Forget John Carter ‘s controversial budget woes and terrible tracking for a minute; Wrath of the Titans has been threatening to be the first big biff of 2012 since it was announced, thanks largely to its poorly received predecessor, Clash of the Titans . The sequel’s initial Marilyn Manson-themed trailer didn’t help, either, but Warner Bros. have thankfully tightened things (and stopped lingering on Sam Worthington’s Kenny Powers ‘do) for a new trailer that actually promises some fantastic CG creature work. Bring on the lava monster thingy! Wrath of the Titans picks up ten years after the events of Clash , with Perseus (Worthington) tapped once again by Zeus to save the world, this time from the nefarious Titans and Olympian plotters we glimpsed in Immortals . (Thanks for that primer, Tarsem!) This time around Rosamund Pike is along for the ride as the warrior queen Andromeda, as well as folks like Toby Kebbell and Bill Nighy. This trailer tightens things up a bit, explaining the set up (Liam Neeson’s Zeus is under attack!) and packing a ton of CG creature looks into the span of a minute and a half. Honestly, that’s shaping up to be the draw of this Jonathan Liebesman-helmed sequel. All I want to see is some believable lava smoke monster giant action. The movies never get those guys quite right. Wrath of the Titans will debut March 30. [via ComingSoon ]
It’s only taken a few years, but the success of director Daniel Espinosa’s Safe House means that Harvey Weinstein is finally ready to let the filmmaker’s Swedish-language hit Easy Money — née Snabba Cash — off his shelf on July 27. The distributor cited the eventual Stateside publication of the film’s source novel (as opposed to Safe House ‘s $83 million-and-counting domestic haul ) as his motivation: “We love the movie, but we needed the book to be out here,” he told the LAT . Right . As always with Harvey, all release dates are subject to change and/or revocation at any time, so remember to mark your calendars in pencil. [ LAT ]
I’m willing to give on-the-brink screenwriter Michael Bacall the benefit of the doubt based on what I’ve seen and heard of him so far, from Scott Pilgrim vs. the World (which he co-wrote) to the Todd Phillips-produced teen party comedy Project X and 21 Jump Street (both of which he has scripting and story credits on), the latter of which is earning surprisingly glowing reactions from the blogoscenti. But I might have to draw some sort of line at the Tropic Thunder spin-off starring a fat, hairy Tom Cruise as slimy Hollywood exec Les Grossman , which apparently is not only really, seriously a thing but is, as Bacall describes, “a pretty heartfelt story.” “I wrote it for R because we had precedent with Tropic Thunder ,” he told Collider recently, promising a script unhampered by PG-13 boundaries. “It’s actually a pretty heartfelt story. I had a lot of meetings with Mr. Cruise and Mr. Stiller and it was crazy, it was a blast. I think we came up with some really fun stuff to give you an insight into who the guy is, so I’m hopeful that that’ll get up and running soon.” Cruise, he admits, may be pretty busy with non-Les Grossman gigs for a good while, so it’s hard to say when this insightful look at the man who won 8 Oscars, earned 400 million dollars at the box office, and saved Tugg Speedman’s career will hit theaters. I can’t imagine anything more exhausting than watching Cruise yell and dance to Flo Rida for the length of a feature film. Project X , meanwhile, captures the youth side of a dick-obsessed male culture if with an overabundance of sleaze, and 21 Jump Street is earning some of the most solid advance buzz I’ve heard in a while where high profile studio fodder is concerned. So maybe there’s hope yet? Then again, Bacall is not only a scribe, he’s an actor; while he most recently appeared in Inglorious Basterds , his appearance on the infamously terrible Marky Mark and the Funky Bunch: Make My Video Sega game actually makes me like him, although it proves that not all high concept projects built around macho gyrating personalities are good ideas. • Screenwriter Michael Bacall Gives Update on Les Grossman Movie; Says It’s “A Pretty Heartfelt Story” and it Was Written to Be Rated R [Collider]
In the grand tradition of the late, great Robert Opel : “It’s long been rumored that Opel’s streak across the screen was not necessarily a unilateral act of transgression by Opel, and that he may have had a co-conspirator or two. The facts that he gained access to the backstage area in order to stage the streaking, and that he was given a post-show press conference, give rise to the suspicion that the event was set-up by the producers of the broadcast, maybe to give the long-venerated institution a little jolt.” [ The Awl ]
In the grand tradition of the late, great Robert Opel : “It’s long been rumored that Opel’s streak across the screen was not necessarily a unilateral act of transgression by Opel, and that he may have had a co-conspirator or two. The facts that he gained access to the backstage area in order to stage the streaking, and that he was given a post-show press conference, give rise to the suspicion that the event was set-up by the producers of the broadcast, maybe to give the long-venerated institution a little jolt.” [ The Awl ]
Next month brings the launch of The Hunger Games , one of the most-anticipated releases of the 2012 calendar and the first installment of a hopeful franchise based on Suzanne Collins’s bestselling young-adult adventure trilogy. In selling their film, studio execs at Lionsgate have ramped up all manner of marketing to immerse fans in the experience — and, in doing so, have made the least-populated jursdiction on the planet a financial beneficiary. The Hunger Games series features teenaged heroine Katniss Everdeen and concerns a North America remade into a dystopian dictatorship, renamed Panem and ruled by the governing body called The Capitol. As Lionsgate has expanded its promotional campaign, a wide array of affiliated websites has sprung up in an effort to make Panem as real as possible, many of those bearing obscure web addresses (e.g. www.Capitol.pn) to imply that the sites originate in the nation depicted in the film. This unique designation is not a studio fabrication, however. The .pn modifier is the domain offered up by the very real government of the Pitcairn Islands, a collection of four land masses comprising 18 square miles in the middle of the southern Pacific Ocean. This British territory rests over a thousand miles west of Easter Island and just as far east of Tahiti. So how did Pitcairn, with barely over 50 residents and intermittent electrical services, become the Internet home of a major Hollywood franchise? “It’s a happy coincidence,” Bill Haigh, governmental registrar for the island’s domain offices, told me in an e-mail correspondence. “Lionsgate have found .pn useful to them, and it has been helpful for bringing benefit to the island.” As the movie studio looked into creating an online presence for the film’s fictional nation, a functional domain was already in place. The Pitcairn government offers up these domains primarily for corporations to establish and/or protect their brand, and Haigh explained that the proceeds go a long way toward the islands’ infrastructural upkeep. “The sale of domain names is of great benefit to the 50 or so inhabitants of Pitcairn Island,” he said, “because revenue thus gathered is used to bring modern telecommunications to this extremely remote spot on the globe via satellite. This is quite an expensive process. And it is not only for telecommunications but generally for supply shipping, children’s education, medical care etc.” The result is that The Hunger Games has become a boon for this tiny territory, one that lacks a movie theater and receives but two cable channels — CNN and Turner Classic Movies. While Haigh declined to divulge the number of Web addresses purchased by the studio (Lionsgate reps did not respond to requests for comment), he did direct me to an online registry where one can inquire about the availability and ownership of various selections. Along with already established Capitol.pn, and CapitolCouture.pn, there are registrations for Panem’s various districts (District1.pn, through District13.pn), and each of the main characters have their own addresses (e.g. PresidentSnow.pn). Ultimately it’s impossible to deduce exactly how many Hunger Games characters, phrases and permutations thereof have staked a .pn claim. After browsing the registry for a while, however, it seems safe to assume that Lionsgate may have vastly more addresses collected than there are Pitcairn residents. And based on the fee of $100 NZ (appx. $75 US) per registered address, Hunger brings in revenues well into the thousands of dollars — a tidy supplement to the islands’ steady tourism business. As geographically remote as the Pitcairn Islands are, this Hunger Games dalliance does not make for their sole involvement with Hollywood. Most of the surnames found on the island are shared by characters from the oft-adapted novel Mutiny on The Bounty ; the book and numerous films are based on historical events that occurred on and around Pitcairn. For this reason cruise ships are a common sight in Bounty Bay, where visitors will find the outpost isle’s own capitol. However, as much of a windfall as Hunger Games may prove for the islands, it is doubtful “Everdeen” will appear anytime soon in the area phone books. Read Movieline’s full Hunger Games coverage here . Brad Slager has written about movies and entertainment for Film Threat, Mediaite, and is a columnist at CHUD.com . His less insightful impressions on entertainment can be found on Twitter .
Next month brings the launch of The Hunger Games , one of the most-anticipated releases of the 2012 calendar and the first installment of a hopeful franchise based on Suzanne Collins’s bestselling young-adult adventure trilogy. In selling their film, studio execs at Lionsgate have ramped up all manner of marketing to immerse fans in the experience — and, in doing so, have made the least-populated jursdiction on the planet a financial beneficiary. The Hunger Games series features teenaged heroine Katniss Everdeen and concerns a North America remade into a dystopian dictatorship, renamed Panem and ruled by the governing body called The Capitol. As Lionsgate has expanded its promotional campaign, a wide array of affiliated websites has sprung up in an effort to make Panem as real as possible, many of those bearing obscure web addresses (e.g. www.Capitol.pn) to imply that the sites originate in the nation depicted in the film. This unique designation is not a studio fabrication, however. The .pn modifier is the domain offered up by the very real government of the Pitcairn Islands, a collection of four land masses comprising 18 square miles in the middle of the southern Pacific Ocean. This British territory rests over a thousand miles west of Easter Island and just as far east of Tahiti. So how did Pitcairn, with barely over 50 residents and intermittent electrical services, become the Internet home of a major Hollywood franchise? “It’s a happy coincidence,” Bill Haigh, governmental registrar for the island’s domain offices, told me in an e-mail correspondence. “Lionsgate have found .pn useful to them, and it has been helpful for bringing benefit to the island.” As the movie studio looked into creating an online presence for the film’s fictional nation, a functional domain was already in place. The Pitcairn government offers up these domains primarily for corporations to establish and/or protect their brand, and Haigh explained that the proceeds go a long way toward the islands’ infrastructural upkeep. “The sale of domain names is of great benefit to the 50 or so inhabitants of Pitcairn Island,” he said, “because revenue thus gathered is used to bring modern telecommunications to this extremely remote spot on the globe via satellite. This is quite an expensive process. And it is not only for telecommunications but generally for supply shipping, children’s education, medical care etc.” The result is that The Hunger Games has become a boon for this tiny territory, one that lacks a movie theater and receives but two cable channels — CNN and Turner Classic Movies. While Haigh declined to divulge the number of Web addresses purchased by the studio (Lionsgate reps did not respond to requests for comment), he did direct me to an online registry where one can inquire about the availability and ownership of various selections. Along with already established Capitol.pn, and CapitolCouture.pn, there are registrations for Panem’s various districts (District1.pn, through District13.pn), and each of the main characters have their own addresses (e.g. PresidentSnow.pn). Ultimately it’s impossible to deduce exactly how many Hunger Games characters, phrases and permutations thereof have staked a .pn claim. After browsing the registry for a while, however, it seems safe to assume that Lionsgate may have vastly more addresses collected than there are Pitcairn residents. And based on the fee of $100 NZ (appx. $75 US) per registered address, Hunger brings in revenues well into the thousands of dollars — a tidy supplement to the islands’ steady tourism business. As geographically remote as the Pitcairn Islands are, this Hunger Games dalliance does not make for their sole involvement with Hollywood. Most of the surnames found on the island are shared by characters from the oft-adapted novel Mutiny on The Bounty ; the book and numerous films are based on historical events that occurred on and around Pitcairn. For this reason cruise ships are a common sight in Bounty Bay, where visitors will find the outpost isle’s own capitol. However, as much of a windfall as Hunger Games may prove for the islands, it is doubtful “Everdeen” will appear anytime soon in the area phone books. Read Movieline’s full Hunger Games coverage here . Brad Slager has written about movies and entertainment for Film Threat, Mediaite, and is a columnist at CHUD.com . His less insightful impressions on entertainment can be found on Twitter .
This is fun: “When I was making this supercut , I was especially impressed by The Godfather Part III . Widely regarded as the worst movie in the series, and maybe one of the worst movies ever, this cinematic mess had my favorite outfits.” Fair enough, but I totally overlooked Lorraine Bracco’s incredible Goodfellas wardrobe all this time. What a fox. [via Worn ]
This is fun: “When I was making this supercut , I was especially impressed by The Godfather Part III . Widely regarded as the worst movie in the series, and maybe one of the worst movies ever, this cinematic mess had my favorite outfits.” Fair enough, but I totally overlooked Lorraine Bracco’s incredible Goodfellas wardrobe all this time. What a fox. [via Worn ]
