‘That’s the first time anybody has ever heard all three of us on a record,’ Drizzy tells MTV News of teaming with Rick Ross, Lil Wayne. By Rob Markman, with reporting by Ricky Louis Drake Photo: MTV News Drake is such a nice guy. When DJ Khaled approached Drizzy to appear on a track off of his upcoming Cash Money album, We the Best Forever, the Thank Me Later MC wanted to lend something memorable to his friend’s project. The result, “I’m On One,” Khaled’s latest single featuring Lil Wayne, Rick Ross and, of course, Drake. “Khaled waited, like, forever and a day. I was taking my sweet time trying to craft this piece of music because I knew he needed a special moment,” Drizzy told MTV News at the song’s video shoot in Miami. “When I did it, I was like, ‘OK, it’s gotta be me, Ross and Wayne.’ That’s the first time anybody has ever heard all three of us on a record.” After leaking the song onto the Internet on May 12, Khaled and company were out shooting the video for “I’m On One” this past weekend — just 15 days later — and that fact isn’t lost on Drake. “To be out here shooting a video, it’s amazing how things work nowadays,” he said. “I used to make music and never think anyone was gonna hear it, now I make music and two weeks later, we’re shooting crazy videos in Miami, living the life.” Aside from working with Wayne, who Drake is signed to and frequently shows appreciation for, the Toronto-born rapper spoke on his admiration for his “brother” Rozay. “That’s one of my favorite people to rap with in the world,” Drizzy said. “That’s family the same way YM is family, the same way that OVO is family,” he said, name-checking his Young Money and October’s Very Own teams. “Ross know what it is, MMG all day, I hold that close to my heart.” What do you think of “I’m On One”? Tell us in the comments! Related Artists Drake DJ Khaled
‘That’s the first time anybody has ever heard all three of us on a record,’ Drizzy tells MTV News of teaming with Rick Ross, Lil Wayne. By Rob Markman, with reporting by Ricky Louis Drake Photo: MTV News Drake is such a nice guy. When DJ Khaled approached Drizzy to appear on a track off of his upcoming Cash Money album, We the Best Forever, the Thank Me Later MC wanted to lend something memorable to his friend’s project. The result, “I’m On One,” Khaled’s latest single featuring Lil Wayne, Rick Ross and, of course, Drake. “Khaled waited, like, forever and a day. I was taking my sweet time trying to craft this piece of music because I knew he needed a special moment,” Drizzy told MTV News at the song’s video shoot in Miami. “When I did it, I was like, ‘OK, it’s gotta be me, Ross and Wayne.’ That’s the first time anybody has ever heard all three of us on a record.” After leaking the song onto the Internet on May 12, Khaled and company were out shooting the video for “I’m On One” this past weekend — just 15 days later — and that fact isn’t lost on Drake. “To be out here shooting a video, it’s amazing how things work nowadays,” he said. “I used to make music and never think anyone was gonna hear it, now I make music and two weeks later, we’re shooting crazy videos in Miami, living the life.” Aside from working with Wayne, who Drake is signed to and frequently shows appreciation for, the Toronto-born rapper spoke on his admiration for his “brother” Rozay. “That’s one of my favorite people to rap with in the world,” Drizzy said. “That’s family the same way YM is family, the same way that OVO is family,” he said, name-checking his Young Money and October’s Very Own teams. “Ross know what it is, MMG all day, I hold that close to my heart.” What do you think of “I’m On One”? Tell us in the comments! Related Artists Drake DJ Khaled
In part two of our ‘Seattle Sonics’ series, the band takes us to their Sip & Ship ‘nerve center’ and American Music shop. By James Montgomery Death Cab for Cutie’s Chris Walla and Jason McGerr Photo: MTV News SEATTLE — Chris Walla is a bit of a multitasker: That much is clear just by his rather prodigious output as a producer, solo musician and full-time member of Death Cab for Cutie . So it should probably come as no surprise that, for MTV News’ second edition of “Seattle Sonics,” Walla decided to take us to one of his favorite spots in Seatown: Sip & Ship, the kind of place that defines multitasking. See, S&S is the sort of place that seemingly only exists in Seattle: A communal, cozy combination shipping depot/coffee bar that also happens to be a gift shop. Oh, and they make a mean grilled cheese, too. Located in the city’s Ballard neighborhood — right down the block from a nefarious FedEx Office outpost — Walla first visited the shop six years ago (after a rather terrible experience at said FedEx), and in the time since, Sip & Ship has become the de facto home office for all things Death Cab. Merch, master tapes of albums, musical instruments and the occasional eBay purchase all pass through S&S. Walla has become close friends with the shop’s owners (one of them, Diana Naramore, even made a cameo in his “Sing Again” video ) and the coffee’s really great, too. “This place has become a communications and shipping and caffeine and calorie hub without which I don’t think Death Cab for Cutie would actually be able to do any business at all. This is one of the Seattle nerve centers of the band,” Walla explained. “We did a whole series of test-pressings for the new record, and we got four or five shipments of them here. We’d pick ’em up and then go home and listen to records.” Drummer Jason McGerr also chimed in: “It’s a far safer bet than my doorstep — which I don’t even step on all that often,” he said, laughing. And while Sip & Ship has been an important cog in the Death Cab machine for six years, there’s another spot nearby that’s been part of their lives for much longer: American Music, a Seattle institution since it first opened its doors in 1973 and the place where local bands (you know, like Nirvana, Soundgarden and Alice in Chains) went to get their gear. It’s not surprising that both Walla — who grew up nearby — and McGerr — who worked there in 1994, when he was 19 years old — chose it as the next place they took our cameras. “I traded all my paychecks for equipment, and I got to know a whole lot of local drummers,” McGerr said from his old post behind the American counter. “And there were times, 10 minutes before close, Dave Grohl would come in and sit down and just start blowing on drums and the front door would shut and we’d sit there and watch him. … There was always a scene happening within the store. If you played music and you got your supplies in Seattle, it was from American Music.” And American was also where you’d find Walla hanging out as a slightly awkward teenager, doing “double drummer stuff” with friend (and former Death Cab drummer) Nathan Good. And he did it mostly out of necessity, because back then, there weren’t many places 15-year-old music obsessives could hang out, due mostly to Seattle’s oppressive Teen Dance Ordinance , which made all-ages shows all but impossible to organize. And, really, to Walla, that’s what makes the place much more than a music store. It’s sort of his home away from home. “I got a lot of stuff here that was cast-off junk, but I still use it,” Walla said. “There are tons of music stores that are just enormous boxes, that are full of guitars and drums and cymbals and whatever, and they might have more stock than a place like American does, but American has the heart and soul of a music store that I want when I walk into a music store.” Death Cab for Cutie: Seattle Sonics continues all week on MTVNews.com. On Thursday, we’ll head to a vaunted (and now defunct) all-ages venue where DCFC learned how to be a band — and still made it home in time for curfew. Related Videos Death Cab For Cutie’s Guide To Seattle Related Artists Death Cab For Cutie
In part two of our ‘Seattle Sonics’ series, the band takes us to their Sip & Ship ‘nerve center’ and American Music shop. By James Montgomery Death Cab for Cutie’s Chris Walla and Jason McGerr Photo: MTV News SEATTLE — Chris Walla is a bit of a multitasker: That much is clear just by his rather prodigious output as a producer, solo musician and full-time member of Death Cab for Cutie . So it should probably come as no surprise that, for MTV News’ second edition of “Seattle Sonics,” Walla decided to take us to one of his favorite spots in Seatown: Sip & Ship, the kind of place that defines multitasking. See, S&S is the sort of place that seemingly only exists in Seattle: A communal, cozy combination shipping depot/coffee bar that also happens to be a gift shop. Oh, and they make a mean grilled cheese, too. Located in the city’s Ballard neighborhood — right down the block from a nefarious FedEx Office outpost — Walla first visited the shop six years ago (after a rather terrible experience at said FedEx), and in the time since, Sip & Ship has become the de facto home office for all things Death Cab. Merch, master tapes of albums, musical instruments and the occasional eBay purchase all pass through S&S. Walla has become close friends with the shop’s owners (one of them, Diana Naramore, even made a cameo in his “Sing Again” video ) and the coffee’s really great, too. “This place has become a communications and shipping and caffeine and calorie hub without which I don’t think Death Cab for Cutie would actually be able to do any business at all. This is one of the Seattle nerve centers of the band,” Walla explained. “We did a whole series of test-pressings for the new record, and we got four or five shipments of them here. We’d pick ’em up and then go home and listen to records.” Drummer Jason McGerr also chimed in: “It’s a far safer bet than my doorstep — which I don’t even step on all that often,” he said, laughing. And while Sip & Ship has been an important cog in the Death Cab machine for six years, there’s another spot nearby that’s been part of their lives for much longer: American Music, a Seattle institution since it first opened its doors in 1973 and the place where local bands (you know, like Nirvana, Soundgarden and Alice in Chains) went to get their gear. It’s not surprising that both Walla — who grew up nearby — and McGerr — who worked there in 1994, when he was 19 years old — chose it as the next place they took our cameras. “I traded all my paychecks for equipment, and I got to know a whole lot of local drummers,” McGerr said from his old post behind the American counter. “And there were times, 10 minutes before close, Dave Grohl would come in and sit down and just start blowing on drums and the front door would shut and we’d sit there and watch him. … There was always a scene happening within the store. If you played music and you got your supplies in Seattle, it was from American Music.” And American was also where you’d find Walla hanging out as a slightly awkward teenager, doing “double drummer stuff” with friend (and former Death Cab drummer) Nathan Good. And he did it mostly out of necessity, because back then, there weren’t many places 15-year-old music obsessives could hang out, due mostly to Seattle’s oppressive Teen Dance Ordinance , which made all-ages shows all but impossible to organize. And, really, to Walla, that’s what makes the place much more than a music store. It’s sort of his home away from home. “I got a lot of stuff here that was cast-off junk, but I still use it,” Walla said. “There are tons of music stores that are just enormous boxes, that are full of guitars and drums and cymbals and whatever, and they might have more stock than a place like American does, but American has the heart and soul of a music store that I want when I walk into a music store.” Death Cab for Cutie: Seattle Sonics continues all week on MTVNews.com. On Thursday, we’ll head to a vaunted (and now defunct) all-ages venue where DCFC learned how to be a band — and still made it home in time for curfew. Related Videos Death Cab For Cutie’s Guide To Seattle Related Artists Death Cab For Cutie
In a tweet about Men at Work plagiarism case, Walla writes, ‘Related: Owl City should really consider buying Ben [Gibbard] a pony.’ By James Montgomery Owl City Photo: Universal Republic Last year, Chris Walla raised eyebrows when he called brooding “Twilight” bloodsucker Edward Cullen “an a–hole.” Then, at rehearsals for the mtvU Woodie Awards , he made sure to point out the “high beefcake quotient” of the “New Moon” film. And how can we forget the international incident he created when the master tapes for his Field Manual album ran afoul of the Department of Homeland Security? Basically, the Death Cab for Cutie guitarist/producer is unafraid to speak his mind or rankle the third-largest Cabinet department in the U.S., which makes him a rare breed in these buttoned-up, sound-bite-ified times
‘Meet Me on the Equinox’ band was invited to screen a five-hour-long cut of ‘Twilight’ sequel. By James Montgomery, with reporting by Matt Harper Death Cab for Cutie’s Chris Walla Photo: MTV News By their own admission, only one-fourth of Death Cab for Cutie have actually read anything from the “Twilight” series (guitarist Chris Walla, we’re looking at you), but that hasn’t stopped them from penning the first single from the upcoming “New Moon” soundtrack , “Meet Me on the Equinox.” And that hasn’t stopped them from weighing in on one of the series’ central conflicts — the whole Team Edward vs. Team Jacob thing — when we visited the set of the “Equinox” video in Toronto on Wednesday
