It doesn’t hit theaters until August 2012, but the first trailer for ParaNorman , Focus’s animated followup to 9 and Coraline , is a playful stop-motion glimpse into the mind of a boy (Kodi Smit-McPhee) who can speak to the dead. He’s called upon when his town comes under zombie siege. Thus far, it looks about as droll and fun as James and the Giant Peach , which is about the best compliment I can give.
I interview a lot of people at this job — many talented artists on an intellectual spectrum so wide and sometimes with personas so canned and specific that you rarely know from one chat to the next who you’re going to get, or if they’ll even be the same person the next time you meet. That’s not a problem with Roland Emmerich, which is why he might be my favorite interview going right now.
There are mere days left until Halloween , and you’re still scrambling for a costume that reflects your savvy Movieline-reading film knowledge? The perfect outfit that screams, “Look at me, I watch more movies than you, plebian sexy fill-in-the-blank!” Movieline’s staff have culled a litany of costume ideas for you, inspired by indie art films and big Hollywood hits alike, either from this year at the movies or from the future . Dive in to find the greatest relevant Halloween costume ideas of the year!
After years of watching Johnny Depp give performances from behind thick rings of pirate eyeliner or masks of outlandish Tim Burton makeup, it’s a relief to see him, more and more often these days, acting with nothing but his real face. In Bruce Robinson’s The Rum Diary — liberally adapted from Hunter S. Thompson’s novel — Depp plays a wayfaring, hard-drinking journalist, Paul Kemp, who has drifted to Puerto Rico, circa 1960, where he lands a job at a floundering, two-bit newspaper, The San Juan Star . Its editor, played by a cigar-chomping Richard Jenkins, hires him reluctantly; never mind that he was the only person who applied for the job.
What is this strange retro fascination the kids have these days with watching old crappy horror movies on — what was it called again? V-H-S ? The New York Times investigates. “I like putting it in the VCR and rewinding and pausing and fast-forwarding,” said Lunchmeat founder Josh Shafer. “The best way to watch is to know nothing about how it was created, like it was a tape that was found buried in a ditch or was found unmarked at a Goodwill,” explains Drafthouse Films’ Evan Husney. See kids, once upon a time there were these things called videotapes … that you rented from video stores … before the internet existed . Yes, I know. That’s a lot to digest. Let the nice Gray Lady explain it to you. [ NYT ]
Let’s hear it for all of the Movieline readers who turned out yesterday and today to make our Jurassic Park Ultimate Trilogy Giveaway our best contest yet. Cheers! Applause! Maniacal Tom Cruise laughter ! When the contest ended, your loyal Movieline team locked themselves in the office to dramatically interpret each of your clever 10-word reviews (and eat lunch). An hour or so later, we have chosen our winners.
The Hunger Games preys on the box office in March, but in the meantime eight of the battledome-savvy characters are squaring off in new posters for the film. Jennifer Lawrence looks fetching under a golden haze, Lenny Kravitz looks a lot like Lenny Kravitz, and Josh Hutcherson keeps looking younger and younger. Seriously, he’s wearing his Bridge to Terabithia face here.
If you thought you had seen the last Muppets parody trailer , think again. With less than a month until Kermit and Miss Piggy storm the theaters for their movie comeback, The Muppets Studio has a released another promo in which the fuzzy gang pokes fun at Paranormal Activity 3 , Puss In Boots , Breaking Dawn and themselves.
This December 16, Mission: Impossible – Ghost Protocol premieres in IMAX five days in advance of its general release. Why exactly? Probably to encourage fans of the Tom Cruise franchise to see the picture in the large format director Brad Bird intended when he shot thirty minutes-worth of the fourth Ethan Hunt film in IMAX. To convince journalists that the large format is indeed worth higher ticket prices, an advance release date and a little early buzz, Paramount screened about 20 minutes worth of wild action sequences at the Rave 18 theater in Los Angeles last week. Ahead, the stomach-flipping details (and very mild spoilers).
Alfred Hitchcock and Cecil B. DeMille might have been able to successfully redo their own movies, but more recent auto-remakes, especially ones that find directors cranking out a U.S. version of their own foreign-language hit, have been a motley crew. The best, like Michael Haneke’s 2007 Funny Games and Takashi Shimizu’s The Grudge , tend to be merely functional enterprises that revisit what worked the first time around with added English-speaking and possibly more famous actors. But others highlight in a painfully clear way the compromises that so often come with working in Hollywood. Ole Bornedal’s wan Nightwatch lost the nasty edge of the Danish original and retained no other distinguishing characteristics, and George Sluizer’s 1993 The Vanishing ditched the finale of his 1988 Spoorloos , an uncompromisingly bleak and great ending, for a studio-friendly happy one that undoes everything toward which the first film built.