Source: SOPA Images / Getty Tired of Twitter’s algorithm choosing what Tweets you should see or reverse-chronological timeline? Well, we are happy to report this latest update will give users the ability to choose which way they want to view Tweets instead of being stuck with either or. Twitter fell in love with the idea that it thinks its users would rather see old Tweets they have missed or popular Tweets the algorithm believes you would want to see. In reality, most Tweeters would still rather just see new Tweets from individuals they follow pop on their timeline in real time one after the other. But just so no feelings will be heard and to reduce the number of people sending off angry Tweets about its algorithm, the company introduced the new ‘Sparkle Button’ that allows you to switch back and forth between either timeline options. The new feature is rolling out for iOS users starting today and coming soon to Android owners soon. New on iOS! Starting today, you can tap to switch between the latest and top Tweets in your timeline. Coming soon to Android. pic.twitter.com/6B9OQG391S — Twitter (@Twitter) December 18, 2018 There is a downside to the addition of the ‘Sparkle Button’ because it takes the place of the settings button. So to gain access to the settings menu you will have to access in the accounts hub when you click on your Twitter avi. We won’t be shocked if there is a contingent of users who will find this very inconvenient. Still, a very interesting update to say the least. We shall see if it improves everyone’s Tweeting experience going forward or it makes it even worse. — Photo: SOPA Images / Getty
Sophie Mudd may not be the biggest thing on instagram, but she’s likely one of the bigger sets of tits on a small frame on Instagram, and her modeling career could be called Titty fetish career, but that she’s still maintaining is an instagram modeling career… She’s done things like YEEZY and I guess that’s about it…Kanye and the Kardashians found her amongst all the other tits out there… She’s also on this hot circuit of S4S, which means SHARE FOR SHARE, a tactic low levels and Sarah Underwood used to get huge following counts, by showing her perverts other pussy, like an intro or a shout out, that I guess tricks the algorithm, giving her bigger reach, a reach that her tits deserve cuz there’s so much tit, we can all get a handful of at the same if we tried…and it wasn’t deemed sexual assault… Either way, she gives you content to keep your pervert thoughts to your masturbating self… And for that we HONOR and CELEBRATE her.
Lie no more, my friends, as new technology can tell if that grin on your face is more grimace than pure delight. Even more, the patterns that the algorithm has… Broadcasting platform : YouTube Source : The Next Web Discovery Date : 24/05/2012 16:37 Number of articles : 2
Country cuties Makenna and Brock take a more traditional route to Boot Camp. By Adam Graham Paula Abdul Photo: Fox “The X Factor” threw viewers a few curveballs on Wednesday night’s (September 28) episode. Having been weaned on years of gag auditions from “American Idol,” we’ve been trained to pick out the phony contestants from the contenders. Or so we thought. But J. Mark Inman — a 31-year-old philosophy student who compared his life to “the algorithm for pi” — threw a wrench into that system with his bizarro take on Radiohead’s “Creep.” What does our expert think of “X Factor” so far? Find out! Backed by a stuttering electronic track he made himself, Inman — who looks exactly like the kind of person who would compare his life to the algorithm for pi — seemed as out of place as Mark Zuckerberg at a karaoke bar but had a magnetic, inexplicable confidence about him. As he took on “Creep,” he shuffled across the stage with his mock Usher moves and somehow, his subdued, off-kilter take on the alt-rock classic simply worked. Said L.A. Reid: “It sounded so bad, but felt so good.” Inman was sent through to the next round, and he seemed as shocked as anyone. Josh Krajcik, a self-described “burrito slinger” from Columbus, Ohio, also looked far from your typical pop singer, with his scruffy beard, laundry-day attire and long, greasy hair. But when he sang a deeply soulful version of Etta James’ “At Last,” the 30-year-old took the judges by surprise and was passed through to the next round. “You need to give the slinging-burritos job to somebody else,” Reid informed him. Meanwhile, producers initially presented 14-year-old Drew Ryniewicz as a bubbly Justin Bieber obsessive (she gazes at pictures of him in her bedroom and knows that his favorite colors are purple and red) and nothing more. But when she sang a down-tempo, piano-driven version of Bieber’s “Baby” that brought out an undercurrent of sadness and longing in the song, she won over even Reid, who has helped mold Bieber’s career. “You are special,” Reid told her, while Paula Abdul called Ryniewicz “commendable, original, daring and bold.” We’ll see her again in Boot Camp. And sure, Skyelor Anderson seemed odd enough; as he said himself, “You don’t find a lot of young black teenagers that sing country music.” But the 16-year-old Mississippi native showed real tenacity, singing a cappella when his backing track unexpectedly dropped out on him. The judges loved his resourcefulness and his Southern manners and sent him through. As Anderson himself said, Git-R-Done! Among the more traditional contestants introduced on Wednesday’s show were Makenna and Brock, a 22- and 18-year-old singing duo with a secret (he has a crush on her, she doesn’t know it — well, until she watched him admit it on national television, that is); Arin Ray, a 15-year-old whose “Ain’t No Sunshine” earned him four “yes” votes from the judges; 4Shore, a quartet whose version of Boyz II Men’s “End of the Road” had even songwriter Reid on his feet; Elaine Gibbs, a 53-year-old grandmother who took the judges to church with her gospelized “You’ve Got a Friend”; Tiger Budbill, a 42-year-old wedding DJ who might have the best name in the competition so far; Phillip Lomax, a 21-year-old self-described “hipster” with a 1,000-watt smile; and 17-year-old Francesca Duncan, whose version of Mariah Carey’s “Hero” earned her unanimous passing grades from the judges. The night’s biggest drama came from 19-year-old Tiah Tolliver, a deli clerk who auditioned with Shontelle’s “Impossible.” Simon Cowell and Reid let her through, but when Abdul and Nicole Scherzinger both passed, citing problems with her key, Cowell reacted by throwing a minor hissy fit and tossing his pen from his hands. Before she was dismissed, Reid convinced her to sing one more song, and Tolliver’s “It Don’t Mean a Thing (If It Ain’t Got That Swing)” was good enough that Scherzinger gave her a pass, allowing her through to the next round and making Cowell happy. And on this show, that may be the most important thing of all. What did you think of Wednesday’s “X Factor”? Let us know in the comments!
Link: http://feedproxy.google.com/~r/stuffc… Stuff Christians Like tackles the important questions. What if God is really Kylie?!?! Contribute: Add an image, link, video or comment
Another month, another glossy fashion magazine spread for Marissa Mayer , this time in Glamour . We get it, already: the Google veep is a computer scientist in Oscar de la Renta; a nerd invited to prom
