Tag Archives: scorsese

TRIBECA: ‘The King Of Comedy’ Q&A Reveals Sandra Bernhard & Jerry Lewis Still Irk Each Other

The website for the  Tribeca Film Festival has finally put up video from the Q&A session that followed its closing-night presentation of The King of Comedy , but, alas, it’s just an excerpt.  I was hoping that the discussion — which included the film’s director Martin Scorsese and its stars, Robert De Niro , venerable comedian and filmmaker Jerry Lewis and (briefly, via pre-taped video) Sandra Bernhard  — would run in its entirety, because, even after 30 years, the creative tensions that contributed to the film’s greatness were still evident.  At the center of that tension was the 87-year-old Lewis, who gives a brilliant, disciplined performance in the movie as the Johnny Carson -like talk-show host Jerry Langford. Given some of the recollections that were exhumed and catty comments that were made during the Q&A, Lewis was a handful on the set. When Bernhard appeared by video, she asked Lewis, “Hey, remember when you called me fish lips ?” and then recalled that he stole back the handwritten apology he’d given her as a result. (This prompted Scorsese to start laughing into his chest.) Sandra Bernhard vs. Jerry Lewis: The Feud Three decades later, Lewis — who, in 2000, told a comedy festival audience, “I don’t like any female comedians — did not sound like time had softened his feelings for his female co-star.  In response to Bernhard’s taped comments, he took his own shots, saying, “ She’s the reason for birth control ” and “ She’s a wonderful guy, really . When you get to know him.” That tension between Lewis and Bernhard, who’s also brilliant in the picture, is palpable onscreen, especially during a so-pure-it’s-hard-to-watch scene in which Bernhard’s character  Masha strips down to her lingerie to express her obsession with the captive Langford (Lewis), who’s bound to a chair with so much masking tape that he looks mummified. When Langford finally gets free of his bonds, he expresses his anger in brute fashion, and Lewis’ recollection of that scene suggested that he was really feeling the moment. The comic said that he told Scorsese, “I think when [Langford] gets out of the tape, he should punch [Bernhard] right in the mouth.’ [Scorsese] said, ‘You want to do that?’ I said, ‘More than you’ll ever know.”  (Bernhard told the New York Times that, initially, Lewis wanted to punch her and have her careen into a glass table adorned with lit candles, but she refused to do it. ) The Last Word Through her spokesman, Bernhard declined to respond to Lewis’ comments. And why should she?  All these years later, she still gets a rise out of Lewis, which has to be at least as satisfying as having the last word. Although Scorsese, De Niro and Lewis shared a lot of laughs on stage during the Q&A, I detected an undercurrent of discomfort when the veteran comic began to resort to some  hoary Vaudeville-era gags that he’s been trotting out for ages.  At one point, he reached into the inside pocket of his suit jacket and pulled out a red clown nose that he wore on his schnozz for a wince-inducing length of time. He also wrapped his lips around a large water glass and clowned around like that for what felt like an eternity. Around that time, I noticed that even though Scorsese was laughing at these antics, he had shifted his body away from Lewis and could be seen shooting De Niro a few looks that said, Can you believe this guy? I can. Lewis’ unquenchable need for attention and to control the situation is show-business legend. As Bernhard told me in an interview last week,  “Jerry loves to direct,” and he has directed some fine films.  In the case of The King of Comedy , however, it’s a testament to Scorsese’s talents as a filmmaker that he was able to harness these potentially crazy-making dynamics and make them sing on screen. Here’s an excerpt from the Q&A.  Scorsese is talking about a memorable scene in the movie where Lewis’ Langford character is stopped on the streets of New York by a woman on a pay phone who asks him to say hello to her nephew.  When Lewis declines, the woman, who has been all charm up to this point, tells Langford that she hopes his gets cancer.  It’s a powerful scene about the public’s demands upon celebrity, and, as Scorsese explains, it is based on an actual incident.  Here’s hoping that the entire Q&A is eventually posted. WATCH: ‘The King Of Comedy’ Reunion At Tribeca Film Festival — Get Cancer More on The King of Comedy:  INTERVIEW: Sandra Bernhard Says ‘It’s Too Late’ To Remake ‘The King of Comedy’ [ New York Times ]  Follow Frank DiGiacomo on  Twitter. Follow Movieline on  Twitter.

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TRIBECA: ‘The King Of Comedy’ Q&A Reveals Sandra Bernhard & Jerry Lewis Still Irk Each Other

Nicolette Scorsese sex

Nicolette Scorsese is looking here in this video clip from the movie Boxing Helena (1993) like she is a girl that is really getting her needs seen to Continue reading

Memo to Marty Scorsese: Why In God’s Name Are You Still Interested In Making Silence?

After reading the statement that Martin Scorsese ‘s representatives released in response to the lawsuit that’s been filed against him  by Cecchi Gori Pictures over a project called Silence , I think I can save both sides a bundle in lawyer’s fees and, ultimately, production costs. Both sides of this legal battle should ask themselves a pertinent question: Do you actually think that this movie, if it’s ever made, will actually put asses in seats? Hear me out.  Scorsese is one of my favorite filmmakers, and given his obsession with religion, I’m confident he’d make a compelling adaptation of  Silence , an acclaimed 1966  Shusaku Endo novel about a Jesuit investigating whether his mentor committed apostasy — renounced his beliefs — at  a time when Christians were faced with the prospect of being hung upside down over a pit and slowly bled to death if they refused. The Christians are essentially coerced into renouncing their faith by stepping on fumie ,crudely carved wooden images of Jesus Christ. Heard enough? Look, movies about the strength of one’s beliefs and God’s relationship with humanity can be powerful. One of the aspects of Prometheus that I particularly loved was how Ridley Scott and Damon Lindelof explored those very deep concepts in their sci-fi blockbuster earlier this summer. Silence  doesn’t sound powerful to me, though. It sounds like a ponderous slog that covers territory Scorsese already traversed in The Last Temptation of Christ . More importantly, Silence , just by virtue of its subject matter, has the markings of a small, boutique film. That’s not the kind of film Scorsese, one of our greatest living directors, should making in his golden years. I want him doing David Lean-size big-picture stuff like The Wolf of Wall Street , and, I suspect, so do his handlers. According to Deadline , Cecchi Gori Pictures claims in its lawsuit that it invested more than $750,000 to develop Silence into a feature film based on contracts and assurances that it would be Scorsese’s next project. Scorsese initally agreed in 1990 to co-produce and direct Silence after he completed Kundun (1997). But the lawsuit alleges Scorsese and Sikelia arranged to postpone starting on Silence so the director could make The Departed (2006), Shutter Island (2010) and Hugo (2011). When Cecchi Gori learned that Scorsese was going to shoot The Wolf of Wall Street instead of Silence,  the company claimed breach of contract. Scorsese’s responded to the suit today with the following statement: “It is shocking to us that the lawyers for Cecchi Gori Pictures would file a suit pursuing such absurd claims considering the amicable working relationship existing between Martin Scorsese and the principals of Cecchi Gori Pictures.The claims asserted are completely contradicted by, inconsistent with, and contrary to the express terms of an agreement entered into by the parties last year.” The statement added: “The lawsuit filing on the eve of Mr. Scorsese starting another picture has all the earmarks of a media stunt.” Given that the amount of Cecchi Gori’s investment isn’t even $1 million — a paltry sum in moviemaking terms — there should be a compromise here that enables Cecchi Gori’s principals to walk away without feeling like they got burned and for Scorsese to make the movies he wants to make, when he wants to make them. I just hope that Silence isn’t one of them. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Memo to Marty Scorsese: Why In God’s Name Are You Still Interested In Making Silence?

Exec Stalking and Fan Docs: How Gary Ross Lobbied For (And Won) the Hunger Games Gig

Gary Ross may have been an unexpected choice to direct The Hunger Games , but his quest for the gig was no less obsessive than the fervor of the novels’ fans; it took him exec-stalking across the Atlantic, involved elaborate custom-made storyboards, and inspired him to make a video of actual Hunger Games fans and their love for Suzanne Collins’s sci-fi series. (Besides, who else could’ve brought on Steven Soderbergh to direct second unit on one of the film’s big scenes?) Sure, Ross had been Oscar-nominated four times before (for writing Big , Dave , and Seabiscuit , which he also co-produced), but his resume was so far removed from the realm of dystopian teen science fiction that some fans were wary of what he’d do to the beloved franchise. He learned about the books from his children, both teenagers, pored over the first book himself, and decided at 1:30 a.m. that he needed to be the one to direct the big-screen adaptation. So what was his first move? Stalking, of course. “When we met directors, before I had met hardly anybody, he came to London – I was there working on another movie – and he pretended he was there for Wimbledon,” recalled producer Nina Jacobson, who optioned Collins book in 2009 before ultimately taking it to Lionsgate after fielding offers from multiple studio suitors. “We went out for breakfast and had an amazing conversation and it was very clear that what he loved about the book, and what mattered about the book, were the characters and the themes, and that he really got it. He got it at the most fundamental level. I had known him for a long time, but from that point on I was very mindful of how insightful he was about the material and how much he understood what it was really about.” Ross had never before had to audition for a directing job, he told Movieline earlier this month, so he went all out in his official pitch presentation. Commissioning multiple concept artists (“More than I’d had on the actual movie,” he quipped), Ross constructed elaborate storyboards depicting the look and feel of dystopian Panem, which he and production designer Philip Messina describe as “retro-futuristic.” But at the centerpiece of his presentation was a video he’d shot consulting young fans of the books discussing what themes spoke to them most in The Hunger Games . That video helped sell Jacobson. “He had this video that he had done of his kids and their friends, and what those kids loved about the book,” she recalled. “He could really appreciate from a fan point of view what it is that makes these books so moving – the idea, which was even inside his original conversations, that Katniss’s relationship with Rue is the thing that opens her up to the possibility of trusting Peeta. The deeper character and thematic lines in the material, he understood from the beginning, but he also had a sensitivity to what spoke to kids.” Once he landed the job, Ross pulled in notables in many fields to help achieve his vision, including composers James Newton Howard and T Bone Burnett, Clint Eastwood’s DP Tom Stern, and editors Stephen Mirrione (a Steven Soderbergh regular) and Juliette Welfling ( The Diving Bell and the Butterfly ). He also tapped an old friend to help out with one brief, but key, scene that he couldn’t shoot himself. Enter Soderbergh, who stepped in on second-unit duties and operated the camera himself on [SPOILERS] a riot scene that breaks out in District 11 during the Games. [END SPOILERS] Judge for yourself if Ross was the director for the job when The Hunger Games hits theaters March 23. Meanwhile, Ross is set to direct the sequel, Catching Fire , with Simon Beaufoy scripting. Read more on The Hunger Games . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Exec Stalking and Fan Docs: How Gary Ross Lobbied For (And Won) the Hunger Games Gig

Inessential Essentials: Last Temptation of Christ on Blu-ray

Movieline is pleased to introduce Inessential Essentials, a regular feature about some of the most intriguing — if not necessarily most obvious — new home-viewing options on the market. We begin today with a film practically doomed by controversy a quarter-century ago, resurrected for DVD and finally given the treatment it truly deserves this week on Blu-ray. — Ed. What’s the Film : The Last Temptation of Christ (1988), new on Blu-ray via Criterion Collection Why it’s an Inessential Essential : Adapted from Nikos Kazantzakis’s novel by the same, The Last Temptation of Christ is a moving and heart-felt testament of religious faith. It’s also probably not the first film you’d think of when you think of when you think of Martin Scorsese’s filmography. Temptation follows Jesus of Nazareth (Willem Dafoe) in his long journey from looking at God’s presence as “the ultimate headache,” to quote Temptation screenwriter Paul Schrader, towards seeing death in the service of God as an act of divine mercy. The Last Temptation of Christ isn’t the only film of Scorsese’s to focus on a troubled protagonist’s spiritual crisis. Like several of Scorsese’s protagonists, Jesus gradually comes to understand the difference between how he can behave and how he should behave according to his moral principles. He’s a man first, and only by film’s end does he really become the messiah, too. Still, because of its sexual implications, the film was a source of major controversy when it was released in 1988 and even before then when Scorsese originally tried unsuccessfully to make The Last Temptation of Christ with Paramount Studios in 1983 on a considerably bigger budget. According to David Ehrenstein’s liner notes, Scorsese was told he could make the picture with a budget of $15-20 million. But then a letter-writing campaign from Christian fundamentalists stopped the 1983 production dead in its tracks. Scorsese would go on to make Temptation with a considerably smaller $7 million with Universal Studios. Nearly 25 years later, as comedian Billy Crystal “joked” during the most recent Oscars telecast, Scorsese is still always going to be the guy that did Goodfellas and other “crime pictures.” How the DVD/Blu Makes the Case for the Film : Predictably enough for a Criterion release, the Blu-ray features a number of exceptional special features, including a terrific audio commentary track that selectively alternates between Scorsese, Schrader, Dafoe and screenwriter Jay Cocks. The track is especially good since it only lets any one of these four talking heads speak when they have something worth saying, such as when Scorsese explains the background behind Mary Magdalene’s tattoos, or Cocks’s description of Scorsese’s filmmaking approach: “The simplest, most direct way is usually the most heart-felt, the way which technology can interfere the least in the way of the emotion.” Both the Criterion Collection’s DVD and Blu-Ray releases of The Last Temptation of Christ also feature a decent interview with Peter Gabriel, who scored the film. Gabriel talks a little about how he and Scorsese worked toward “avoid[ing] the clichés of Christ goes to the movies […] Marty had some strong opinions of some people he wanted me to integrate and whose work he wanted me to play with. I spent some time in the National Sound Archive doing some research and trying to educate myself a bit. And although I didn’t try and master Arabic scales, I was just trying to soak in some of the feelings and find key performers that could bring power and passion.” Other Interesting Trivia : Also according to Ehrenstein’s liner notes, director Franco Zeffirelli pulled his Young Toscanini from the 1988 Venice Film Festival line-up when he heard that Temptation would also be screening that year. Zeffirelli hadn’t yet seen Scorsese’s film when he made that appropriately theatrical gesture. But he still was outraged by Temptation , saying that it was “truly horrible and completely deranged.”

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Inessential Essentials: Last Temptation of Christ on Blu-ray

2012 Oscar Predictions: Best Director

With nominees ranging from Oscar winner Martin Scorsese to rising star Michel Hazanavicius, we put forth who should win as well as who will. By Kara Warner Martin Scorsese, Asa Butterfield, Chlo

Martin Scorsese rushes out of The Beverly Wilshire Hotel

http://www.youtube.com/v/AlSvPuYLCKo?version=3&f=user_uploads&app=youtube_gdata

Martin Scorsese acclaimed filmmaker rushed out of The Beverly Wilshire Hotel and didn’t stop to say hi to us… maybe next time Mr. Scorsese! “Like” us on Facebook @ facebook.com

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Martin Scorsese rushes out of The Beverly Wilshire Hotel

Heather Locklear Taken To Hospital After 911 Call

The actress is taken to a hospital after an emergency phone call is placed from her home. By Jason Kaufman Heather Locklear Photo: Jon Kopaloff/FilmMagic Heather Locklear was rushed to a California hospital on Thursday with what law officials are labeling “a medical emergency.” TMZ reports that the emergency was a dangerous mix of prescription medication and alcohol. She was taken by ambulance from her home after a call was placed to 911. “Emergency response personnel responded to a medical emergency call at Ms. Locklear’s residence,” Ventura County Sheriff’s Capt. Mike Aranda told People later Thursday. “Once they arrived, it was determined that Ms. Locklear needed to be transported to the hospital for further medical attention.” This is the second medical scare for the 50-year-old actress within the past 13 months. In December of 2010, Locklear landed in the hospital for a brief stay for a bacterial infection. 2011 was not without bumps for the actress either after a split with longtime beau Jack Wagner, once her co-star on “Melrose.” The couple had been engaged for only three months. Locklear had appeared in public as recently as Tuesday night at a Lakers game, reports TMZ. Locklear had returned to television in 2009 to revive her role as Amanda Woodward on a reboot of “Melrose Place.” Locklear had proved dependable for weekly watercooler discussion during the series’ original run in the mid-’90s.

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Heather Locklear Taken To Hospital After 911 Call

Heather Locklear Taken To Hospital After 911 Call

The actress is taken to a hospital after an emergency phone call is placed from her home. By Jason Kaufman Heather Locklear Photo: Jon Kopaloff/FilmMagic Heather Locklear was rushed to a California hospital on Thursday with what law officials are labeling “a medical emergency.” TMZ reports that the emergency was a dangerous mix of prescription medication and alcohol. She was taken by ambulance from her home after a call was placed to 911. “Emergency response personnel responded to a medical emergency call at Ms. Locklear’s residence,” Ventura County Sheriff’s Capt. Mike Aranda told People later Thursday. “Once they arrived, it was determined that Ms. Locklear needed to be transported to the hospital for further medical attention.” This is the second medical scare for the 50-year-old actress within the past 13 months. In December of 2010, Locklear landed in the hospital for a brief stay for a bacterial infection. 2011 was not without bumps for the actress either after a split with longtime beau Jack Wagner, once her co-star on “Melrose.” The couple had been engaged for only three months. Locklear had appeared in public as recently as Tuesday night at a Lakers game, reports TMZ. Locklear had returned to television in 2009 to revive her role as Amanda Woodward on a reboot of “Melrose Place.” Locklear had proved dependable for weekly watercooler discussion during the series’ original run in the mid-’90s.

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Heather Locklear Taken To Hospital After 911 Call

Bob Dylan Honors Martin Scorsese At Critics’ Choice Movie Awards

Dylan performed ‘Blind Willie McTell,’ a song used in Scorsese’s PBS documentary series ‘The Blues.’ By Eric Ditzian Bob Dylan performs at the 16th Annual Critics’ Choice Movie Awards Photo: Kevin Mazur/ WireImage Any excuse to hear Bob Dylan play live is a pleasure. The experience is made all the more pleasurable when it’s in the service of honoring filmmaker Martin Scorsese . Such was the case at the Critics’ Choice Movie Awards on Thursday (January 12) when Scorsese was selected as the Music + Film honoree. After a scorching montage that touched on not only his feature films but his excellent work in musical documentaries — from the Band’s “Last Waltz” to the Rolling Stones’ “Shine a Light” — Dylan took the stage to perform “Blind Willie McTell,” a tune included in Scorsese’s PBS documentary series “The Blues.” The two artists’ connection goes back further though, back to the 2005 doc “No Direction Home,” which follows Dylan through his musical and cultural development in the 1960s. After an introduction by Leonardo DiCaprio, Scorsese took the stage to deliver a heartfelt speech about how music first impacted his life and how it has influenced his cinematic work. “Such a great honor and an amazing performance by the great one, Bob Dylan,” he began. “This award has a very special significance to me, so I’d like to begin with a special thank-you to Django Reinhardt, St