In today’s Church Announcements, Bernice Jenkins announces T.I. will be performing at the Annual Youth Conference After Party in the fellowship hall. Listen to the…
In today’s Church Announcements, Bernice Jenkins announces there will be a viewing of the upcoming movie “Baggage Claim” in the fellowship hall. Listen to the audio to…
Oscar-winning Lord of the Rings screenwriter Philippa Boyens is back for another romp in J.R.R. Tolkien’s Middle Earth playground with The Hobbit: An Unexpected Journey , and she recently sat down with Movieline to talk about the fantasy novel’s adaptation to the screen. Boyens, who is Hobbit director (and co-writer) Peter Jackson’s foremost Tolkien expert — although Stephen Colbert would beg to differ — refers to the Middle Earth creator using the honorific “Professor” and her reverence and esteem for the author are just about as infectious (in a good way, naturally) as Gollum’s “Precious” ring. By the end of the interview, she had us referring to Tolkien as Professor too, as she discussed the changes and adaptations she and her writing partners made to the text, the sad story of Balin the Dwarf, why fans should be very, very excited for 2043, when the copyright runs out on Tolkien’s Middle-Earth compendium, The Silmarillion , and more. From a technical perspective, if you’re not going to have Smaug in this movie you need a secondary antagonist. How did you decide on Azog, and what resonance did he provide for you thematically? You hit the nail on the head because when we were first looking at this as a piece of storytelling, we wanted to get to the dragon. We did try getting to the dragon in one draft, actually. But you had to lose so much along the way. We also understood that the Necromancer is too ephemeral at this moment – too much of a shadowy character that’s not fully understood. It’s a great mystery story, but there’s a big problem because there’s no actual, physical enemy. And yet the dwarves had a very natural one and he was to be found. When Peter [Jackson] talks about taking this chance to tell more of the story, that was one of the pieces that we took — that and Moria. It’s the story of the great hatred between the orcs and the dwarves, where it came from and what was informing it. And, also, I mean, Azog the Defiler. What a great name! You kind of can’t beat that as a name. Balin is telling the story of Azog and the Battle at Moria at a point in the film. I have to be honest, I half expected him to say – I must take this back someday if I ever get the chance! “It will be mine!” It brings up the question of – well, obviously, Tolkien wrote these sequentially. You’re going the other way around. The temptation for prequelitis must have been overwhelming at times. That’s a great word. And no. But you do want some level of resonance because you know the truth is we did make Lord of the Rings first. The relationship between Gandalf and Galadriel is something I particularly loved doing. People forget that Cate Blanchett and Ian Mckellen were never in a single scene together except at the very, very end. Gandalf was fallen by the time the company got to Lothlorien. Yeah, and I think that moment – kids especially are gonna come to this and [ The Hobbit] is going to be their first introduction to Middle Earth and then they will receive the rest of the story as a sequel. And that moment where she says ‘Where is Gandalf for I very much desire to speak with him’ to the Fellowship and they have to tell her that he died is going to be incredibly powerful. So…yeah, a little bit of prequelitis. Just a smidge. And Balin. Seeing Balin’s tomb in Fellowship will have more resonance as well. After two more movies especially – And Ori! Little Ori is the one who wrote “drums, drums in the deep: they are coming.'” I think probably because we’ve done Lord of the Rings it wasn’t that hard. We had Gollum . This wasn’t Gollum that you meet for the first time. We knew him. We understood how to make that internal conflict he has with Smeagal work. We had Andy Serkis the actor. Why wouldn’t you use that? It’s the great gift. The fact that Gandalf disappears, we know where he goes and what he’s dealing with. It was interesting – a lot of pure Tolkien fans loved in Lord of the Rings that, instead of a piece of reportage, we actually followed Gandalf to Isengard. And [showed his] one-on-one with Saruman instead of merely having Gandalf tell everybody what he’s been up to at the Council of Elrond. We got to see it, and we get to do the same thing this time as he goes to Dol Godur.
Ten years ago this week The Fellowship of the Ring was released. Peter Jackson’s first Tolkien adaption silenced a great many naysayers who said J.R.R. Tolkien’s novels could never be properly translated to film. It also fostered a mainstream interest in fantasy movies that continues a decade later. The development of a film based on Tolkien’s original Middle-Earth novel, The Hobbit, was the subject… Broadcasting platform : YouTube Source : /Film Discovery Date : 21/12/2011 03:50 Number of articles : 4
If you found the first trailer for Horrible Bosses — starring Jason Bateman, Jason Sudeikis and Charlie Day — seriously lacking in the Jennifer Aniston talking-dirty department, you’re in luck. Warner Bros. has released a new red band trailer for the summer comedy featuring the Friends actress soliciting sex from an employee, and showing off photos of herself in compromising positions. Worst boss ever?
Good on U.K. publication Empire magazine for offering up the — drumroll, please — world’s first Hobbit cover photo. (Never mind that EW had a full spread on The Hobbit in its most recent issue; no cover, no service!) Sir Ian McKellen and his ratty-looking robes get the honor — with Martin Freeman relegated to a “Meet Bilbo!” bubble on the left side of the mag — and, as Empire reveals, there are some slight physical differences between his appearance in The Hobbit , and what fans remember from Lord of the Rings: The Fellowship of the Ring . Fun! Let’s investigate, Photo Hunt-style.
Actress, director and screenwriter Victoria Mahoney recently released the trailer to her latest film, “Yelling to the Sky.” Mahoney received the Lynn Auerbach Screenwriting Fellowship to produce the film that will star Zoe Kravitz and Gabourey Sidibe. It details the life of a mixed-race seventeen year old trying to find her identity in a impoverished New York neighborhood. The film will be shown at the SXSW Film Festival in March. Check out the film’s trailer at MadameNoire.com
In Bafta 2010 awards, Batman: Arkham Asylum has been crowned as best game. In the UK gaming calendar, the Bafta Awards is one of the biggest nights. Industry figures chose the winners for the 14 categories. There is one award sponsored by high-street store Game, which was chosen by gamers. Batman: Arkham Asylum sees the superhero tackle a series of old foes in the asylum setting. The Modern Warfare has the biggest selling game of all time, where their sales racked up in 2009. Assassin’s Creed II was also nominated in all seven categories, but unfortunately, it didn’t manage to win any of them. Little Big Planet won the best award for best handheld game. Left 4 Dead took the award for best multiplayer game. The legendary game maker Shigeru Miyamoto, was the man behind the creation of Super Mario, Donkey Kong, The Legend of Zelda and many more. Bafta presented a lifetime achievement Fellowship award to Miyamoto. Last year 2009, the fellowship was awarded to Nolan Bushnell, the maker of some of the first video games and also co-founders of Atari. The British Academy of Film and Television Arts (Bafta) awards acknowledge the artistic, creative and technical innovation in video games. Since 1998, Bafta has been giving out awards to games industry. However, it has become a separate event in 2004. Batman Gets Hold of Best Game at Baftas is a post from: Daily World Buzz Continue reading →
This New York Times article gives the same scary media narrative repeated everywhere else in the past few days: "Despite new recommendations that most women start breast screening at 50 rather than 40, many doctors said Tuesday that they were simply not ready to make such a drastic change. “It’s kind of hard to suggest that we should stop examining our patients and screening them,” said Dr. Annekathryn Goodman, director of the fellowship program in gynecological oncology at Massachusetts General Hospital.
This New York Times article gives the same scary media narrative repeated everywhere else in the past few days: http://www.nytimes.com/2009/11/18/health/18doctors.html?_r=1&hp "Despite new recommendations that most women start breast screening at 50 rather than 40, many doctors said Tuesday that they were simply not ready to make such a drastic change. “It’s kind of hard to suggest that we should stop examining our patients and screening them,” said Dr. Annekathryn Goodman, director of the fellowship program in gynecological oncology at Massachusetts General Hospital
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