Tag Archives: sitting-through

The Hand Bra By Rebecca Romijn Is Not Funny

So FunnyOrDie apparently got Rebecca Romijn to film a “funny” video about hand bras. And as a hand bra connoisseur myself, I figured it sounded pretty great. The only problem is, I think they forgot to add the jokes. On the plus side though, you do get to see Rebecca modeling her new product, which is probably worth sitting through the lame attempts at comedy. I’ve found that if you watch it on mute and use the pause button, the video doesn’t get any funnier, but it does suddenly become way more fun to watch. Try it out. Photos: WENN.com

Read more from the original source:
The Hand Bra By Rebecca Romijn Is Not Funny

VIDEO: That House/Pulp Fiction Spoof You Always Wanted

Rex Ryan’s Wife Michelle: Foot Fetish Video Star?

Foot fetish videos on YouTube starring a woman who sure looks like the wife of New York Jets coach Rex Ryan are causing a stir in the Big Apple and beyond. Sports blog Deadspin was the first to note the odd similarities between Michelle Ryan and the foot fetish videos, which are fairly vanilla but still very weird. It’s unclear if the woman in the videos is Michelle Ryan, but this was the Jets’ official response: “This is a personal matter and Rex will have no comment.” WELL-HEELED : Is Rex Ryan’s wife Michelle a foot fetishist? Debatable. Is that a great/awful front page headline by the New York Daily News? Absolutely . So basically, it’s her. Right? If that’s not Michelle Ryan, the response would be “that’s not Michelle Ryan in the videos.” Rex would be irate or laughing it off. Of course, whether Rex Ryan’s wife gets freaky with her feet has zero bearing on the Jets or his ability to coach. But the lack of judgment would be incredible. One of the videos contains a male voice that sounds as much like Rex Ryan as the infamous Brett Favre voice message to Jenn Sterger sounds like Brett.

REVIEW: John Cameron Mitchell’s Rabbit Hole Is Sensitive But Not Bloodless

Perhaps the only thing harder than making a movie about young parents riven by grief after losing a child is sitting through one. And for that reason alone, Rabbit Hole won’t make for a particularly cheery night out. But director John Cameron Mitchell — adapting David Lindsay-Abaire’s play — has a surprisingly deft touch with this admittedly downbeat material; he builds dramatic intensity in subtle layers, rather than slapping it on with a trowel. Rabbit Hole is so unassuming, in fact — it’s filled with delicately calibrated performances and nuanced moments of connection and disaffection — that the cumulative effect is a bit underwhelming. But you can’t fault Mitchell’s instincts; he’s adamant about understating this material rather than sending it over the top, and that makes all the difference.

Excerpt from:
REVIEW: John Cameron Mitchell’s Rabbit Hole Is Sensitive But Not Bloodless