It’s about to be on between Bella Swan and Emmett Cullen. In the first extended clip from Breaking Dawn Part 2, we see Kellan Lutz’s character challenge Kristen Stewart’s newborn vampire to an arm wrestling match, determined he can take her. We’ve all seen the sort of muscles Lutz can rock , but will he be overmatched in this showdown? Watch now and prepare for the November 16 release… Breaking Dawn Part 2 Clip
Tom Hanks is a funny dude. It’s easy to forget this, given his acclaimed performances in many Oscar-winning films, but this is a guy who can drop f-bombs on GMA or pose for drunk Reddit pics with the best of ’em. His latest unexpected comedic masterpiece? A spot-on slam poem about Full House, performed on Late Night With Jimmy Fallon. Yes, we’re serious, and it’s hilarious: Tom Hanks Full House Slam Poem Dressed in a simple black turtleneck, Hanks delivered a poem that re-imagines “Beach Boy Bingo,” the classic episode in which DJ scores tix to see Uncle Jesse’s favorite band. Who knew it could be interpreted as a post-modern feminist parable of sorts … deep. Hanx was on the show to promote high-minded Oscar bait Cloud Atlas , naturally.
Daniel Craig shared a laugh with royal guest Prince Charles today at the Royal World Premiere of Skyfall in London, where the Prince of Wales and his +1, Camilla, greeted the Blond Bond and his co-stars Naomie Harris , Dame Judi Dench , Javier Bardem , and sultry new Bond girl Berenice Marlohe ahead of Skyfall ‘s debut. (Charles seemed particularly taken with Marlohe — join the club, buddy.) The 23rd official Bond outing sees Craig’s 007 battling his own blond nemesis, Silva (a wonderfully flamboyant Bardem), whose quest to take down MI6 and Bond’s boss M (Dench) is both catastrophic and deeply personal. Click here or on the photos below to peruse Movieline’s red carpet gallery of Skyfall ‘s stars and royal guests , including Rachel Weisz , who greeted the royals by husband Craig’s side, and one-time Bond villain ladyfriend Minnie Driver. (Recall her pre-fame turn as the country-singing mistress of a Russian gangster in GoldenEye ? No?! Here, refresh your memory . You’re welcome!) My first question: “What did Charles say to Craig?” (My second: Where was Bond’s old skydiving pal The Queen ?) Caption away, Movieliners! [Photos: Getty Images] Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
This week is about threesomes, in two movies that couldn’t be more different. Although both are the products of legendary filmmakers, one’s a restrained British drama while the other is a knockabout farce. (And if these movies put you in the mood for more ménage-a-cinema, check out 3 , Cloud Atlas co-director Tom Tykwer’s last film, a sexy and intelligent movie that got very little traction in this country.) HIGH: Sunday Bloody Sunday (The Criterion Collection; $29.95 DVD, $39.95 Blu-Ray) Who’s Responsible: Written by Penelope Gilliatt; directed by John Schlesinger; starring Peter Finch, Glenda Jackson and Murray Head. What’s It All About: Jewish physician Daniel (Finch) and divorcee Alex (Jackson) are both having a relationship with artist Bob (Head). Both Daniel and Alex are aware of the arrangement, and they put up with it because each does not want to lose the emotionally elusive Bob. Why It’s Schmancy: Sunday Bloody Sunday made history for its then-shocking kiss between Finch and Head — made all the more revolutionary in 1971 for Schlesinger’s refusal to treat it any differently than a heterosexual smooch. But what has made the film endure is the core honesty of the characters. (In an interview on the DVD, Head says that Schlesinger had once shared a boyfriend with a woman and that the film was a way for him to disentangle the experience.) Brilliantly acted, sensitively written and beautifully shot, Sunday Bloody Sunday is, as author William J. Mann notes on the DVD, Schlesinger’s masterpiece. W hy You Should Own It: Once again, The Criterion Collection packages its releases brilliantly. In addition to the extras with Head and Mann, there are excerpts from a 1975 AFI lecture given by Schlesinger, interviews with production designer Luciana Arrighi, cinematographer Billy Williams and Schlesinger’s longtime partner Michael Childers. An accompanying booklet includes a new essay as well as Gilliatt’s introduction to the published screenplay. The picture and sound are both exquisite as well, particularly in hi-def. LOW: Micki + Maude (Part of a four-film collection from Mill Creek Entertainment; $9.98 DVD) Who’s Responsible: Written by Jonathan Reynolds; directed by Blake Edwards; starring Dudley Moore , Ann Reinking, Amy Irving and Richard Mulligan. What’s It All About: Rob Salinger (Moore) really, really, really wants to have a baby, but his wife Micki (Ann Reinking), an assistant DA, seemingly has no interest in having children. When he falls for Maude (Irving), and she becomes pregnant, he prepares to marry her and divorce Micki — until it turns out that Micki is also with child. Not willing to cross Maude’s pro-wrestler dad, Rob marries her anyway, leading to the harried two-timer spending days with one wife and nights with the other. Cue the inevitable delivery room sequence, with both spouses in adjoining suites and Rob trying his best to keep the charade going. Why It’s Fun: The premise sounds like a turn-off, but Reynolds, Edwards and Moore manage to make Rob a sympathetic character: he really wants to be a father, and he really loves both of these women. So, through some miracle, this bigamist scoundrel comes off as a decent guy just trying to do the right thing. Few American filmmakers do door-slamming farce as well as the late, great Edwards, and the big hospital scene at the end ranks as a real comic gem. Micki + Maude isn’t often listed among the director’s greatest films, but it’s overdue for a reappraisal. Why You Should Buy It (Again): The film comes packaged in a very mixed bag of romantic comedies, ranging from the great ( Modern Romance ) to the forgettable ( There’s a Girl in My Soup , starring frequent Edwards collaborator Peter Sellers, and Hanky Panky ). The real reason to own this film is that much of Micki + Maude ’s comedy relies upon Edwards’ masterful use of the anamorphic screen, so this really isn’t a movie you want to watch on TV unless it’s letterboxed. Alonso Duralde has written about film for The Wrap, Salon and MSNBC.com. He also co-hosts the Linoleum Knife podcast and regularly appears on What the Flick?! (The Young Turks Network). He is a senior programmer for the Outfest Film Festival in Los Angeles and a pre-screener for the Sundance Film Festival. He also the author of two books: Have Yourself a Movie Little Christmas (Limelight Editions) and 101 Must-See Movies for Gay Men (Advocate Books). Follow Alonso Duralde on Twitter. Follow Movieline on Twitter.
You’ll hear much of the movie stars and familiar faces that pop up again and again in Tom Tykwer and Lana and Andy Wachowski ‘s sprawling, ambitious Cloud Atlas , from Tom Hanks to Halle Berry to frequent Wachowski Starship performer Hugo Weaving. But the beating heart of the film belongs to Korean actress Doona Bae, who makes her English language debut as the luminous Sonmi-451, a genetically-engineered “fabricant” whose fierce humanity and love for a freedom fighter ( Jim Sturgess ) will change the future. Like Sonmi-451, Bae’s world opened up with an unexpected offer from a stranger. A successful model and actress in her native South Korea, she starred in Park Chan-Wook’s Sympathy for Mr. Vengeance and Boon Jong-Ho’s The Host — two of the most popular Korean crossover hits of the last decade, although the humble Bae is still surprised to hear that American audiences may have seen her work. Courted for the role of Sonmi-451 by the Wachowskis themselves, Bae won the part, then took a crash course in English to film her scenes. Bae’s Sonmi-451 (her name a nod to Fahrenheit 451 courtesy of author David Mitchell) inhabits the futuristic world of Neo Seoul circa 2144, where she’s broken out of capitalist enslavement by Hae-Joo Chang (Sturgess), a rebellion operative. Although the actress, like her castmates, portrays multiple characters through the film’s nested plots (including a pre-Civil War Caucasian belle with freckles and a hoop skirt), Bae commands the screen in one of the most transfixing performances of the year every time the film alights back on her ethereal Sonmi. Movieline spoke with the eloquent, soft-spoken Bae in Los Angeles about her journey with Cloud Atlas and the childhood dream of traveling stateside that she couldn’t follow then, but is living now. How did you first meet the Wachowskis and hear about the vision they and Tom Tykwer had for Cloud Atlas ? They just called me! It was weird because I had no American agent at the time, and I didn’t even have a manager in Korea. I was in between managers, so it was hard to find me. [Laughs] But I got a call from my Korean friend, the film director Pil-Sung Yim [ Doomsday Book ], and he said, “Doona, some famous Hollywood filmmakers want to send you a script – do you want to read it?” I said, “Yes, of course!” I got the script and I found, “Oh my god – this is Lana and Andy Wachowski and Tom Tykwer, this must be amazing.” After you got the script, what happened next? I did some auditions and sent in a self-taped recording – my older brother recorded it, and I just read the Sonmi part at home. Which scenes did you record? The scenes with the Archivist in the interrogation room, and one with Chang after I see the slaughterhouse. Two scenes. Then we met each other in Chicago and had camera tests. Then I got the part. [Laughs] It was like a dream. I’m still dreaming. Were you already interested in doing English-language films or attempting to find Hollywood movies to cross over with before Cloud Atlas came along? Actually, no. I wasn’t looking for any parts – if so, I would have learned English earlier. I think if so, I would have prepared. But I thought it might not be possible. Here, science fiction and foreign film fans have seen your work – Sympathy for Mr. Vengeance and The Host in particular played well stateside – so it felt like it would make sense for you to make that move. Really? I haven’t thought about it. Actually, I wasn’t ready, I think – but I worked hard. I worked hard on the language. My favorite subject was English and I wanted to study English abroad when I was young, when I was a kid, but my mom said “No, it’s too dangerous to go abroad by yourself.” So I gave up. Now I’m learning English. I’ve been learning English in London for six months. Jim [Sturgess] says your English has improved quite impressively, and fast. Oh, thank you Jim! So sweet. Had the Wachowskis seen your film Air Doll ? Your character follows a slightly similar path to Sonmi’s. Yes! When I first met Lana and Andy on Skype, I was so curious about it. “How do you know me?” I asked. [Laughs] And Lana said, “We saw Air Doll and The Host and Sympathy for Mr. Vengeance .” “Oh, Air Doll !” I see. There is some connection between the two characters. Sonmi has such a big arc – she changes so much, from being naïve and childlike at the beginning of her story to becoming such a powerful and intelligent woman. That’s exactly what I think of her, actually. I like Sonmi because she has both purity and innocence and at the same time she’s got such a strength. When you were playing her, did you feel a moment in her journey when you felt like she changed the most on her way to becoming who she would be? Actually I don’t study the script – I didn’t analyze anything, I just emptied myself and felt Sonmi, let her into my heart. So when I first saw Yoona-939 die, it was a big shock. It was like I realized something at that time. Also when I met Chang and saw the slaughterhouse – it was gradual. There are so many actors in this cast, but beyond Jim who you spent most of your time with, who did you bond with the most ? Ben [Whishaw] . We became good friends. We actually had no scenes with each other but personally we had a good time – and actually, I was very lonely because I went to Berlin by myself, on my own. I was lonely and a little bit depressed and stressed, and Ben was so sweet. He cheered me up. I’ve got some good energy from him. You recently starred in As One , a film about a Korean table tennis team. Did you ever challenge Susan Sarandon to a match? Oh, not yet! She’s got a ping pong club in New York City, I want to go there! I trained for six months with my left hand, so I can play ping pong with both hands. I should challenge her. I can beat her! Read more on Cloud Atlas , which opens Friday . 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‘If you’re 18 and you can vote and you don’t vote, bend over and drop them,’ paddle-wielding ‘Cloud Atlas’ star says. By Kevin P. Sullivan Tom Hanks Photo: MTV News
Halle has such a way with words. Halle Berry is the subject of a pretty cool NY Times blog feature this week. Inside she talks candidly about her new role in the upcoming film Cloud Atlas , her race, her relationships and raising Nahla away from the paps. We’ve got the best excerpts for you here… Via NYT T Magazine Blog : On The Paparazzi: “They’re outside my house every morning,” she says.“I get it about the celebrity stuff,” she tells me softly, sliding into her seat. “It’s part of my job to recognize that there’s a certain part of my life the public wants to hear about. But it’s not O.K. that they’re doing terrible things to my daughter. One night, after they chased us, it took me two hours just to get her calmed down enough to get to sleep.” On Her Bad Choices In Men: “My picker’s broken,” she says with a laugh. “God just wanted to mix up my life. Maybe he was thinking, ‘This girl can’t get everything! I’m going to give her a broken picker.’ ” She says it’s fixed now. Hit the flip for more…
We’ve been providing you with breaking nudes on Piper Perabo’s return to nudity in Looper (in theaters September 28) and the nubile nude co-eds of Spring Breakers (release date TBA), but our Skin Skout has been knee-deep in hot starlets at the Toronto International Film Festival all weekend. Well, ok, that’s half true. Our Skin Skout IS at TIFF, but the closest he’s gonna get to the likes of Noomi Rapace , Marion Cotillard , Olga Kurylenko , Rachel McAdams and Naomi Watts is his seat at the premieres of their new movies. But he’s still getting an eyeful… Get the scoop on upcoming nudes from Passion, Cloud Atlas, Rust and Bone and more from TIFF after the jump!
“Everything is connected,” reads the tagline for Cloud Atlas . As it is with life and the history of time and humanity, so it is with film reviews; sharply divided reactions have been coming out of Toronto, where the ambitious, history-spanning epic had its world premiere. Seldom do movies garner such polarizing critical reads: Is Cloud Atlas a triumph of ambition or, as one critic spat, ” a unique and totally unparalleled disaster ?” [ PHOTOS: First Images From The Wachowskis’ Cloud Atlas ] That biting reaction comes courtesy of The House Next Door ‘s Calum Marsh ( full review here ), whose beefs — and there are many — range from technical shortcomings to wider structural issues… which, in the case of a film about human interconnectivity and spirit, which interweaves six disparate storylines set in different eras that are filmed in varying tones and genres and feature the same actors in multiple characters (and, sometimes, in yellow- and white- and whatever-face), can be a problem: “‘What is an ocean,’ one character asks smugly, ‘if not a multitude of drops?’ And what’s Cloud Atlas if not a multitude of terrible details and unwatchable moments? The problem isn’t that this is one of the worst films I’ve ever seen in my life; the problem is that it’s seven of the worst films I’ve ever seen in my life glued together haphazardly, their inexorable badness amplified by their awkward juxtaposition. Tom Tykwer and Andy and Lana Wachowski wanted to make a movie unlike any other, and they certainly did: Cloud Atlas is a unique and totally unparalleled disaster.” But one critic’s disaster is another’s transcendent cinematic opus. Devin Faraci, reviewing in Badass Digest ( full review here ), gives high marks to Lana Wachowski, Andy Wachowski, and Tom Tykwer’s reach as scripters and co-directors, arguing that while imperfect, Cloud Atlas is “one of the great pictures of the 21st century so far”: ” Cloud Atlas is sometimes silly, and it’s sometimes pretentious and it’s sometimes overstuffed. But every single one of those things, to me, is a positive. It’s an exceptional piece of filmmaking, one of the bravest works I have ever seen. The Wachowskis have followed the poorly received final two Matrix films and the bomb of Speed Racer with a three hour meditation on the nature of human interaction, featuring a few actors in many make-ups. Some may see that as self-destructive, but I see it as incredibly heroic.” Most early reviews thus far fall at various points between Marsh and Faraci ( Cloud Atlas is currently at 60 percent on Rotten Tomatoes with 10 reviews counted * ). That’s not too surprising, given the difficulty of the undertaking at hand; adapting David Mitchell’s 500+ page novel into their own structure, no less, can be a tricky feat; doing so while pushing a sentimental theme, even moreso. Critics may agree on how the parts fit, but whether or not they see the larger picture congealing is another story. Cloud Atlas jumps around from narrative to narrative, from an 18th century sea voyage to 1970s San Francisco to the dystopian “Neo Soul” future and beyond. At least it has stars Tom Hanks and Halle Berry, who appear in multiple characters throughout, to lend some star wattage. (Jim Broadbent, Jim Sturgess, Hugh Jackman, Ben Whishaw, Doona Bae, Susan Sarandon, and Hugo Weaving fill out the cast.) Did I mention it’s three hours long? The strange thing about these early reviews is that I’m inclined to believe them all. Both sides of the coin: Triumph and, perhaps, disaster. (Then again, I loved Speed Racer . That turned out to be both at once.) * The film’s Tomatometer rating is now up to 73 percent with 15 total reviews, 11 fresh and 4 rotten. Goes to show how quickly the tide can shift so early on. We’ll be keeping an eye on the critical reaction as it builds toward week of release . Stay tuned for more on Cloud Atlas , in theaters October 26, and catch up on Movieline’s coverage of the Toronto Film Festival. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
Back in the day at the 1994 Source Awards, Tupac allegedly dissed A Tribe Called Quest, and the beef was on. The urban legend is that ATCQ, who are members of the Zulu Nation, were ready to step to the late rapper after he infamously cut off their acceptance speech for the Artist Of The Year Award… Continue