Tag Archives: pulp fiction

Sean Penn As Vince Vega? Paul Calderon As Jules Winnfield? ‘Pulp Fiction’ Could Have Been So Different

Twenty years after John Travolta and Samuel L. Jackson , as Vincent Vega and Jules Winnfield, became arguably the most iconic hitman duo in contemporary cinema, it’s hard to imagine any other actors tackling those roles — especially the Royale with Cheese conversation. But the new issue of Vanity Fair   serves as a reminder that their Pulp Fiction parts almost went to other actors.  The magazine’s annual Hollywood issue includes an oral history on the making of Quentin Tarantino’s  violent 1994 masterpiece that recalls Miramax chief Harvey Weinstein was seriously opposed to Travolta being cast as the marvelously mooky Vega.  “John Travolta was at that time as cold as they get,” Tarantino’s William Morris Endeavor agent Mike Simpson tells the magazine. “He was less than zero.” When Tarantino, who was dead-set on Travolta playing the role,  submitted a term sheet that included his final choice of actors for the movie, Weinstein approved all of his choices except for the onetime  Saturday Night Fever  star.  Two much more bankable actors,  Daniel Day-Lewis  and Bruce Willis , had read the script and expressed interest in playing Vega, and   Sean Penn and William Hurt were also on Weinstein’s short list. But Tarantino and his agent proved to be even more stubborn. When negotiations over Travolta came down to the wire, and Weinstein attempted to put off casting the actor,  Simpson told the movie mogul: “You’re going to agree to it right now, or there’s no deal.” Weinstein blinked, and former Miramax production head Richard Gladstein says that 20 minutes into a screening of the finished film, Harvey cracked, “I’m so glad I had the idea to cast John Travolta.” Jackson, on the other hand, almost lost the role to Paul Calderon  ( Out of Sight , 21 Grams ) and had to fly in for an eleventh-hour audition. He wasn’t happy about it, especially after one of the producers confused him with actor Laurence Fishburne ( The Matrix ). That actually turned out to be a good thing based on this distillation of the audition: “I sort of was angry, pissed, tired,” Jackson recalls. He was also hungry, so he bought a takeout burger on his way to the studio, only to find nobody there to greet him. “When they came back, a line producer or somebody who was with them said, ‘I love your work, Mr. Fishburne,’” says Jackson. “It was like a slow burn.  He doesn’t know who I am?  I was kind of like, Fuck it. At that point I really didn’t care.” Gladstein remembers Jackson’s audition: “In comes Sam with a burger in his hand and a drink in the other hand and stinking like fast food. Me and Quentin and Lawrence were sitting on the couch, and he walked in and just started sipping that shake and biting that burger and looking at all of us. I was scared shitless. I thought that this guy was going to shoot a gun right through my head. His eyes were popping out of his head. And he just stole the part.” Lawrence Bender adds, “He was the guy you see in the movie. He said, ‘Do you think you’re going to give this part to somebody else? I’m going to blow you motherfuckers away.’” Follow Frank DiGiacomo on Twitter.  Follow Movieline on Twitter.   

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Sean Penn As Vince Vega? Paul Calderon As Jules Winnfield? ‘Pulp Fiction’ Could Have Been So Different

Quentin Tarantino Hints At Retirement And Getting High On ‘Django Unchained’

Quentin Tarantino has one of the most eagerly awaited films of 2012 and most audiences won’t get a first glimpse until Christmas, but that hasn’t stopped speculation that it may be an Oscar contender and may be one of the Pulp Fiction filmmaker’s best to date. Yet, Django Unchained may be the beginning of his filmmaking sunset, the director hinted. In an interview with Playboy , Tarantino said that he doesn’t want to be an “old-man filmmaker,” and saying flat-out that he wants to “stop at a certain point.” “Directors don’t get better as they get older. Usually the worst films in their filmography are those last four at the end. I am all about my filmography, and one bad film fucks up three good ones … When directors get out-of-date, it’s not pretty.” Tarantino, who has the big 5-0 staring him in the face said he wants to come out on a creative high-note, but he’s not quite sure when that end may come, though he seems to think he’s most of the way there. “I’m on a journey that needs to have an end and not be about me trying to get another job,” he said. “I want this artistic journey to have a climax. I want to work toward something. You stop when you stop, but in a fanciful world, 10 movies in my filmography would be nice. I’ve made seven. If I have a change of heart, if I come up with a new story, I could come back. But if I stop at 10, that would be okay as an artistic statement.” Beyond retirement, Tarantino gave some insight to his creative process and the use of an occasional (or maybe not-so-occasional) joint while tapping his creative juices. While he partakes, he said he’s completely grounded while in production. “I wouldn’t do anything impaired while making a movie,” he offered. “I don’t so much write high, but say you’re thinking about a musical sequence. You smoke a joint, you put on some music, you listen to it and you come up with some good ideas. …I don’t need pot to write, but it’s kind of cool.” Continuing, he added that he is apt to take liberties with history in order to give the audience an unexpected twist and to simply make stories his own: “You turn on a movie and know how things are going to go in most films. Every once in a while films don’t play by the rules. It’s liberating when you don’t know what’s happening next. …I thought, What about telling these kinds of stories my way – rough and tough but gratifying at the end?” Initially, Tarantino had sought out Will Smith as Django, the title lead in the film about a slave-turned bounty hunger who sets out to rescue his wife from a brutal plantation owner, but then momentum segued toward Jamie Foxx. “[Will and I] spent quite a few hours together over a weekend when he was in New York doing Men in Black 3 . …I think half the process was an excuse for us to hang out and spend time with one another. …It just wasn’t 100 percent right, and we didn’t have time to try to make it that way.” About Leonardo DiCaprio’s villain, Calvin Candie, Tarantino said that he despised the character, which is an about-face of sorts for the filmmaker who typically finds an affinity with his bad guys. “I hated Candie, and I normally like my villains no matter how bad they are. …what I’m always trying to do…is get you to kind of like these guys, despite on-screen evidence that you shouldn’t. Despite the things they do and say and despite their agenda. I also like making people laugh at fucked-up shit.” And should the filmmaker retire as he has hinted, might he settle down? Tarantino gives his take on a more domesticated – Quentin Tarantino: “If I had a wife, I would probably be more polite. She would make me write thank-you notes, which I won’t do on my own. I wouldn’t be such a caveman. If I want to live in Paris for a year, what the fuck? I can. I don’t have to arrange anything; I can just do it. If there is an actor or director I want to get obsessed with and study their films for the next 12 days, I can do that. The perfect person would be a Playmate who would enjoy that.” [ Source: Playboy ]

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Quentin Tarantino Hints At Retirement And Getting High On ‘Django Unchained’

Quentin Tarantino Hints At Retirement And Getting High On ‘Django Unchained’

Quentin Tarantino has one of the most eagerly awaited films of 2012 and most audiences won’t get a first glimpse until Christmas, but that hasn’t stopped speculation that it may be an Oscar contender and may be one of the Pulp Fiction filmmaker’s best to date. Yet, Django Unchained may be the beginning of his filmmaking sunset, the director hinted. In an interview with Playboy , Tarantino said that he doesn’t want to be an “old-man filmmaker,” and saying flat-out that he wants to “stop at a certain point.” “Directors don’t get better as they get older. Usually the worst films in their filmography are those last four at the end. I am all about my filmography, and one bad film fucks up three good ones … When directors get out-of-date, it’s not pretty.” Tarantino, who has the big 5-0 staring him in the face said he wants to come out on a creative high-note, but he’s not quite sure when that end may come, though he seems to think he’s most of the way there. “I’m on a journey that needs to have an end and not be about me trying to get another job,” he said. “I want this artistic journey to have a climax. I want to work toward something. You stop when you stop, but in a fanciful world, 10 movies in my filmography would be nice. I’ve made seven. If I have a change of heart, if I come up with a new story, I could come back. But if I stop at 10, that would be okay as an artistic statement.” Beyond retirement, Tarantino gave some insight to his creative process and the use of an occasional (or maybe not-so-occasional) joint while tapping his creative juices. While he partakes, he said he’s completely grounded while in production. “I wouldn’t do anything impaired while making a movie,” he offered. “I don’t so much write high, but say you’re thinking about a musical sequence. You smoke a joint, you put on some music, you listen to it and you come up with some good ideas. …I don’t need pot to write, but it’s kind of cool.” Continuing, he added that he is apt to take liberties with history in order to give the audience an unexpected twist and to simply make stories his own: “You turn on a movie and know how things are going to go in most films. Every once in a while films don’t play by the rules. It’s liberating when you don’t know what’s happening next. …I thought, What about telling these kinds of stories my way – rough and tough but gratifying at the end?” Initially, Tarantino had sought out Will Smith as Django, the title lead in the film about a slave-turned bounty hunger who sets out to rescue his wife from a brutal plantation owner, but then momentum segued toward Jamie Foxx. “[Will and I] spent quite a few hours together over a weekend when he was in New York doing Men in Black 3 . …I think half the process was an excuse for us to hang out and spend time with one another. …It just wasn’t 100 percent right, and we didn’t have time to try to make it that way.” About Leonardo DiCaprio’s villain, Calvin Candie, Tarantino said that he despised the character, which is an about-face of sorts for the filmmaker who typically finds an affinity with his bad guys. “I hated Candie, and I normally like my villains no matter how bad they are. …what I’m always trying to do…is get you to kind of like these guys, despite on-screen evidence that you shouldn’t. Despite the things they do and say and despite their agenda. I also like making people laugh at fucked-up shit.” And should the filmmaker retire as he has hinted, might he settle down? Tarantino gives his take on a more domesticated – Quentin Tarantino: “If I had a wife, I would probably be more polite. She would make me write thank-you notes, which I won’t do on my own. I wouldn’t be such a caveman. If I want to live in Paris for a year, what the fuck? I can. I don’t have to arrange anything; I can just do it. If there is an actor or director I want to get obsessed with and study their films for the next 12 days, I can do that. The perfect person would be a Playmate who would enjoy that.” [ Source: Playboy ]

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Quentin Tarantino Hints At Retirement And Getting High On ‘Django Unchained’

Roger Avary Finds Work (And Redemption) With ‘Airspace’ And ‘Castle Wolfenstein’

The movie industry can be a forgiving one. SlashFilm is reporting (via Variety) that Roger Avary will be making his post-jail directorial debut with Airspace , a mile-high thriller in which John Cusack plays a charter pilot whose plane comes under attack from a heavily armed MiG fighter jet after he finds a mysterious briefcase in his aircraft. The movie is being described as ” Duel in the sky,” a reference to Steven Spielberg’s nailbiter of a 1971 TV movie about a guy in a car being menaced by an insane dude in a semi.  Avary’s other project is a film adaptation of the Castle Wolfenstein   video games that Avary, who won an Oscar in 1994 for co-writing the Pulp Fiction screenplay with Quentin Tarantino , was slated to do before he ended up spending eight months in jail stemming from a 2008 DUI-related vehicular manslaughter conviction . Panorama Media and Samuel Hadida, who produced the 2006 Silent Hill   film, which Avary wrote, will produce the Wolfenstein film. [ SlashFilm] Follow Frank DiGiacomo on Twitter.  Follow Movieline on Twitter.

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Roger Avary Finds Work (And Redemption) With ‘Airspace’ And ‘Castle Wolfenstein’

Watch a Rapper Recreate Nine Classic Movies in One Take

The rapper DeStorm employs an ingenious concept in his newest music video: a re-staging of nine classic film moments in a single take. Of course Casablanca and The Graduate make the cut, but what other cinematic gems does DeStorm mine? Click through for the reveal.

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Watch a Rapper Recreate Nine Classic Movies in One Take

VIDEO: That House/Pulp Fiction Spoof You Always Wanted

Say What Again to Your New AL Cy Young Award Winner, Felix Hernandez

What a day for Seattle Mariners pitcher Felix Hernandez. The man they call King was named the AL Cy Young award winner , despite only having 13 wins for a last place team (ah, the power of peripheral pitching stats). Even better though is that he appears in the latest issue of ESPN the Magazine as Jules from Pulp Fiction . Of course he does! Because there’s such a big intersection between film and sports — there’s not, is there? — the mag took a bunch of athletes and had them recreate famous film scenes. Ahead, watch as very little product is placed in Hernandez’s hair to give him Jules’ famous Jheri-curl.

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Say What Again to Your New AL Cy Young Award Winner, Felix Hernandez

5 Great Moments In Cinematic Product Placement

This weekend, the New York Times took a look at the system of product placement that keep the pockets of your favorite Hollywood studio lined with beautiful, beautiful cash by loading up its films — both of the blockbuster and modestly budgeted varieties– with enough strategically positioned Quarter Pounders to stop the hearts of an entire location shoot’s worth of Lipitor-gobbling Teamsters. Though it’s recently become fashionable to decry the despoilment of an allegedly once-pristine art by greedy tie-ins, this kind of promotional consideration is not a new phenomenon, with deep-pocketed patrons emerging in the nick of time to help bridge the budgetary gaps in some of our most beloved movies. In the interest of celebrating a much-derided and misunderstood craft, Movieline takes a look back at the greatest moments in cinematic product placement.

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5 Great Moments In Cinematic Product Placement

‘Pulp Fiction’ Writer Gets Time for Fatal Crash

Filed under: Celebrity Justice , Movies The guy who co-wrote “Pulp Fiction” with Quentin Tarantino will have plenty of alone time to think of his next script — he just landed time behind bars over his fatal DUI crash last year.Roger Avary — who landed an Oscar for the script — was …

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‘Pulp Fiction’ Writer Gets Time for Fatal Crash