) Screens: 1,746 (PSA: $890) Week: 4 (Change: -61%) Likely the final stand of the re-release’s life in the top 10. The second round of Finding Nemo will be hard pressed to reach half the $94 million cume that The Lion King re-release last year. [ Sources: Rentrak , Box Office Mojo ]

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Taken 2 Leads A Stellar Box Office Weekend; Frankenweenie Peters Out

REVIEW: Kitschy Taken 2 Ups The Xenophobia With Subpar Bad Dad Fantasy

Taken 2 grabs everything that was surprisingly enjoyable about the original film and batters it into the ground like… Liam Neeson beating up an Albanian human trafficking ring. The brute charm that the 2008  Taken  found in portraying the Irish Oscar-nominee as an ultra-competent badass has withered to kitsch, and what’s left is tinged with even more xenophobia and weird paternal wish-fulfillment. Worse, the directing reins have been handed from greater Luc Besson protégé Pierre Morel to the lesser (but, granted, more awesomely named) Olivier Megaton, of  Transporter 3 and Columbiana , and he slashes the action sequences to such incoherent bits that half the fights could have been shot on a sound stage thousands of miles from any star and chopped in after the fact. Why are we watching this again? Ah, yes, novelty. It is still a kick, though with rapidly diminishing returns, to see Neeson as the tersely tough CIA operative turned security contractor Bryan Mills. Bryan’s relentless when it comes to destroying bad guys but pure pudding when it comes his apparently still teenage daughter Kim ( Maggie Grace , who at 29 isn’t entirely believable as a kid still working on getting her drivers license) and ex-wife Lenore (Famke Janssen). Bryan isn’t fazed by the prospect of facing down a gang of Balkan toughs, but learning that his little girl has a boyfriend and didn’t tell him about it leaves him stricken. Lenore and the man she remarried are separated, and Bryan gallantly offers to fly her and their daughter to Istanbul, where he’ll meet them after completing a short job, unknowingly making them all targets for the relatives of the men he killed in the last movie, led by Murad Krasniqi (Croatian Serb actor Rade Serbedzija, the go-to choice for playing sinister Eastern Europeans). Whatever the structure of this criminal ring, it’s a family business and they have great contacts, seeing as members of the local police force and staffers at the luxury hotel at which Bryan and his family are staying are in the mafiosos’ pockets. When the Albanians come to take our not-so-helpless Americans — twist! — it’s Bryan and Lenore who end up getting captured, with the former growling his “Listen to me carefully” instructions to Kim as she attempts to come to her parents’ rescue. Taken 2  is dumb and as discardable as a box of cheap tourist trinkets, and its fights go so disappointingly easy the film’s end arrives almost arbitrarily. Like its predecessor, it’s also colored with some ugly American panic — ironic, given the international cast and crew involved in making it. The world abroad is filled with foreigners who can’t wait to grab your virginal blonde daughters or take unwarranted revenge for what was an elaborately violent but, you know, totally justifiable act of familial defense. Even before Bryan cottons to the fact that people are out to get them, he sternly forbids his daughter from wandering out of the hotel while he and Lenore take a private car to the market for lunch. Later, Bryan has Kim set off grenades in the middle of the city in order to use the sound to figure out how far she is from where he’s being held. If you’re visiting a foreign city, it’s best to have as little contact with it as possible — but committing acts of sizable destruction is apparently fine in service of your fellow travelers. Taken 2,  which packs in an improbable car chase through the narrow streets of an old neighborhood and a oddly anticlimactic fist fight sequence in a Turkish bath, is ultimately a simplistic bad dad fantasy about a guy getting to righteously defend his family against the masses who are eager to do them harm. Bryan may have let his old job take him away from his wife and daughter, but now he gets to make up for being an absentee father by defending them against all comers, guns a-blazing. Unruffled and an expert on everything, he guides the grateful, whimpering women in his life to safety and in exchange gets to lecture the tribal head of the gangsters about how he needs to just accept the fact that the son is dead and deserved his fate. The film doesn’t make too much of the detail that Murad and his men are Muslim, but does suggest, in moments like the one just described, that there’s no reasoning with them. Taken 2 has the unfortunate bad timing of choosing for its action movie explosion playground a country currently experiencing some serious real-world tensions with neighboring Syria. But its sense of Americans-in-a-foreign-land entitlement is nonspecific enough that this isn’t particularly uncomfortable — it’s so broad, in fact, that it approaches but never quite embraces self-parody. If this is what producer/writer Luc Besson thinks audiences are looking for these days, he has a low opinion of people indeed. God help us if he turns out to be right. Follow Alison Willmore on Twitter . Follow Movieline on Twitter .

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REVIEW: Kitschy Taken 2 Ups The Xenophobia With Subpar Bad Dad Fantasy

WATCH THIS: Or Don’t If Your Fantasy Of Taken 2 Star Liam Neeson Involves A Ripped Body & Boxer Briefs

I’ll give Liam Neeson this much. He’s even braver in real life than the hard asses he plays in the movies. The New York Daily News  reports that Neeson, 60, raised $20,000 for breast cancer research on The Ellen DeGeneres Show on Monday by stripping down to a pair of pink bikini briefs and entering a dunk tank on the talk show. “If I take this off, does the $10,000 become $20,000?” Neeson asked DeGeneres as he doffed the pink robe he was wearing to reveal the similarly hued Speedo. “We get fined if you take those off,” the talk-show host said pointing to his briefs. After taking the hot seat, he was promptly doused with with a huge tub of water when an audience nailed the tank target. Kudos to Neeson for sucking it up for charity, but, at the risk of sounding like a real a-hole, I’m going to suggest that he didn’t suck it up enough. Judging from the rolls of belly fat visible in the video, I think that Neeson should either adopt a high-protein diet and Hugh Jackman’s personal trainer  or begin employing what I am calling “The Willis Technique” since seeing Looper . Watching Rian Johnson’s impressive but depressing time-travel film, I noticed that Willis, who looks more fat and happy than John McLean  in the film — that’s a Die Hard joke — tended to be well-covered in his bedroom cuddle scenes with Qing Xu. I’m sure there’s a very good reason that Willis favored chaste white t-shirts and other cover-ups while spooning with the love of his life, but I  have to wonder if some bright person on that set, maybe Bruce himself, realized that the simple undergarment would hide a multitude of fleshy sins that could very well have made Johnson’s plausible dystopian future unbearable. Check out the video below and tell me you don’t think the Willis Technique should not become de rigueur among actors of a certain age. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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WATCH THIS: Or Don’t If Your Fantasy Of Taken 2 Star Liam Neeson Involves A Ripped Body & Boxer Briefs

‘Do You Know How To Shoot?….Then Drive!’ Liam Neeson Gives Daughter Tough Love In New Taken 2 Trailer

If you don’t have a whiny, teenaged kid, then watch this latest trailer for Taken 2 . Although Maggie Grace , as Kim, is ostensibly playing a woman in her 20s, she’s behaving just like a 15-year-old!  Even under life or death circumstances, adolescents can behave as if they are stuck in their own little personal pool of molasses, and it’s up to Dad — or Mom — to gnash some teeth, raise the voice and light a fire under the kid’s reluctant ass. Enter Liam Neeson , as as retired no-nonsense CIA operative Bryan Mills. The man knows how to wield the tough love while brandishing a gun, and after a fog-burning “C’mon! Kim! Move!” his little girl is maneuvering that Mercedes Benz taxi around Istanbul, or wherever the hell they are,  like she’s Ryan Gosling in Drive . Now that’s good parenting! Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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‘Do You Know How To Shoot?….Then Drive!’ Liam Neeson Gives Daughter Tough Love In New Taken 2 Trailer

WATCH: Liam Neeson Says Check Out These Taken 2 Trailers − Or He’s Comin’ To Get You, Sucka

Looks like Taken 2 could be subtitled All in the Family , or maybe Bad-Ass & Daughter . Liam Neeson is back as retired CIA operative Bryan Mills, and based on the plot points covered by the two new trailers posted below, he enlists daughter Kim ( Maggie Grace ), who he gallantly rescued in the first Taken , to assist him in saving her Mom (Famke Janssen) from the bad guys. Turns out the motive for moms kidnapping is familial in nature, too:  She’s been taken by the father of the kidnapper Mills killed back in the first flick. And if Neeson didn’t suck you in the first time around with his unflappable, I-will-make-you-regret-ever-messing-with-me charisma, he opens the first trailer by having some fun with his character’s certitude.  Taken 2 is directed by the memorably named Olivier Megaton, whose credits include Colombiana and Transporter 3 , and we’re happy to see that the script was written by the same team that made the first Taken such a taut experience:  Luc Besson ( The Professional and La Femme Nikita ) and Robert Mark Kamen ( Karate Kid , the Transporter movies), whose Kamen Estate vineyards makes some delicious vino, by the way. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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WATCH: Liam Neeson Says Check Out These Taken 2 Trailers − Or He’s Comin’ To Get You, Sucka

Liam Neeson Taking His Particular Set of Skills to Airplane Actioner Non-Stop

Ever since growling his way through 2008’s gloriously B-movie-esque B-movie Taken , Liam Neeson ‘s been enjoying his newfound status as the gruff hero with killer instincts and a particular set of skills that you want on your side in the event of a kidnapping/ assassination attempt / jailbreak / wolf attack . So why fix something that ain’t broke? Enter Non-Stop , Neeson’s next actioner and an airplane-set excuse to see Neeson smash heads and deliver straightfaced epic one-liners. Variety reports that Neeson, currently gracing screens reprising the role of Zeus in Wrath of the Titans , is in negotiations to lead the high concept action pic about “a worn-out air marshal who faces a threat while traveling on an international flight.” Simple premise, high bone-crushing potential! We don’t even need to know a single thing more about Non-Stop that what its title and setup tells us. We already know what Neeson can do with some tape and a handful of minibar bottles! Neeson’s upcoming slate features a crapton of action as is, even beyond Wrath ; he co-stars in Peter Berg’s Battleship this May and, as revealed recently, reprises his role of Ra’s Al Ghul in Chris Nolan’s The Dark Knight Rises in July. The recently-filmed Taken 2 is due in theaters this October, with a plot that sees Neeson’s onscreen daughter Maggie Grace step up to save her now-kidnapped parents. Non-Stop will be directed by Jeff Wadlow ( Cry_Wolf , Never Back Down ) from a spec script by John Richardson and Chris Roach, under superproducer Joel Silver. Fun fact: At 59, Neeson is already five years older than Harrison Ford was when he fought off evildoers thousands of feet above the ground in Air Force One , which also brings to mind the only two things that could make Non-Stop better — A) if worn-out air marshal Neeson was also the President of the United States, and B) if his plane was carrying killer snakes. (Or Sam Jackson.) [ Variety ]

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Liam Neeson Taking His Particular Set of Skills to Airplane Actioner Non-Stop